“Time's Shifting Styles Without Era Disease” comes from “Shu Pu” by Sun Guoting in Tang Dynasty. It talks about that in accordance with the taste of the times, the style of calligraphy would change. That is the common sense. It is valuable to learn the ancients without violating the times, and there is modernity without era disease. This shows that artists must think how to inject the diverse cultures faced into the creation nowadays.
This paper is titled "Post-Calligraphy", which intends to explore the relationship between contemporary art and calligraphy; it even includes the use of new media. Based on my creative experience this research can be applied and understood in the future, which will contribute to the maturity of my personal creation. Looking forward to the future, there will be a wider range of contemporary calligraphy creation.
This study is divided into six chapters: Chapter one “Introduction” discusses the motivation, the purpose, the range and the way of creation. Chapter two “Discussion of literature” wants to emphasize the concept of “writing” in calligraphy to examine and analyze contemporary creations. Chapter three “The context of analysis” examines the “writing process” which can be produced of the phenomena. Explore "Processes and Works," "Exhibitions and Documents," "Video and Writing," "Technology and Vision." Chapter four “Creative practice” writes the contents, the form and the method of the author’s works. Chapter five “The statement of the works” delivers the statement of the works. Chapter six “Conclusion” using parts of “Life on The Screen” by Sherry Turkle, explains the author’s self-expectations and the possibilities of contemporary art of calligraphy.