以相機為武器：蒂娜‧摩多提的革命攝影__臺灣人文及社會科學引文索引資料庫

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題名：	以相機為武器：蒂娜‧摩多提的革命攝影
書刊名：	國立臺灣大學美術史研究集刊
作者：	劉瑞琪
作者(外文)：	Liu, Jui-ch'i
出版日期：	2013
卷期：	34
頁次：	頁163-211+213-228+232
主題關鍵詞：	蒂娜‧摩多提；托洛斯基；形式主義；尖聲派；革命攝影；馬克思主義；技術；Tina Modotti；Leon Trotsky；Formalism；Estridentismo；Revolutionary photography；Marxism；Technique
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:3 點閱:89

蒂娜．摩多提（Tina Modotti，1896－1942）生於義大利，成長於美國，卻因移居墨西哥時期（1923－1930）的攝影聞名於世。她在後革命時期的墨西哥，逐步開展她的攝影及左派生涯，從剛開始向威斯頓（Edward Weston）學習形式主義攝影，到很快地與墨西哥的尖聲派（Estridentismo）文藝運動連結，並從1926年開始、經過一年多的探索，在1927年底緊密結合攝影實踐與左翼政治，以相機作為武器，發展出筆者所要論述的革命攝影。這篇論文將從摩多提1929年的生前唯一個展出發，特別是以她在觀展小冊最前面，以紅字引用托勒斯基（Leon Trotsky）的見解為線索，從托勒斯基的論著《文學與革命》（1924）中汲取養分，將摩多提的攝影置於墨西哥後革命時期的文藝與社會脈絡中詮釋，以開拓迄今中外文研究文獻中少見的馬克思主義詮釋。筆者將一方面援引托勒斯基的唯物辯證法觀點，從生產與消費的情境，來看待摩多提如何逐步融合攝影實踐與革命政治，另一方面將援引托勒斯基對於俄國未來主義、形式主義、革命藝術的文藝批評，來詮釋摩多提所逐漸開展的形式主義、尖聲派、革命攝影歷程，並且探討它們如何成為服務革命大眾與重構社會真實的武器。

以文找文

Tina Modotti (1896-1942), who was born in Italy and grew up in the United States, has been well-known for her photographs shot during her Mexican sojourn (1923-1930). She gradually dedicated herself to a life of photographic practices and left-wing activism in post-revolutionary Mexico. Modotti had her initiation into formalist photography as an apprentice to Edward Weston. As soon as she settled in Mexico, her photographic works were linked to the Estridentismo movement. Since 1926, Modotti had explored to combine the worlds of radical formalist photography and communist activism. At the end of 1927, Modotti fully achieved her goal, using her camera as a weapon, to produce the revolutionary photography as defined by Leon Trotsky.This paper treats her only solo exhibition during her lifetime held in 1929, as well as Trotsky’s phrases quoted by her in red at the beginning of the exhibition brochure, as important clues to comprehend her development of the revolutionary photography. I will elucidate a Marxist interpretation of Modotti's photographic works within the artistic and social context of post-revolutionary Mexico. By applying Trotsky's viewpoints in ”Literature and Revolution” (1924), I will explore how Modotti gradually merged photographic practices with revolutionary politics from the perspectives of production and reception. I will also interpret the development of Modotti's photographic career from formalism, to Estridentismo, to revolutionary photography in comparison to Trotsky's dialectical interpretation of the development of Russian Futurist, formalist, and revolutionary literature. By so doing, I want to analyze how Modotti's works could serve as weapons to provoke the proletariat revolution and to reconstruct the social reality.

以文找文

期刊論文
1.	Armstrong, Carol(2002 Summe)。This Photography Which Is Not One: In the Gray Zone with Tina Modotti。October，101，19-52。
2.	Azuela, Alicia(1993 Sprin)。El Machete and Frente a Frente: Art Committed to Social Justice in Mexico。Art Journal，52(1)，82-87。
3.	Beals, Carleton(192902)。Tina Modotti。Creative Art，4(2)，xlvi-li.。
4.	Chilsen, Liz(1996)。Synthesis of Art and Life: Tina Modotti's Photography in Mexico and the Building of a Mexican National Identity。The Photo Review，19(1)，2-15。
5.	Flores, Tatiana(2008)。Strategic Modernists: Women Artists in Post-Revolutionary Mexico。Woman's Art Journal，29(2)，12-22。
6.	Hinnov, Emily M.(2011)。The Maternal Utopia in Tina Modotti's Modernist Madonna and Child。Womens Studies，40，249-268。
7.	Hooks, Margaret(1991)。Assignment, Mexico: The Mystery of the Missing Modottis。Afterimage，19(4)，10-11。
8.	Klich, Lynda(2012)。Estrident6polis: Achieving a Post-Revolutionary Utopia in Jalapa。Journal of Decorative and Propaganda Arts，26，106-131。
9.	Modotti, Tina(192910-12)。On Photography (Sobre la fotografia)。Mexican Folkways，5(4)，196-198。
10.	Modotti, Tina(1932)。Photography as a Weapon for Agitprop for Use by International Red Aid。AIZ，3，198。
11.	劉瑞琪(20040900)。莎莉．曼恩兒童攝影中的母性拜物主義。國立臺灣大學美術史研究集刊，17，191-226+229。延伸查詢
12.	Bal, Mieke、Bryson, Norman(1991)。Semiotics and Art History: A Discussion of Context and Senders。The Art Bulletin，73(2)，174-208。

學位論文
1.	Cuevas-Wolf, Cristina(1997)。Indigenous Cultures, Leftist Politics, and Photography in Mexico from 1921 to 1940(博士論文)。Northwestern University。
2.	Gallo, Rubén(2001)。Technology as Metaphor: Representations of Modernity in Mexican Art and Literature, 1920-1940(博士論文)。Columbia University。
3.	Tomaszewska, Lara(1998)。Marionettes and Metaphor: Political Satire in the Photogravhs of Tina Modotti(碩士論文)。Concordia University，Montreal, Quebec, Canada。

圖書
1.	Albers, Patricia(1999)。Shadows, Fire, Snow: The Life of Tina Modotti。New York：Clarkson Potter。
2.	Barckhausen-Canale, Christiane(1992)。Verdady Leyenda de Tina Modotti。Mexico City：Diana。
3.	Buchloh, Benjamin H. D.(1987)。From Faktura to Factography (1984)。October: The First Decade, 1976-1986。Cambridge, MA：The MIT Press。
4.	Cacucci, Pino(1992)。Tina Modotti。Barcelona：Circe。
5.	Conger, Amy(1986)。Tina Modotti and Edward Weston: A Re-evaluation of their Photography。EW: Centennial Essays in Honor of Edward Weston。Carmel, CA：Friends of Photography。
6.	Conger, Amy(1992)。Tina Modotti: Photographs from the Collection of the Center for Creative Photography。Tucson, AZ：Center for Creative Photography, University of Arizona and the Arizona Board of Regents。
7.	Constantine, Mildred(1993)。Tina Modotti: A Fragile Life。New York：Rizzoli。
8.	Constantine, Mildred(1983)。Tina Modotti: A Fragile Life. reissued and revamped。London：Bloomsbury。
9.	Doy, Gen(1998)。Materializing Art History。New York：Berg。
10.	Folgarait, Leonard(2008)。Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Alvarez Bravo。New Haven：London：Yale University Press：Yale University Press。
11.	Goldberg, Vicki(1991)。The Power of Photography: How Photographs Changed Our Lives。New York：London：Paris：Abbeville Publishing Group：Abbeville Publishing Group：Abbeville Publishing Group。
12.	Hooks, Margaret(1993)。Tina Modotti: Photographer and Revolutionary。London：Pandora。
13.	Knight, Alan(1986)。The Mexican Revolution。Cambridge, U.K：Cambridge University Press。
14.	Lowe, Sarah M.(1995)。Tina Modotti: Photographs。New York：Harry N. Abrams。
15.	Lowe, Sarah M.(2004)。Tina Modotti and Edward Weston: The Mexico Years。New York：London：Merrell：Merrell。
16.	Mraz, John(2009)。Looking for Mexico: Modern Visual Culture and National Identity。Duke University Press。
17.	Mulvey, Laura、Wollen, Peter(1982)。Frida Kahlo and Tina Modotti。London：Whitechaple Art Gallery。
18.	Noble, Andrea(2000)。Tina Modotti: Image, Texture, Photography。Albuquerque：University of New Mexico Press。
19.	Oilman, Leah(1991)。Camera as Weapon: Worker Photography between the Wars。San Diego, CA：Museum of Photographic Arts。
20.	Schultz, Reinhard et al.(2010)。Tina Modotti: Photographer and Revolutionary。Berlin：Kunst Haus Wien。
21.	Siqueiros, David Alfaro(1984)。Edward Weston and Tina Modotti。Edward Weston Omnibus: A Critical Anthology。Salt Lake City：Peregrine Smith Books。
22.	Solomon-Godoeau, Abigail(1991)。The Armed Vision Disarmed: Radical Formalism from Weapon to Style (1983)。Photography at the Dock: Essays on Photographic History, Institutions, and Practices。Minneapolis：University of Minnesota Press。
23.	Sotelo, Jesus Nieto、Alvarez, Elisa Lozano(2000)。Tina Modotti: Una Nueva Mirada, 1929/ A New Vision, 1929。Mexico City：CNCA/Centro de la Imagen y Universidad Autonoma del Estado de Morelos。
24.	Stark, Amy,(1986)。The Letters from Tina Modotti to Edward Weston。Tucson, AZ：Center for Creative Photography, University of Arizona。
25.	Trotsky, Leon、Strunsky, Rose(1960)。Literature and Revolution。Ann Arbor, MI：The University of Michigan Press。
26.	Weston, Edward、Newhall, Nancy(1961)。The Daybooks of Edward Weston。Mexico. Millerton, NY：Aperture。
27.	Mora, Gilles(1998)。Photo Speak: A Guide to the Ideas, Movements, and Techniques of Photography, 1839 to the Present。New York：Abbeville Press。
28.	Frizot, Michel(1998)。A New History of Photography。Koln：Könemann。
29.	Rosenblum, Naomi(1984)。A World History of Photography。New York：Abbeville Press。
30.	Hodges, Donald、Gandy, Ross(1979)。Mexico (1910-1976): Reform or Revolution?。London, UK：Macmillan：Zed Press。

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