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題名:方苞論「詩」的文學闡釋
書刊名:華梵人文學報
作者:朱孟庭 引用關係
作者(外文):Chu, Meng-ting
出版日期:2005
卷期:4
頁次:頁1-29
主題關鍵詞:清代方苞詩經詩經學文學文學研究文學闡釋Ching dynastyFang PaoThe Book of OdesSchool of the Book of OdesLiteratureLiterary researchLiterary interpretation
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《詩經》的文學研究/闡釋,能見其本來面貌及其獨立地位,是個有價值的研究方向,值得後代學者重視並承繼。《詩經》清學在以樸學爲主流的情況下,另有一那分文學的研究/闡釋在滋長,如清代方苞《朱子詩義補正》即能從文學的角度闡釋《詩經》,其較少做理論性的論述,故直接從其對作品的闡釋加以歸納分析,可獲致六點特色:一、義法嚴謹,文義須相貫相類,二、注重修辭的分析闡釋,三、著重闡發情感的要素,四、玩味辭意,以想像進行再創造,五、以文學的角度看待男女情詩與分別風雅頌,六、由風物以興情。各項並參酌其文論分別加以闡述。
A literary research/interpretation of "the Book of Odes" has been finding completely its aspect of circumstances and independence position, considers importance of a valuable outlook, is worthwhile re-searching and succession to afterward scholars. The Book of Odes in Ching Dynasty called Pu School, Pu means a simple and plain-minded method without complex thought, in addition, some literary research/interpretation has been growing, for example: Fang Pao's "Meaning, Supplement and Correction of Chu His's interpretation "the Book of Odes" got an literary point of view to interpret and less theoretical discussion. Fang Pao directly interpreted from the "Book of Odes" to judge, conclude, analyze, and summarize to the followings six characters: 1 To draw principle strictly and literary meaning understand; thoroughly and completely; 2 To concentrate on the rhetorical contains induct and sum up; 3 Understand human feelings is an essence element; 4 To realize words meaning to create a world again; 5 From the literary viewpoint between man and woman romantic poetry to distinguish three genres of "the Book of Odes", Fong (means poetry from different countries), Ya (classic institutions in ancient China), Song (Poem full of noble feeling expressed with dignity); 6 To think of things and cultivate life feels. Each item refers to its genre to make good judgment interpretation.
期刊論文
1.李蹊(2003)。《詩經》的文學性與“類” 覺醒。晉陽學刊,2003(1)。  延伸查詢new window
2.檀作文(200309)。朱熹對《詩經》文學性的深刻體認。湘潭大學社會科學學報,27(5)。  延伸查詢new window
3.龍向洋(200210)。明清之際《詩經》文學評點略論。信陽師範學院學報,22(5)。  延伸查詢new window
4.譚德興(2003)。什麼是《詩經》的「文學研究」--關於經學與文學關係之思考。貴州文史叢刊,2003(3)。  延伸查詢new window
5.劉毓慶(2001)。從朱熹到徐常吉--《詩經》文學研究軌跡探尋。西北師大學報(社會科學版),38(2),1-5。  延伸查詢new window
6.趙沛霖(2004)。詩經學的傳統。中州學刊,2004(1)。  延伸查詢new window
圖書
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2.姚鼐(1971)。惜抱軒筆記。台北:廣文書局。  延伸查詢new window
3.方苞。朱子詩義補正。  延伸查詢new window
4.嚴羽、黃景進(1999)。滄浪詩話。臺北:金楓出版社。  延伸查詢new window
5.周嘯天(1994)。詩經鑑賞。台北:五南圖書。  延伸查詢new window
6.張健(198711)。文學概論。台北:五南圖書。  延伸查詢new window
7.許福吉(2001)。義法與經世--方苞及其文學研究。上海:學林出版社。  延伸查詢new window
8.裴普賢(1990)。詩經評註讀本。台北:三民書局。  延伸查詢new window
9.聞一多(1948)。聞一多全集。台北:里仁書局。  延伸查詢new window
10.郞國平、王鎮遠(1995)。清代文學批評。上海:上海古籍出版社。  延伸查詢new window
11.魏怡(1988)。詩歌鑑賞入門。台北:國文天地雜誌社。  延伸查詢new window
12.余培林(1995)。詩經正詁。臺北:三民書局。  延伸查詢new window
13.方苞(1960)。方望溪全集。臺北:世界書局。  延伸查詢new window
14.朱熹(1974)。詩集傳。台北:華正書局。  延伸查詢new window
15.毛詩正義。臺北:藍燈書局。  延伸查詢new window
16.論語注疏。臺北:藍燈文化事業公司。  延伸查詢new window
17.鍾嶸、廖棟梁(1999)。詩品。臺北:金楓出版社。  延伸查詢new window
18.姚際恆(1993)。詩經通論。臺北:廣文書局。  延伸查詢new window
19.梁啟超(1925)。要籍解題及讀法。北京:北京書局。  延伸查詢new window
20.糜文開、裴普賢(1991)。詩經欣賞與研究。三民書局。  延伸查詢new window
21.湯志鈞(2002)。近代經濟與政治。北京:中華書局。  延伸查詢new window
22.劉毓慶(2001)。從經學到文學:明代《詩經》學史論。北京:商務印書館。  延伸查詢new window
23.顧易生、王運熙(1991)。中國文學批評史。台北:五南圖書出版公司。  延伸查詢new window
24.余英時(1984)。歷史與思想。台北:聯經出版社。  延伸查詢new window
25.王更生(1991)。文心雕龍讀本。台北:文史哲出版社。  延伸查詢new window
26.夏傳才(1994)。詩經研究史概要。臺北:萬卷樓圖書有限公司。  延伸查詢new window
27.張少康、劉三富(1995)。中國文學理論批評發展史。北京:北京大學出版社。  延伸查詢new window
28.洪湛侯(2002)。詩經學史。北京:中華書局。  延伸查詢new window
29.戴維(2001)。詩經研究史。長沙:湖南教育出版社。  延伸查詢new window
30.余培林(1993)。詩經正詁。三民書局。  延伸查詢new window
31.方玉潤(1981)。詩經原始。臺北:藝文印書館。  延伸查詢new window
32.司馬遷、瀧川龜太郎(1986)。史記會注考證。洪氏出版社。  延伸查詢new window
33.黃永武(1999)。中國詩學--鑑賞篇。巨流。  延伸查詢new window
 
 
 
 
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