書法史的構成基本上圍繞著「復古」與「創新」的兩條路線書寫，這樣的書寫方式在宋代「尚意書風」尤為明顯，學者以「正統復古」標幟二王傳統，提到南宋士人受北宋書家的表現主義影響而走上窮途，幸有宋高宗重魏晉，而正統復古之一脈，得以不輟，此「尚意」與「復古」書風之變衍，若從定武蘭亭的鑑賞觀進行探析，將可發現有更多的意涵。因此，筆者將從宋代大量翻刻《定武蘭亭》的現象來進行考察，重新釐清尚意書風下，宋人對此一王羲之行書經典的詮釋與學習，以了解《蘭亭序》在「尚意」與「復古」路線中的地位。

There are so many versions of 《Lanting Xu》in Song Dynasty. Since Huang- Tingjian highly praised 《Dinɡ- Wu Lanting Xu》, it had been the main version which the followers reprinted. Further, it resulted in the focus of reprints, collection and research of 《Lantingji Xu》in Calligraphic theory documents in Song Dynasty. In the research, we will discuss the phenomenon, and look closely at the interpretation and learning of Wang- Xizhi from the contention of 《Dinɡ- Wu Lanting Xu》in different documents of calligraphic theory to know the role of 《Lantingji Xu》in calligraphy ＂revival＂ and ＂innovation＂.