This paper is proposed to discuss the characteristics of the Weaving Goddess (織女) and the customs of the “Seventh Eve” (七夕) which bear feminist significance. The Weaving Goddess is a real magic goddess to Chinese women. She is the goddess of harvest, needle works, marriage and children's nursing. July 7th, the so-called “Seventh Eve”, is a holiday in honor of her. On this day, young girls meet together to thread needles under the moonlight. By this activity, they may pray for being more capable and smart. They may also pray for the good marriage in the future. The girl's carnival is called “Chi-Chiau-Hui” (乞巧會) which belongs to girls only. So this day is called the Girl's Day or the Daughters' Day in ancient China. The married women pray for a baby or raising their children carefully to the Weaving Goddess on the “Seventh Eve”. Thus we may say that “Seventh Eve” is a feminist holiday. In those “Seventh Eve” poems, the poets describe the Weaving Goddess as a beautiful woman in the heaven or a tender woman with lovesickness. They praise her and admire her very much. A few poets blame her as a lazy and sexy woman. Obviously, this kind of criticism is unfair and full of patriarchal biases. On the other hand, the poetesses state their sisterhood, their wishes of marriage and thinking about their fates in their “Seventh Eve” poems. The poetesses' work is therefore closer to female experience and their minds.