We live in an occularcentric society. Vision is dominant over other senses and it serves as our major source of knowledge acquisition and perception, and as the main channel of communication. In a society that privileges vision over other senses, blindness has been reduced to visual impairment, bodily damage, and even epistemological ignorance. Those who traditionally rely on tactile sense are thus discriminated against and marginalized. Kojiro Hirose expands the idea of universal design to challenge occularcentrism and encourage mutual understanding between the sighted and the blind. Kojiro Hirose believes that tactile learning can change museums and their methods of display in ways that will enable museums to change the perceptions of the museumgoers and, eventually, the whole society.