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題名：迫切地追尋女性觀者：辛蒂．雪曼的《無題電影停格》系列
書刊名：女學學誌：婦女與性別研究
作者：劉瑞琪 引用關係
作者(外文)：Liu, Jui-ch'i
出版日期：2003
卷期：15
頁次：頁153-194
主題關鍵詞：辛蒂雪曼；女性觀者；女性主義藝術；後現代主義攝影；扮裝；諧擬；Cindy Sherman；Female spectators；Feminist art；Postmodern photography；Masquerade；Parody
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(2) 博士論文(1) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:27
  • 點閱點閱:99
辛蒂‧雪曼的《無題電影停格》系列 (1977-80)，一直被視為女性主義藝術與後現代主義攝影的里程碑。雪曼在這六十九張黑白攝影當中，似曾相識地扮裝成陪伴她成長的主流電影中的女性刻板印象，吸引了多采多姿的女性主義解讀。但是，既有的女性主義藝評，都聚焦於探討：雪曼的扮裝到底是順應或者解構鞏固父權秩序的男性觀視？卻枉顧女性觀者對雪曼作品的反應。本文試圖彌補這個缺憾，希望藉由確實的視覺分析，輔以雪曼的言論、既有的評論與文化的脈絡，並與女性主義電影理論與後現代思潮展開對話，開創性地分析與詮釋雪曼作為主流電影的觀者，如何以她的扮裝展現出女性特有的觀看方式？而女性觀者又如何與她的作品互動，交涉出以女性為主體的觀看之道？
Cindy Sherman's Untitled Film Stills (1977-80) are a landmark body of work in the history of both the Feminist Art and postmodern photography. In this series of 69 black-and-white photographs, the artist acts out and plays with a variety of female stereotypes in the mainstream films from her childhood and teenage. Her masquerade has beguiled plenty of feminist interpretations. However, all of them focus on contesting if Sherman's masquerade reinforces or subverts the domestication of the female body by the male voyeuristic and fetishistic gaze under patriarchy. Female spectators' reception of Sherman's masquerade renders invisible. This article, based on the analyses of Sherman's work, statement, criticism, and cultural context, wi11 attempts to deal with female spectatorship in relation to Sherman's masquerade. The author will also employ feminist film theory and postmodern thought to analyze how Sherman as a female spectator negotiates her response to female stereotypes in the mainstream films? How female spectators of the Untit1ed Film Stills, through their imaginary interaction with Sherman's masquerade, negotiate their specific ways of seeing?
Other
1.Crimp, Douglas(1984)。Picture，New York。  new window
期刊論文
1.Bal, Mieke、Bryson, Norman(1991)。Semiotics and Art History: A Discussion of Context and Senders。The Art Bulletin，73(2)，174-208。  new window
2.劉瑞琪(20000600)。女性主義藝術史研究方法論。近代中國婦女史研究，8，195-235。new window  延伸查詢new window
3.王雅各(19980400)。身體：女性主義視覺藝術在再現上的終極矛盾。婦女與兩性學刊，9，1-54。new window  延伸查詢new window
4.Hutcheon, Linda、沈富源(19950700)。後現代主義與諸女性主義。中外文學，24(2)=278，42-66。new window  延伸查詢new window
5.Ball, Edward(1989)。"The beautiful language of my century": From the situationists to the simulationists。Arts Magazine，63，65-72。  new window
6.Brittain, David(1991)。Cindy Sherman interviewed: True confessions。Creative camera，308，34-38。  new window
7.Bruno, Giuliana(1989)。Untitled entry。Camera Obscura，20/21，28-40。  new window
8.Cowie, Elizabeth(1989)。Untitled entry。Camera Obscura，20/21，127-132。  new window
9.Fuku, Noriko(1997)。A woman of parts。Art in America，85，74-81。  new window
10.Greenberg, Emily B.(1994)。Cindy Sherman and the female grotesque。Art Criticism，9(2)，49-55。  new window
11.Holborn, Mark(1984)。Color codes。Aperture，96，8-15。  new window
12.Howell, George(1995)。Anatomy of an artist。Art papers，19(4)，2-7。  new window
13.Iversen, Margaret(1988)。Fashioning feminine identity。Art international，2，52-57。  new window
14.Johnson, Ken(1987)。Cindy Sherman and the anti-self: An interpretation of her imagery。Arts Magazine，62，47-53。  new window
15.Krauss, Rosalind(1993)。Cindy Sherman’s gravity: A critical fable。Artforum international，32，162-164。  new window
16.Mulvey, Laura(1991)。A phantasmagoria of the female body: The work of Cindy Sherman。New Left Review，188，136-150。  new window
17.Muschamp, Herbert(1997)。Knowing looks。Artforum international，35，106-111。  new window
18.Nilson, Lisbet(1983)。Q and A: Cindy Sherman。American Photographer，1983(9)，70-77。  new window
19.Pollack, Barbara(1999)。The 10 best living artists。Art News，98，137-147。  new window
20.Schor, Mira(1989)。From liberation to lack。Heresies，24，15-21。  new window
21.Solomon-Godeau, Abigail(1991)。Suitable for framing: the critical recasting of Cindy Sherman。Parkett，29，112-115。  new window
22.Williamson, Judith(1983)。The photographs of Cindy Sherman。Screen，24(6)，102-116。  new window
圖書
1.Stacey, Jackie(1994)。Star Gazing: Hollywood Cinema and Female Spectatorship。Star Gazing: Hollywood Cinema and Female Spectatorship。London/New York。  new window
2.Kaplan, E. Ann(1998)。Women in Film Noir。Women in Film Noir。London。  new window
3.Doane, M. A.(1991)。Femme Fatales: Feminism, Film Theory, Psychoanalysis。New York：Routledge。  new window
4.Foster, Hal(1996)。The Return of the Real：The Avant-Garde at the End of the Century。Cambridge。  new window
5.Modleski, Tania(1988)。The Women who knew too much: Hitchcock and feminist theory。New York and London。  new window
6.Krauss, Rosalind(1993)。Cindy Sherman, 1975-1993。New York。  new window
7.Irigaray, Luce、Porter, Catherine、Burke, Carolyn(1985)。This Sex Which is Not One。Cornell University Press。  new window
8.Silverman, Kaja(1996)。The Threshold of the Visible World。New York：Routledge。  new window
9.Huyssen, Andreas(1986)。After the Great Divide: Modernism, Mass Culture, Postmodernism。Bloomington, Indianapolis：Indiana University Press。  new window
10.Barthes, Roland、Lavers, Annette(1972)。Mythologies。New York：Hill and Wang。  new window
11.Solomon-Godeau, Abigail(1991)。Photography at the Dock: Essays on Photographic History, Institutions, and Practices。Minneapolis, MN：University of Minnesota Press。  new window
12.Culler, Jonathan(1982)。On Deconstruction: Theory and Criticism after Structuralism。Ithaca, NY：Cornell University Press。  new window
13.Baudrillard, Jean、Leven, Charles(1981)。For a Critique of the Political Economy of the Sign。Telos Press。  new window
14.Barthes, Roland(1989)。That old thing, art。Post-pop art。Cambridge。  new window
15.Baudrillard, Jean(1989)。Pop: An art of consumption?。Post-pop art。Cambridge。  new window
16.Broude, Norma、Garrard, Mary D.(1992)。Introduction: The expanding discourse。The Expanding Discourse: Feminism and Art History。New York。  new window
17.Butler, Judith(1993)。Phantasmatic identification and the assumption of sex。Bodies That Matters: On the Discursive Limits of "Sex"。New York/London。  new window
18.Crimp, Douglas(1993)。The Photographic activity of postmodernism。On the Museum's Ruins。Cambridge, M. A. and London。  new window
19.Cruz, Amada(1997)。Movies, monstrosities, and masks: Twenty years of Cindy Sherman。Cindy Sherman: Retrospective。London。  new window
20.Danto, Arthur C.(1990)。Untitled film stills: Cindy Sherman。Untitled film stills: Cindy Sherman。New York。  new window
21.Debord, Guy(1995)。Society of spectacle。Society of spectacle。New York。  new window
22.De Lauretis, Teresa(2000)。Strategies of coherence: Narrative cinema, feminist poetics, and Yvonne Rainer。Feminism and Film。Oxford。  new window
23.Douglas, Susan J.(1994)。Where the girls are: Growing up female with the mass media。New York：Times。  new window
24.Fried, Michael(1968)。Art and object hood。Minimal art: A critical anthology。  new window
25.Irigaray, Luce(1980)。This sex which is not one。New French Feminisms: An Anthology.。Amherst。  new window
26.Jameson, Fredric(1998)。後現代主義與消費社會 (1983)。反美學：後現代文化論集。臺北。  延伸查詢new window
27.Jones, Amelia(1997)。Tracing the Subject with Cindy Sherman。Cindy Sherman: Retrospective。London。  new window
28.Jones, Amelia(2000)。Survey。The artist’s body。London。  new window
29.Kuhn, Annette(2000)。Women’s genres。Feminism and Film。Oxford。  new window
30.Mooney, Ted(1999)。Cindy Sherman: An invention for two voices。Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman。Cambridge, M. A. and London。  new window
31.Osaki, Sachiko(1996)。Cindy Sherman’s history portraits。Cindy Sherman。Shiga, Japan。  new window
32.Owen, Craig(1992)。The discourse of others: Feminists and postmodernism。Beyond Recognition: Representation, Power, and Culture。Berkeley/Los Angeles。  new window
33.Phelan, Peggy(1993)。Developing the negative: Mapplethorpe, Schor, and Sherman。Unmarked: The Politics of Performance。New York and London。  new window
34.Phillips, Lisa、Schjeldahl, Peter(1987)。Cindy Sherman。Cindy Sherman。New York。  new window
35.Rosenzweig, Phyllis(1995)。Directions- Cindy Sherman: Film stills。Directions- Cindy Sherman: Film stills。Washington, D. C.。  new window
36.Sailer, Susan Shaw(1996)。Women in rooms, women in history。Pedagogy, praxis, Ulysses: Using Joyce’s text to transform the classroom。Ann Arbor。  new window
37.Schor, Mira(1994)。Backlash and appropriation。The Power of Feminist Art: The American Movement of the 1970s, Hitory and Impact。New York。  new window
38.Silverman, Kaja(1989)。Histoire d’O: The construction of a female subject。Pleasure and Danger: Exploring Female Sexuality。London。  new window
39.Williamson, Judith(1986)。Consuming passions。Consuming passions。London and New York。  new window
其他
1.Wallach, Amei(1992)。Tough images to face。  new window
圖書論文
1.Mulvey, L.(1989)。Visual Pleasure and Narrative Cinema。Visual and Other Pleasure--Language, discourse, society。London, UK：Bloomington：Macmillan：Indiana University Press。  new window
2.Barthes, Roland、Heath, Stephen(1977)。Introduction to the Structural Analysis of Narratives。Image, Music, Text。New York, NY：Hill and Wang。  new window
3.Cowie, Elizabeth(1993)。Film noir and women。Shades of noir: A reader。London：Verso。  new window
4.Kaplan, E. Ann(1998)。Introduction to new edition。Women in film noir。London：BFI Publishing。  new window
 
 
 
 
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