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題名:肢體動作法的迷思--史氏體系的探索
書刊名:藝術評論
作者:姚海星 引用關係
作者(外文):Yao, Hai-hsing
出版日期:2004
卷期:14
頁次:頁133-165
主題關鍵詞:史丹尼斯拉夫斯基體系肢體動作情感下意識心理形體動作規定情境Stanislavsky systemPhysical actionsEmotionsSubconsciousnessPsycholphysical actionsGiven circumstances
原始連結:連回原系統網址new window
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  • 共同引用共同引用:2
  • 點閱點閱:137
     眾所周知史氏在晚年時有了很大的變化,他由原先對演員內心體驗的努力探討,轉變為對外在形體動作的狂熱追求。然而,很可惜的是,史氏在逝世前,卻來不及將他晚年如此熱心研究的表演方法,也就是所謂的肢體動作法,清楚完整地記錄下來,目前所能找到的,只有一些零星片段的手稿。再加上許多重要的資料多為俄文,譯成英文的極少。這一切,加深了西方世界人士想要研究肢體動作法的困難性。這也就是為什麼,在西方,探討肢體動作法的文獻非常的少。由於大家都不太了解,也難以了解,因此,當許多英美學者在書籍或論述中提到肢體動作法時,不是幾句話含糊帶過,就是以訛傳訛,將自己也不甚理解的錯誤觀念散播給讀者。這種現象著實令人心驚。再加上在蘇聯,此一方法更是被嚴重扭曲地濫用,使得史氏晚年極為看重的肢體動作法不幸地被包圍在一團巨大的迷霧之中。本文試圖探討肢體動作法的本質及其與體系之間的關係,並試著釐清,究竟它是否為體系之中的一種方法,還是體系之外的另一種表演方法。本文也試圖澄清西方與蘇聯學者專家對肢體動作法的一些謬誤觀念。希望透過本文的分析與澄清,能消除大眾的疑惑,並破解已存在許久的有關肢體動作法的迷思!
     In the last few years of his life, Constantin Stanislavsky's practice underwent a radical change. Before, he had spent many years analyzing the creative processes and inner feelings of the actor; but now he felt there was an urgent need to pursuit an actor's physical actions. This new approach was called by him "the Method of Physical Action". His exploration of the physical action seems interesting to many people; unfortunately, he did not finish writing a clear and full explanation of his new practice before his death in 1938. Only some fragments of his manuscripts were left. To the Westerners, the understanding of the Method of Physical Action becomes extremely difficult. On the one hand, it has been regarded as an unfinished experiment of Stanislavsky, thus, it is not worth researching; on the other hand, many significant documents are in Russian, and they have not yet been translated into English. Such being the case, the research on the Method of Physical Action becomes fairly limited, and even scholars or experts who do research on the subject do not truly understand it. This paper intends to explore the essence of the Method of Physical Action. It also tries to study the relationship between the Method of Physical Action and the System, and to answer the question: whether it is an independent method or a part of the System. Moreover, this paper clarifies some misunderstandings many scholars and experts have, including Sonia Moore. The researcher hopes that through analysis the hidden meanings of the Method of Physical Action will be clearly revealed.
期刊論文
1.姚海星(19961000)。史丹尼斯拉夫斯基在蘇聯。藝術評論,7,219-237。new window  延伸查詢new window
2.童道明(1979)。斯坦尼體系是非談。外國戲劇,1979(4),14。  延伸查詢new window
3.Carnicke, Sharon M.(1991)。The Last Decade: Stanislavsky and Stalinism。Theater,22(2),10。  new window
4.德尼.巴勃萊(1984)。莫斯科藝術劇院演出《哈姆雷特》。戲劇藝術,1,128-129。  延伸查詢new window
5.Hobgood, Burnet M.(1986)。Stanislavski's Books: An Untold Story。Theater Survey,27(1/2),156-158。  new window
6.Poggi, jack(1973)。The Stanislavsky System in Russia。The Drama Review,17(1),125-26。  new window
7.吳瑾瑜、張應湘(1978)。關於斯坦尼斯拉夫斯基體系的討論。戲劇藝術,1,27。  延伸查詢new window
圖書
1.Lewis, Robert(1958)。Method - Or Madness。New York。  new window
2.Benedetti, Jean(1991)。Stanislavski: An Introduction。London。  new window
3.鄭雪來(1984)。斯坦尼斯拉夫斯基體系論集。斯坦尼斯拉夫斯基體系論集。北京。  延伸查詢new window
4.戈爾恰科夫、尼(1980)。事件‧主題思想‧貫串行動。外國戲劇。  延伸查詢new window
5.史丹尼斯拉夫斯基(1965)。演員自我修養(第一部)。演員自我修養(第一部)。北京。  延伸查詢new window
6.Coger, Leslie Irene(1967)。Stanislavski Changes His Mind。Stanislavski and America。New York。  new window
7.Moore, Sonia(1988)。The Stanislavski System。The Stanislavski System。New York。  new window
8.Benedetti, Jean(1990)。Stanislavski: A Biography。Stanislavski: A Biography。New York。  new window
9.Korneva, Oksana(1984)。Konstantin Stanislavsky: Selected Works。Konstantin Stanislavsky: Selected Works。Moscow。  new window
10.Carnicke, Sharon M.(1998)。Stanislavsky in focus。Stanislavsky in focus。Amsterdam。  new window
11.斯坦尼斯拉夫斯基(1956)。演員自我修養(第二部)。演員自我修養(第二部)。北京。  延伸查詢new window
12.斯坦尼斯拉夫斯基(1985)。演員創造腳色。演員創造腳色。北京。  延伸查詢new window
13.Moore, Sonia(1967)。The Method of Physical Actions。Stanislavski and America。New York。  new window
14.Hirsch, Foster(78-79)。A Method to Their Madness: The History of the Actors Studio。A Method to Their Madness: The History of the Actors Studio。New York。  new window
15.Simonov, P. V.(1973)。The Method of K. S. Stanislavski and the Physiology of Emotion。Stanislavski Today。New York。  new window
16.托馬斯.黎黑(1996)。心理學史:心理學的主流思潮。心理學史:心理學的主流思潮。臺北。  延伸查詢new window
17.Manyukov, Victor(1967)。Stanislavski Preserved: An MAT Discussion。Stanislavski and America。New York。  new window
18.Toporkov, Vasily(1979)。Stanislavski in Rehearsal: the Final Years。Stanislavski in Rehearsal: the Final Years。  new window
19.戈爾恰可夫、尼(1952)。斯坦尼斯拉夫斯基的導演課。斯坦尼斯拉夫斯基的導演課。北京。  延伸查詢new window
 
 
 
 
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