| 期刊論文1. | Caillois, Roger、Shepley, John(1984)。Mimicry and Legendary Psychasthenia。October,31,17-32。 | 2. | 何方(19900300)。傅柯、電影與人民記憶--兼談「香蕉天堂」等臺灣電影。電影欣賞,8(2)=44,54-61。 延伸查詢 | 3. | Neale, Steve(1983)。Masculinity as Spectacle。Screen: The Journal of the Society for Education in Film and Television,24(6),2-16。 | 4. | Hansen, Miriam(1986)。Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship。Cinema Journal,25(4),6-32。 | 5. | Hansen, Miriam(1993)。Early Cinema, Late Cinema: Permutations of the Public Sphere。Screen,34(3),197-210。 | 6. | Koch, Gertrud(1993)。Mimesis and Bilderverbot。Screen,34(3),211-222。 | 7. | Theweleit, Klaus(1985)。The Politics of Orpheus between Women, Hades, Political Power and the Media: Some Thoughts on the Configuration of the European Artist, Starting with the Figure of Gottfried Benn; Or: What Happens to Eurydice?。German Critique,36,133-156。 | 8. | von Mlicke, Dorothea(1992)。History According to Theweleit。New German Critique,55,139-158。 | 9. | 黃毓秀(19930300)。賴皮的國族神話(學):「牯嶺街少年殺人事件」。臺灣社會研究季刊,14,1-38。 延伸查詢 | 10. | 吳永毅(19930600)。香蕉.豬公.國:「返鄉」電影中的外省人國家認同。中外文學,22(1)=253,32-44。 延伸查詢 | 會議論文1. | Lacan, Jacques、Miller, Jacques-Alain、Tomaselli, Sylvana(1988)。The Seminar of Jacques Lacan, Book II: The Ego in Freud's Theory and in the Technique of Psychoanalysis, 1954-1955。New York:W. W. Norton & Company。 | 2. | Lacan, Jacques、Miller, Jacques-Alain、Forrester, John、Sheridan, Alan(1988)。The Seminar of Jacques Lacan, Book I: Freud's Papers on Technique, 1953-1954。The Seminar of Jacques Lacan。W. W. Norton。 | 圖書1. | Dews, Peter(1987)。Logics of Disintegration: Post-structuralist Thought and the Claims of Critical Theory。London:Verso。 | 2. | Lacan, Jacques、Sheridan, Alan、Miller, Jacques-Alain(1977)。The Four Fundamental Concepts of Psychoanalysis。New York:Norton。 | 3. | Rosen, Philip(1986)。Narrative, Apparatus, Idelogy : A Film Theory Reader。N.Y.:Columbia Univ. Press。 | 4. | de Lauretis, Teresa(1984)。Alice Doesn't: Feminism, Semiotics, Cinema。Bloomington:Indian University Press。 | 5. | Žižek, Slavoj(1991)。Looking Away: An Introduction to Jacques Lacan through Popular Culture。Cambridge, Mass:MIT Press。 | 6. | Lacan, Jacques、Sheridan, Alan(1977)。Ecrits: A Selection。New York:W. W. Norton & Company Inc.。 | 7. | Foucault, Michel(1970)。The Order of Things: An Archaeology of the Human Sciences。New York:Pantheon。 | 8. | 陳儒修、羅頗誠(1993)。台灣新電影的歷史文化經驗。臺北:萬象圖書股份有限公司。 延伸查詢 | 9. | Berger, John(1972)。Ways of Seeing。Penguin Books。 | 10. | Elliott, Anthony(1992)。Social Theory and Psychoanalysis in Transition: Self and Society from Freud to Kristeva。Oxford:Blackwell。 | 11. | Žižek, Slavoj(1989)。The Sublime Object of Ideology。Verso。 | 12. | Nishitani, Keiji、Van Bragt, Jan(1982)。Religion and Nothingness。Berkeley:University of California Press。 | 13. | Silverman, Kaja(1992)。Male Subjectivity at the Margins。Routledge。 | 14. | Cha, Theresa Hak Kyung(1980)。Apparatus。New York:Tanam P。 | 15. | de Lauretis, Teresa、Heath, Stephen(1980)。The Cinematic Apparatus。London:Macmillan。 | 16. | Lee, Jonathan Scott(1990)。Jacques Lacan。Boston:Twayne。 | 17. | Mayne, Judith(1990)。The Woman at the Keyhole: Feminism and Women's Cinema。Bloomington:Indiana UP。 | 18. | Ovid、Innes, Mary M.(1955)。Metamorphoses。Harmondsworth:Penguin。 | 19. | Rose, Jacqueline(1987)。Sexuality and the Field of Vision。London:Verso。 | 20. | Theweleit, Klaus(1988)。Buck der Konige。Basel:Stroemfeld。 | 21. | Silverman, Kaja(1988)。The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema。Indiana University Press。 | 圖書論文1. | Kristeva, Julia(1992)。Psychoanalysis and the Imaginary。Constructions of the Self。New Brunswick:Rutgers UP。 | 2. | Metz, Christian、Brewster, Ben(1982)。The Imaginary Signifier。Psychoanalysis and Cinema: The Imaginary Signifier。London:Macmillan。 | 3. | 梁新華(1991)。《香蕉天堂》:分裂時代的心情故事。新電影之死:從〈一切為明天〉到〈悲情城市〉。台北:唐山。 延伸查詢 | 4. | Bryson, Norman(1988)。The Gaze in the Expanded Field。Vision and Visuality。Seattle:Bay Press。 | 5. | Cowie, Elizabeth(1991)。Underworld USA: Psychoanalysis and Film Theory in the 1980s。Psychoanalysis and Cultural Theory: Thresholds。London:Macmillan。 | 6. | Mulvey, Laura(1986)。Visual Pleasure and Narrative Cinema。Narrative, Apparatus, Ideology: A Film Theory Reader。New York:Columbia UP。 | 7. | Grosz, Elizabeth(1993)。Voyeurism/Exhibitionism/The Gaze。Feminism and Psychoanalysis: A Critical Dictionary。Oxford:Blackwell。 | 8. | Lorentzen, Justin(1993)。Snapshots: Notes on Myth, Memory and Technology: Short Fictions Concerning the Camera。Cultural Reproduction。London:Routledge。 | 9. | Rodowick, D. N.(1991)。The Difficulty of Difference。The Difficulty of Difference。London:Routledge。 | |