侯錦郎為來自台灣的法國華裔藝術家兼學者，其畫作以人物為主 題，連結周遭的家人、友人，並將銘刻腦海中關於台灣的記憶，置於同一論述場域，藉由繪畫的闡釋，替行動不便、言語困難的自我發聲。職是，本文擬從集體記憶以及家園形象兩項視角，試析侯錦郎如何透過畫作，詮釋原鄉宗教、政治面向的集體記憶，同時，如何從自我塑造的親友關係中，推論個人對家園的想像和認同議題。

Hou Ching-Lang, a Chinese-French artist and scholar from Taiwan, tried to use several different figures in his works to connect family and friends and, in addition, to engrave his memory about his homeland－Taiwan. This paper attempts to analyze how the artist described Taiwanese religion and politics from his collective memory with the intention of building his own homeland in mind, and how he represented his imaginary relationship with his family as well as his self-identity.