變幻不居的鏡像 : 猶太同女攝影家克勞德．卡恩的自拍像_

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題名：	變幻不居的鏡像 : 猶太同女攝影家克勞德．卡恩的自拍像
書刊名：	臺大文史哲學報
作者：	劉瑞琪
作者(外文)：	Liu, Jui-chi
出版日期：	2001
卷期：	55
頁次：	頁165-212
主題關鍵詞：	克勞德．卡恩；超現實；攝影；自拍像；女同性戀；猶太女人；敢曝；Claude Cahun；Surrealism；Photography；Self-representation；Lesbian；Jewess；Camp
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(1) 博士論文(0) 專書(1) 專書論文(0) 排除自我引用:1 共同引用:8 點閱:99

這篇論文主要探討猶太同女攝影家克勞德．卡恩的字拍像，卡恩不僅是唯一在1920年代，抵達創作巔峰的超現實主義女攝影家，她的作品中所展現的後現代感性，還成為許多後現代女性藝術家的先驅。本文試圖藉對卡恩代表作的風格與圖像分析，輔以既有評論、歷史背景與文化論述，建構卡恩充滿性別、性慾與族裔的認同銘刻的超現實主義。筆者除了將卡恩的自我再現，放到超現實主義、新女性、女同性戀、猶太女人的歷史與文化脈絡中看待，還嘗試以心理分析、記號學、解構主義、女性主義、寓言理論、敢曝理論、猶太哲學等等批評理論，更具體而多面地詮釋卡恩作品的美學與政治意涵，為卡恩在藝術史上爭取到應得的主體位置。

以文找文

This article deals with self-representations by the Jewish lesbian photographer, Claude Cahun. She is the only Surrealist woman photographer who achieved her creative maturity in the 1920s. Her work also foreshadows photography of some postmodern feminist artists. This article, based on the analyses of Cahun's work, documentation, criticism, and historical context, will decode Cahun's inscriptions of her fluid and polysemic gender, sexual, and racial identities. The author will employ critical theory, such as psychoanalysis, semiotics, deconstruction, feminism, allegoric theory, Camp theory, and Jewish philosophy, in order to elucidate the aesthetics and politics of Cahun's self-representations.

以文找文

期刊論文
1.	Buchloh, B. H. D.(1982)。Allegorical Procedures: Appropriation and Montage in Contemporary Art。Artforum，21(1)，43-56。
2.	Foster, Hal(1986)。L'Amour faux。Art in America，74，116-129。
3.	Buchloh, Benjamin(1982)。Allegorical Procedures: Appropriation and Montage in Contemporary Alt。Artforum，21，43-56。
4.	Hutcheon, Linda、沈富源(19950700)。後現代主義與諸女性主義。中外文學，24(2)=278，42-66。延伸查詢
5.	Lasalle, Honor、Solomon-Godeau, Abigail(1992)。Surrealist Confession: Claude Cahun's Photomontages。Afterimage，19(8)，10-13。
6.	Deepwell, Katy(1995)。Uncanny Resemblances。Women's Art Magazine，62，17-19。
7.	Blessing, Jennifer(1992)。Resisting Determination: An Introduction to the Work of Claude Cahun, Surrealist Artist and Writer。Found Object，1(1)，68-78。
8.	Dean, Carolyn J.(1996)。Claude Cahun's Double。Yale French Studies，90，71-92。
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10.	Murray, Timothy(1976)。A Marvelous Guide to Anamorphosis: Cendrillon ou la petite pantoufle de verre。Modern Language Notes，91(6)，1276-1295。
11.	Newton, Esther(1984)。The Mythic Mannish Lesbian: Radclyffe Hall and the New Woman。Signs: Journal of Women in Culture and Society，9(4)，557-575。
12.	Lieberman, Rhonda(1993)。Glamorous Jewesses。Artforum，31(5)，5-6。
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16.	Newton, Esther(1984)。The Mythic Mannish Lesbian: Radelyffe Hall and the New Woman。Signs: Journal of Women in Culture and Society，9(4)，557-575。
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會議論文
1.	劉瑞琪(2000)。芙洛琳．史提海莫自畫像中的性別與族裔認同。浴震重生迎接第三千禧年 : 女性心靈之旅--文學、藝術、影像國際研討會。臺北：輔仁大學比較文學研究所暨外語學院。延伸查詢

學位論文
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84.	Srajek, Martin C.(1998)。In the Margins of Deconstruction: Jewish Conceptions of Ethics in Emmanuel Levinas and Jacques Derrida。In the Margins of Deconstruction: Jewish Conceptions of Ethics in Emmanuel Levinas and Jacques Derrida。Boston, MA/ Dordrecht, Netherlands/ London, UK。
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90.	Leperlier, Francois(1992)。Claude Cahun, l’ecart et la metamorphose。Claude Cahun, l’ecart et la metamorphose。Paris。
91.	Lichtenstein, Therese(1996)。A Mutable Mirror: Claude Cahun (1992)。Illuminations: Women Writing on Photography from the 1850s to the Present。Durham。
92.	Bate, David、Leperlier, Francois(1994)。Mise en Scene。Mise en Scene。London。
93.	Kline, Katy(1998)。In or Out of the Picture: Claude Cahun and Cindy Sherman。Mirror Images: Women, Surrealism, and Self-Representation。Cambridge。
94.	Solomon-Godeau, Abigail(1999)。The Equivocal ’I’: Claude Cahun As Lesbian Subject。Inverted Odysseys, Claude Cahun, Maya, Deren, and Cindy Sherman。Cambridge, MA and London。
95.	Cahun, Claude(1930)。Aveux non avenus。Aveux non avenus。Paris。
96.	Chadwick, Whitney(1985)。"The Muse as Artist" and "Revolution and Sexuality"。Women Artists and the Surrealist Movement。New York。
97.	Chadwick, Whitney(1998)。An Infinite play of Empty Mirrors: Women, Surrealism, and Self-Representations。Mirror Images: Women, Surrealism, and Self-Representation。Cambridge。
98.	Jones, Amelia(1994)。The Ambivalence of Rrose Selavy and the (Male) Artist As ’Only The Mother of the Work’。Postmodernism and the En-Gendering of Marcel Duchamp。Cambridge。
99.	Bate, David(1994)。The Mise en Scene of Desire。Mise en Scene。London。
100.	Krauss, Rosalind(1985)。The Photographic Conditions of Surrealism。The Originality of the Avant-Garde and Other Modernlist Myths。Cambridge, MA and London。
101.	Leperlier, Francois(1994)。Claude Cahun。Mise en Scene。London。
102.	Fer, Briony(1993)。Surrealism, Myth, and Psychoanalysis。Surrealism, Myth, and Psychoanalysis。New Haven and London。
103.	Breton, André(1960)。Nadja。Nadja。New York。
104.	Lavin, Maud(1993)。Androgyny and Spectatorship。Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch。New Haven and London。
105.	Makela, Maria、Boswell, Peter(1997)。The Photomontages of Hannah Hoch。The Photomontages of Hannah Hoch。Minneapolis。
106.	Owens, Craig(1992)。The Allegorical Impulse: Toward a Theory of Postmodernism。Beyond Recognition: Representation, Power, and Culture。Berkeley/Los Angeles。
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111.	Smith-Rosenberg, Carroll(1985)。The New Woman as Androgyne: Social Order and Gender Crisis, 1870-1936。Disorderly Conduct: Visions of Gender in Victorian America。New York。
112.	Chadwick, Whitney(2000)。Amazons and Heroes: Romaine Brooks and Her World。Amazons in the Drawing Room: The Art of Romaine Brooks and Her World。Berkeley, Los Angeles and London。
113.	Newton, Esther(1993)。Role Models。Camp Grounds: Style and Homosexuality。Amherst。
114.	Case, Sue-Ellen(1999)。Toward a Butch-Femme Aesthetic。Camp: Queer Aesthetics and the Performing Subject: A Reader。Ann Arbor。
115.	Jones, Amelia(1994)。Postmodernism and the En-Gendering of Marcel Duchamp。Postmodernism and the En-Gendering of Marcel Duchamp。Cambridge。
116.	Bredbeck, Gregory W.(1994)。Narcissus in the Wilde: Textual Cathexis and the Historical Origins of Queer Camp。The Politics and Poetics of Camp。New York。
117.	Meyer, Moe(1994)。Under the sign of Wilde: An Archaeology of Posing。The Politics and Poetics of Camp。New York。
118.	Cohen, Ed(1996)。Posing the Question: Wilde, Wit, and the Ways of Man。Performance and Cultural Politics。London and New York。
119.	Piggford, George(1999)。"Who’s That Girl?" Annie Lennox, Woolf’s Orlando, and Female Camp Androgyny。Camp: Queer Aesthetics and the Performing Subject: A Reader。Ann Arbor。
120.	De Man, Paul(1983)。The Rhetoric of Temporality。Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism。Minneapolis。
121.	Pellegrini, Ann(1997)。Whiteface Performances: ’Race’ Gender, and Jewish Bodies。Jews and Other Differences: The new Jewish Cultural Studies。Minneapolis。
122.	Riviere, Joan(1986)。Womanliness as Masquerade。Formations of Fantasy。London。
123.	De Man, Paul(1996)。The Concept of Irony。Aesthetic Ideology。Minneapolis and London。
124.	Owens, Craig(1992)。Photography en abyme。Beyond Recognition: Representation, Power, and Culture。Berkeley/Los Angeles。
125.	Lévinas, Emmanuel(1987)。Autrement que savoir。Autrement que savoir。Paris。
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128.	Lacan, Jacques(1982)。The Meaning of the Phallus。Feminine Sexuality。Hampshire/London。

圖書論文
1.	Gilbert, M. Sandra、Gubar, Susan(1989)。Cross-dressing and Re-Dressing: Transvestism as Metaphor。No Man's Land: The Place of the Woman Writer in the Twentieth Century, Vol. II: Sexchanges。New Haven：Yale University Press。
2.	Levinas, Edmund(1989)。The Servant and Her Master。The Levinas Reader。Oxford：Basil Blackwell。
3.	Derrida, J.、Bass, Alan(1982)。Differance。Margins of philosophy。Chicago：University of Chicago Press。
4.	Freud, Sigmund(1955)。The Uncanny。The Standard Edition of the Complete Psychological Works of Sigmund Freud。London：The Hogarth P。
5.	Babuscio, Jack(1993)。Camp and the Gay Sensibility。Camp Grounds: Style and Homosexuality。Amherst：University of Massachusetts Press。
6.	Owens, Craig(1992)。The Allegorical Impulse: Toward a Theory of Postmodernism。Beyond Recognition: Representation, Power, and Culture。Berkeley, CA：University of California Press。
7.	Lacan, Jacques、Rose, Jacqueline(1985)。The Meaning of the Phallus。Feminine Sexuality。W. W. Norton & Company。

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臺灣人文及社會科學引文索引資料庫