本文分兩部分，先舉從元初到元明之際，集體題詠之例，歸為「遺民心態的反映」、「歌詠隱逸生活」、「畫意的延伸」、「對新朝代的期待」四種類型。其次以院藏李士行（1283-1328）〈江鄉秋晚〉卷為例，考察畫幅上及卷後二十九位題詩者參與題詠的因緣，並論其詩與畫的關係。總結這二十九則題詩者的年代，都集中在元代中期，前段題詩者為石巖題，可能都在1329年前後，即李士行去世後不久，情誼尚在，所以將畫意與懷念之思結合於詩中，其中有幾首詩的內容都圍繞在歸隱的主題上，可歸入第二類「歌詠隱逸生活」的題詠，李士行因在尋求入仕的機會中意外身亡，似乎更加深了一般儒士在出仕與歸隱間的矛盾。後段題詩的對象已轉變，歸隱的畫意變得十分淡薄，而是代之以畫境的描寫，或畫風的傳承。雖然題詩與畫的關係漸鬆弛，不過從另一個角度來看，因為題旨的改變，也使得題詠的內容更為豐富。

　　　　　The present essay is divided into two sections. The first cites a variety of examples of early Yuan to Yuan-Ming transitional painting inscription s and colophons. These are divided into four categories: Reflections of I min Emotion, Chants on Eremitic Lifestyle, Extensions of Expressive intent, and Hopes for the New Dynasty. The second section takes Li Shih-hsing's River Village on an Autumn Evening as an example, examining the authors and content of the twenty-nine colophons appended to the work. Discussion in this section also explores the relationship between these writings and the painting itself. The colophons found on Li's work were all written during the mid-Yuan dynasty. The first set of inscriptions were drafted around 1329, shortly after Li Shih-hsing's death, when his memory was still fresh in the authors' minds. Thus, in these colophons we perceive a sense of longing for a departed friend, and find reflections on the expressive intent of Li's work. Several of the inscriptions dwell on the theme of hermitage and can thus be placed in the second category 'Chants of Eremitic Lifestyle.' This theme is bolstered by the fate of Li-Shih-hsing himself, who died unexpectedly while in pursuit of an official career, thereby exemplifying the Confucian scholar's contradictory impulses toward government service and eremitism. The latter colophons pursue a different course, turning away from eremitic themes to descriptions of the painting and its stylistic elements. Although this shift leads to increasing divergence between the inscriptions and the painting itself, it nevertheless adds another dimension to the overall colophon content of the work.