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題名：收藏、流通、展示與傳播：對二十世紀末以來西方藝術史研究取徑的一些觀察
書刊名：藝術學研究
作者：謝佳娟
作者(外文)：Hsieh, Chia-chuan
出版日期：2021
卷期：29
頁次：頁1-69
主題關鍵詞：西方藝術史；收藏史；藝術市場；美術館史；展覽史；圖像複製與傳播；接受史；Western art history；History of collecting；Art market；History of art museums；Exhibition history；Image reproduction and dissemination；Reception history
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期刊論文
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3.Leca, Benedict(2005)。An Art Book and its Viewers: The 'Recueil Crozat' and the Uses of Reproductive Engraving。Eighteenth-Century Studies，38(4)，623-649。  new window
4.謝佳娟(20191200)。「自然之美與藝術經典的國家品味」：十八至十九世紀初印刷文化對英國貴族鄉間別墅形象的塑造。藝術學研究，25，1-91。new window  延伸查詢new window
5.Bury, Michael(1993)。On Some Engravings by Giorgio Ghisi Commonly Called 'Reproductive'。Print Quarterly，10(1)，4-19。  new window
6.謝佳娟(20210300)。「看見」藝術品：十八世紀後期至十九世紀初英國圖解藝術書籍的發展。國立臺灣大學美術史研究集刊，50，223-279+281-286+290。new window  延伸查詢new window
7.Alexander, David(1983)。'After-Images': A Review of Recent Studies of Reproductive Print-Making。Oxford Art Journal，6(1)，11-17。  new window
8.Baetens, Jan Dirk(2016)。The General Exhibition of Pictures of 1851: National Schools and International Trade in the Mid-Victorian Art Market。Visual Culture in Britain，17(3)，270-289。  new window
9.Cooper, Robyn(1978)。The Popularization of Renaissance Art in Victorian England: the Arundel Society。Art History，1(3)，263-292。  new window
10.Fletcher, Pamela(2011)。The Grand Tour on Bond Street: Cosmopolitanism and the Commercial Art Gallery in Victorian London。Visual Culture in Britain，12(2)，139-153。  new window
11.Helmreich, Anne(2013)。Dynamic Networks of Circulation and Exchange in Edwardian Art。Visual Culture in Britain，14(1)，36-54。  new window
12.Ivins, William M. Jr.(1931)。An Exhibition of Reproductive Prints。The Metropolitan Museum of Art Bulletin，26(10)，236-239。  new window
13.Saint-Raymond, Léa、de Maupeou, Félicie、Cavero, Julien(2016)。Les rues des tableaux: The Geography of the Parisian Art Market 1815-1955。Artl@s Bulletin，5(1)，119-159。  new window
14.Smith, Charles Saumarez(2007)。Narratives of Display at the National Gallery, London。Art History，30(4)，611-627。  new window
15.Von Lintel, Amy M.(2012)。Wood Engravings, the 'Marvellous Spread of Illustrated Publications', and the History of Art。Modernism/Modernity，19(3)，515-542。  new window
16.Wuestman, Gerdien(1996)。Nicolaes Berchem in Print: Fluctuations in the Function and Significance of Reproductive Engraving。Simiolus: Netherlands Quarterly for the History of Art，24(1)，19-53。  new window
17.巫佩蓉(2007)。藝術學門調查計劃成果報告。人文與社會科學簡訊，8(2)，48-59。  延伸查詢new window
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57.Bishop, Janet、Debray, Cécile、Rabinow, Rebecca(2011)。The Steins Collect: Matisse, Picasso, and the Parisian Avant-garde。San Francisco Museum of Modern Art。  new window
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132.Swenson, Astrid、Mandler, Peter(2013)。From Plunder to Preservation: Britain and the Heritage of Empire, c.1800-1940。Oxford University Press。  new window
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135.Tite, Catherine(2010)。Portraiture, Dynasty and Power: Art Patronage in Hanoverian Britain, 1714-1759。Cambria Press。  new window
136.Tummers, Anna、Jonckheere, Koenraad(2008)。Art Market and Connoisseurship in the Dutch Golden Age。Amsterdam University Press。  new window
137.Vázquez, Oscar E.(2001)。Inventing the Art Collection: Patrons, Markets, and the State in Nineteenth-Century Spain。The Pennsylvania State University Press。  new window
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146.Wright, Gwendolyn(1996)。The Formation of National Collections of Art and Archaeology。National Gallery of Art。  new window
147.Ziskin, Rochelle(2012)。Sheltering Art: Collecting and Social Identity in Early Eighteenth-century Paris。The Pennsylvania State University Press。  new window
148.Impey, Oliver R.(1977)。Chinoiserie: The Impact of Oriental Styles on Western Art and Decoration。Oxford University Press。  new window
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圖書論文
1.Ward, Martha(1996)。What's Important about the History of Modern Art Exhibitions?。Thinking about Exhibitions。London：Routledge。  new window
2.Kaufmann, Thomas DaCosta(2015)。Reflections on World Art History。Circulations in the Global History of Art。Farnham：Ashgate。  new window
3.Cardinal, Roger(1994)。Collecting and Collage making: The Case of Kurt Schwitters。The Cultures of Collecting。London：Reaktion Books。  new window
4.Thomas, Nicholas(1994)。Licensed Curiosity: Cook's Pacific Voyages。The Cultures of Collecting。Reaktion Books。  new window
5.Hamber, Anthony(2003)。Photography in Nineteenth-Century Art Publications。The Rise of the Image: Essays on the History of the Illustrated Art Book。Ashgate。  new window
6.Hamber, Anthony(2011)。Facsimile, Scholarship, and Commerce: Aspects of the Photographically Illustrated Art Book (1839-1880)。Art and the Early Photographic Album。National Gallery of Art：Yale University Press。  new window
7.Verhoogt, R. M.(2010)。Free Access to the History of Art: Art Reproduction and the Appropriation of the History of Art in Nineteenth-Century Culture。Free Access to the Past: Romanticism, Cultural Heritage and the Nation。Brill。  new window
8.Armstrong-Totten, Julia(2008)。The Rise and Fall of a British Connoisseur: The Career of Michael Bryan (1757-1821), Picture Dealer Extraordinaire。Auctions, Agents and Dealers: The Mechanisms of the Art Market, 1660-1830。Beazley Archive：Archaeopress：Wallace Collection。  new window
9.Bal, Mieke(1994)。Telling Objects: A Narrative Perspective in Collecting。The Cultures of Collecting。Reaktion Books。  new window
10.Bätschmann, Oskar(1997)。The Exhibition as a Medium for the Presentation of Art。The Artist in the Modern World: The Conflict between Market and Self-expression。Yale University Press：Dumont。  new window
11.Baudrillard, Jean(1994)。The System of Collecting。The Cultures of Collecting。Reaktion Books。  new window
12.Berg, Maxine、Clifford, Helen(1998)。Graphic Display and Selling New Consumer Goods in 18th-century England。Art Markets in Europe, 1400-1800。Ashgate。  new window
13.Bindman, David(2007)。The Orléans Collection and Its Impact on British Art。La Circulation des OEuvres d'Art. The Circulation of Works of Art in the Revolutionary Era, 1789-1848。Presses Universitaires de Rennes：Institut National d'Histoire de l'Art：Getty Research Institute。  new window
14.Cowan, Brian(1998)。Arenas of Connoisseurship: Auctioning Art in Later Stuart England。Art Markets in Europe, 1400-1800。Ashgate。  new window
15.Cowan, Brian(2006)。Art and Connoisseurship in the Auction Market of Later Seventeenth-Century London。Mapping Markets for Paintings in Europe 1450-1750。Brepols。  new window
16.Elsner, John(1994)。A Collector's Model of Desire: The House and Museum of Sir John Soane。The Cultures of Collecting。Reaktion Books。  new window
17.Fletcher, Pamela、Helmreich, Anne(2018)。Networked: The Art Market in the Nineteenth Century。A Companion to Nineteenth-century Art。Wiley-Blackwell。  new window
18.Forrester, John(1994)。'Mille e tre': Freud and Collecting。The Cultures of Collecting。Reaktion Books。  new window
19.Fyfe, Gordon(2000)。Art Exhibitions and Power during the Nineteenth Century。Art, Power and Modernity: English Art Institutions, 1750-1950。Leicester University Press。  new window
20.Hemingway, Andrew(1995)。Art Exhibitions as Leisure-class Rituals in Early Nineteenth-century London。Towards a Modern Art World。Yale University Press。  new window
21.Kaufmann, Thomas Dacosta(1994)。From Treasury to Museum: The Collections of the Austrian Habsburgs。The Cultures of Collecting。Reaktion Books。  new window
22.De Marchi, Neil、van Miegroet, Hans J.(2006)。Transforming the Paris Art Market, 1718-1750。Mapping Markets for Paintings in Europe 1450-1750。Brepols。  new window
23.De Marchi, Neil、van Miegroet, Hans、Raiff, Matthew E.(1998)。Dealer-dealer Pricing in the Mid 17th-century Antwerp-to-Paris Art Trade。Art Markets in Europe, 1400-1800。Ashgate。  new window
24.Ormrod, David(1998)。The Origins of the London Art Market, 1660-1730。Art Markets in Europe, 1400-1800。Ashgate。  new window
25.Schnapper, Antoine(1998)。Probate Inventories, Public Sales and the Parisian Art Market in the 17th century。Art Markets in Europe, 1400-1800。Ashgate。  new window
26.Shelton, Anthony Alan(1994)。Cabinets of Transgression: Renaissance Collections and the Incorporation of the New World。The Cultures of Collecting。Reaktion Books。  new window
27.Stewart, Susan(1994)。Death and Life, in that Order, in the Works of Charles Willson Peale。The Cultures of Collecting。Reaktion Books。  new window
28.Von Lintel, Amy M.(2015)。Art History as Spectacle: Blockbuster Exhibitions in 1850s England。Exhibiting Outside the Academy, Salon and Biennial, 1775-1999: Alternative Venues for Display。Ashgate。  new window
 
 
 
 
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