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題名:幫派、國族與男性氣概:解嚴後臺灣電影中的幫派男性形象
書刊名:文化研究
作者:廖瑩芝
作者(外文):Liao, Dominique Ying-chih
出版日期:2015
卷期:20
頁次:頁53-78
主題關鍵詞:幫派男性氣概臺灣認同臺灣另一種電影解嚴後臺灣電影GangsterMasculinityTaiwanese identityTaiwanese alternative cinemaTaiwanese post-martial law film
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(6) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:6
  • 共同引用共同引用:124
  • 點閱點閱:96
期刊論文
1.Higson, Andrew(1989)。The Concept of National Cinema。Screen,30(4),36-46。  new window
2.黃毓秀(19930300)。賴皮的國族神話(學):「牯嶺街少年殺人事件」。臺灣社會研究季刊,14,1-38。new window  延伸查詢new window
研究報告
1.廖朝陽(1995)。民族、寓言、民族寓言 : 兼論《與狼共舞》與《牯嶺街少年殺人事件》的性別與政治。台北市:國科會。  延伸查詢new window
圖書
1.Grant, Barry Keith(2007)。Film Genre: From Iconography to Ideology。London:Wallflower。  new window
2.Munby, Jonathan(1999)。Public Enemies, Public Heroes。Chicago:University of Chicago Press。  new window
3.Prince, Stephen(2003)。Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema 1930-1968。New Brunswick, New Jersey:Rutgers University Press。  new window
4.Larke-Walsh, George S.(2010)。Screening the Mafia: Masculinity, Ethinicity and Mobsters from The Godfather to the Sopranos。Jefferson, North Carolina:London:McFarland & Company。  new window
5.Beauvoir, Simone de(1997)。The Second Sex。London:Vintage。  new window
6.Forth, Christopher E.(2008)。Masculinity in the Modern West。London:Palgrave。  new window
7.黃建業(1990)。人文電影的追尋。遠流出版事業股份有限公司。  延伸查詢new window
8.Sedgwick, Eve Kosofsky(1985)。Between Men: English Literature and Male Homosocial Desire。Columbia University Press。  new window
9.Panofsky, Erwin(1955)。Meaning in the Visual Arts。NY:Doubleday。  new window
10.盧非易(19980000)。臺灣電影:政治、經濟、美學:1949-1994。臺北:遠流。new window  延伸查詢new window
其他
1.詹宏志(19870124)。民國七十六年台灣電影宣言。  延伸查詢new window
2.梁玉芳,何振忠(20050226)。侯孝賢:拍悲情城市,想打開窗口。  延伸查詢new window
3.民生報(19881207)。「悲情城市」顧前顧後,編劇導演不斷聯「考」。  延伸查詢new window
圖書論文
1.Lu, Feii(2005)。Another Cinema: Darkness & Light。Island on the Edge: Taiwan New Cinema and After。Hong Kong:Hong Kong University Press。  new window
2.Williams, Tony(2007)。The Hong Kong Gangster Movie。Gangster Film Reader。New Jersey:Limelight Editions。  new window
3.Vincendeau, Gienette、Dyer, Richard(1992)。[Popular European Cinemas] Introduction。Popular European Cinemas。London:Routledge。  new window
4.Studlar, Gaylyn(2005)。A Gunsel Is Being Beaten: Gangster Masculinity and the Homoerotics of the Crime Film, 1941-1942。Mob Culture。New Brunswick, New Jersey:Rutgers University Press。  new window
5.Silver, Alain(2007)。The Gangster and Film Noir: Themes and Style。Gangster Film Reader。New Jersey:Limelight Editions。  new window
6.Ursini, James(2007)。Takeshi Kitano: Melancholy Poet of the Yakuza Film。Gangster Film Reader。Pompton Plains, New Jersey:Limelight Editions。  new window
7.Schrader, Paul(2007)。Yakuza-eiga: A Primer。Gangster Film Reader。Pompton Plains, New Jersey:Limelight Editions。  new window
8.Liao, Ying-Chih(2005)。Doom and Boom: Representations of violence in Taiwan and Hong Kong gangster films。Cultures of Violence。Oxford:Inter-Disciplinary Press。  new window
9.Hjort, Mette、MacKenzie, Scott(2000)。[Cinema and Nation] Introduction。Cinema and Nation。New York:Routledge。  new window
10.Fuchs, Cynthia J(1993)。The Buddy Politics。Screening the Male: Exploring Masculinities in Hollywood Cinema。London:Routledge。  new window
11.Fordham, Geoff(2007)。A Study in Ambiguity: The Godfather and the American Gangster Movie Tradition。Gangster Film Reader。New Jersey:Limelight Editions。  new window
12.Baker, Aaron、Vitullo, Juliann(2001)。Screening the Italian-American Male。Masculinity: Bodies, Movies, Culture。New York:Routledge。  new window
13.羅健明(1988)。台灣新電影的啟示。台灣新電影。台北:時報。  延伸查詢new window
14.焦雄屏(1988)。童年往事--台灣四十年。台灣新電影。臺北:時報。  延伸查詢new window
15.焦雄屏(2002)。台灣電影九○--新新電影浪潮。台灣電影90新新浪潮。台北:麥田。  延伸查詢new window
16.焦雄屏(2002)。世紀末的台灣電影。台灣電影90新新浪潮。台北:麥田。  延伸查詢new window
 
 
 
 
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