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題名:社區、博物館與劇場的相遇--以「夏日首陽‧戲劇楊逵--戲劇教育x導覽種子」計畫為例
書刊名:戲劇研究
作者:陳韻文 引用關係
作者(外文):Chen, Yun-wen
出版日期:2015
卷期:16
頁次:頁183-216
主題關鍵詞:博物館劇場戲劇教育社群藝術關係美學應用劇場Museum theatreDrama educationCommunity artsRelational aestheticsApplied theatre
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:13
  • 點閱點閱:36
本文以研究者與楊逵文學紀念館的合作為例,探析一個應用劇場方案如何跨越劇場、博物館與社區的邊界,在博物館使命、劇場實踐與社區脈絡所涵構的空間中建立多樣的互動關係。工作坊課程、觀摩、排練與呈現提供了多層次的戲劇經驗,社區的地方知識和凝聚力不僅有利計畫的推動,也啟發了課程設計。整體而言,這個跨界的劇場方案,促成不同的機構、規訓和人們在關係中互相學習,進行文化交換。
This paper shares the example of a cooperative research project of the researcher with The Memorial Museum of Yang Kui Literature, reflecting on how an applied theatre project crossed the borders mediating theatre, museum and community, and developed the pluralistic relationships in the spaces distributed among the museum mission, theatre practice and community context. The project provided the community members a wide range of drama experiences through workshops, demonstration, rehearsal and presentation, while their local knowledge and cohesion facilitated the project planning and execution. As a whole, this border-crossing project stimulated learning in relationships and led to cultural exchanges among different institutions, disciplines and people.
期刊論文
1.高子衿、吳樹安(2013)。人造地獄--Claire Bishop談參與性藝術和觀看者政治。典藏今藝術,246,124-129。  延伸查詢new window
2.Jackson, Anthony、Leahy, Helen Rees(2005)。"Seeing it for real...?"--Authenticity, theatre and learning in museums。Research in Drama Education,10(3),303-325。  new window
3.吳瑪悧(20070100)。以藝術粘合生活的縫隙。典藏今藝術,172,104-106。  延伸查詢new window
會議論文
1.成虹飛(2003)。談本土教育質性研究:呼喚一種從淚水交織中產出的知識。教育質性研究的教與學研討會。新竹:國立新竹師範學院。  延伸查詢new window
2.陳韻文(2014)。推本溯源與釐正--臺灣近年戲劇教育研究與實踐之訛誤。2014戲劇跨領域學術研討會。臺南:國立成功大學。  延伸查詢new window
3.Neelands, J.(2012)。The Art of Togetherness: How the Lessons of Play Will Rescue the World。2012 International Conference of Drama Education and Application,(會議日期: 26-28 Oct, 2012)。Tainan:NUTN。  new window
4.Neelands, J.(2005)。The Diversity of DiE-The Application of DiE in Schools。Taiwan Educational Drama/Theatre International Congress。Taipei。  new window
研究報告
1.廖億美(2008)。從自溺的中心出走--社群藝術及其台灣實踐圖像。臺北。  延伸查詢new window
學位論文
1.周芊伶(2011)。在關係中學習--台灣社區劇場工作者經驗探究(碩士論文)。國立臺北藝術大學。  延伸查詢new window
圖書
1.Bhabha, Homi(1994)。The Locations of Culture。New York:Routledge。  new window
2.Oddey, Alison(1994)。Devising Theatre: A Practical and Theoretical Handbook。London:Routledge。  new window
3.Giroux, Henry A.、陳儒晰(2007)。教師是知識份子。臺北:高等教育。  延伸查詢new window
4.楊逵(1976)。羊頭集。臺北:輝煌出版社。  延伸查詢new window
5.Shor, I.(1992)。Empowering education。Chicago:The University of Chicago Press。  new window
6.林宏璋(2004)。界限內外:跨領域藝術在台灣。臺北:國家文化藝術基金會。  延伸查詢new window
7.林宏璋(2006)。後當代藝術徵候:書寫於在地之上。臺北:典藏藝術家庭。  延伸查詢new window
8.O'Toole, John、Dunn, Julie、劉純芬(2005)。假戲真做,做中學:以戲劇作為教學工具,幫助學生有效進入主題學習。台北市:成長文教基金會。  延伸查詢new window
9.Jackson, A.、Kidd, J.(2011)。Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation。Manchester:Manchester University Press。  new window
10.Neelands, J.、Goode, T.(2000)。Structuring Drama Work: A Handbook of Available Forms in Theatre and Drama。London:David Fulton。  new window
11.Schechner, R.(1977)。Essays on Performance Theory。New York:Drama Books Specialists。  new window
12.Taylor, P.、Warner, C. D.(2006)。Structure and Spontaneity: the process drama of Cecily O'Neill。Stoke on Trent:Trentham Books。  new window
13.藍劍虹(1999)。現代戲劇的追尋:新演員或是新觀眾?:布雷希特、莫雷諾比較研究。臺北:唐山。new window  延伸查詢new window
14.Bridal, Tessa(2004)。Exploring Museum Theatre。Altamira Press。  new window
15.Jackson, A.(2007)。Theatre, Education and the Making of Meanings: Art or Instrument?。Manchester:Manchester University Press。  new window
16.Kershaw, Baz(1992)。The Politics of Performance: Radical Theatre as Cultural Intervention。Routledge。  new window
17.Schechner, Richard(1988)。Performance Theory。Routledge。  new window
18.Kester, Grant H.、吳瑪悧、謝明學、梁錦鋆(2006)。對話性創作:現代藝術中的社群與溝通。臺北市:遠流出版社。  延伸查詢new window
19.Jones, Phil、洪素珍、楊大和、徐繼忠、郭玟伶(2002)。戲劇治療。臺北:五南。  延伸查詢new window
20.Gadamer, Hans-Georg(1975)。Truth and Method。New York:The Continuum Publishing Corporation。  new window
21.Hughes, Catherine(1998)。Museum Theatre: Communicating with Visitors through Drama。Portsmouth, NH:Heinemann。  new window
22.劉婉珍(2007)。博物館就是劇場。臺北市:藝術家出版社。  延伸查詢new window
23.Geertz, Clifford J.(1983)。Local Knowledge: Further Essays in Interpretive Anthropology。Basic Books, Inc.。  new window
24.Balme, Christopher B.、耿一偉(2010)。劍橋劇場研究入門。臺北:書林出版有限公司。  延伸查詢new window
25.McLaren, Peter、蕭昭君、陳巨擘(2003)。校園生活:批判教育學導論。臺北:巨流圖書公司。  延伸查詢new window
其他
1.新化區公所。楊逵文學館的成立,http://yangkuei.sinhua.gov.tw/YK/main7.aspx, 2014/07/08。  延伸查詢new window
2.耿一偉(20110423)。半路殺出程咬金:當代因地制宜表演與創意策略,http://www.tfam.museum/kid/template/Media4-21.aspx?ddlLang=zh-tw, 2015/01/29。  延伸查詢new window
3.White, G.。Navigating the ethics of audience participation,Http://www.griffith.edu.au/_data/assets/pdf_file/0004/52915/white.pdf, 2014/07/29。  new window
圖書論文
1.鍾明德(2008)。環境劇場。劇場關鍵字。臺南:台南人劇團。  延伸查詢new window
2.Bourriaud, N.(2007)。Relational Form。The Community Performance Reader。London:Routledge。  new window
3.Jackson, Anthony(2011)。Engaging the audience: negotiating performance in the museum。Performing heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation。Manchester:Manchester University Press。  new window
4.Neelands, J.(2010)。11/09--the Space in our Hearts。Creating Democratic Citizenship through Drama Education: the Writings of Jonothan Neelands。Stoke on Kent:Trentham Books。  new window
5.Preston, S.(2009)。Introduction to Participation。The Applied Theatre Reader。London:Routledge。  new window
 
 
 
 
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