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題名：藝術與社會學的交會：哈克與布赫迪厄的自由交流
書刊名：歐美研究
作者：曾少千 引用關係
作者(外文)：Tseng, Shao-chien
出版日期：2002
卷期：32:1
頁次：頁45-105
主題關鍵詞：漢斯哈克；皮耶布赫迪厄；藝術社會學；象徵性壓制；場域的自主性；Hans Haacke；Pierre Bourdieu；Sociology of art；Symbolic dominations；Autonomy of the field
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相關次數：
  • 被引用次數被引用次數:期刊(6) 博士論文(0) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:5
  • 共同引用共同引用:3
  • 點閱點閱:108
　　　　　《自由交流》是藝術家漢斯•哈克與社會學家皮耶•布赫迪厄的對話集，針對一九八○年代至九○年代初的諸多文化政治議題坦然交換意見，兩人所累積的個別成就在此發揮跨領域的更大能量。兩者的契合之處向來未受藝術史或社會學界的注意，而布赫迪厄的反思社會學與哈克的藝術機制批判是相得益彰的，他們共同重新思考文化場域的本質、定義與影響。《自由交流》的書名也表兩人所追求的無「象徵性壓制」的開放境界，使學術與械術的生產、傳遞及接受層面，有效抵抗保守勢力、市場、媒體與政治的干預。本文分析《自由交流》的主要論點與所附的藝術作品，參照兩人其他的相關論述和創作，討論他們在理念上的異同及發展脈絡。本文將專注於兩人的藝術社會學研究、「場域自主性」的觀念、媒體與「擬像」批判、多元文化主義與共和理想。
　　　　　t或The book Free Exchange documents the dialogue between the artist Hans Haacke and the sociologist Pierre Bourdieu in which they openly exchange views on many issues regarding cultural politics from the mid 1980s to the early 1990s. Their meeting yields rich and powerful interdisciplinary insights rather than merely showing their respective achievements in art and sociology. Art historians and sociologists have long ignored their affinities; however, Bourdieu's reflexive sociology and Haacke's critique of art institutioms share much in common. Both reconsider the properties, definition, and impact of the cultural field. The title of the book also represents both authors' common goal: an open relm where art and scholarship, free from any "symbolic dominations," effectively resist the intrusions of conservatives, market, media, and politics in all the aspects of production, distribution, and reception. The main idea and art pieces contained in Free Exchange will be analyzed in relation to both authors' other works and their contexts. This paper examines the similarities and differences between Haacke's and Bourdieu's views: focusing on their research on sociology of art, notions of "autonomy of the field," critiques of media and simulacrum, perspectives on multiculturalism, and ideals republicanism.
期刊論文
1.曾少千(20020300)。漢斯．哈克的文化政治探索。國立臺灣大學美術史研究集刊，12，213-284+288。new window  延伸查詢new window
2.(1995)。Tobacco row。Art in America，83(12)。  new window
3.Crimp, Douglas、Krauss, R.、Bois, Y. A.(1984)。A conversation with Hans Haacke。October，30(3)，23-48。  new window
4.Bois, Y. A.(1986)。The Antidote。October，39(2)，128-144。  new window
5.Bryson, N.(1996)。No smoke without Ire。Times Literary Supplement，4844，20-21。  new window
6.Haacke, H.(1977)。The good will umbrella。Qualitative Sociology，1，108-121。  new window
7.Haacke, H.(1991)。In the vice。Art Journal，50(3)，48-55。  new window
8.Jones, R.(1988)。Hans Haacke: A flash of conscience, knowable and definable。Flash Art，141，151-152。  new window
9.Kramer, H.(1984)。Turning back the clock: Art and politics in 1984。New Criterion，2，62-80。  new window
10.Perl, J.(2000)。Exhaustim chic。The New Republic，87。  new window
11.Werneburg, B.(1995)。The armored male exposed。Art in America，83(6)，44-48。  new window
圖書
1.Bourdieu, P.(1998)。On television。On television。New York, NY：New Press。  new window
2.Bourdieu, P.(1993)。The Field of Cultural。Cambridge：Polity Press。  new window
3.Bourdieu, P.、Passeron, Jean-Claude、Nice, R.(1979)。The Inheritors: French Students and Their Relation to Culture。Chicago, IL：University of Chicago Press。  new window
4.Bourdieu, P.(1991)。The political ontology of Martin Heidegger。The political ontology of Martin Heidegger。Cambridge：Polity Press。  new window
5.Bourdieu, P.(1996)。The state nobility。Stanford：Stanford University Press。  new window
6.Bourdieu, Pierre、Darbel, Alain、Schnapper, Dominique(1991)。The Love of Art: European Art Museums and Their Public。Polity。  new window
7.Becker, Howard S.(1982)。Art Worlds。University of California Press。  new window
8.Bourdieu, Pierre、Boltanski, Luc、Castel, Robert、Chamboredon, Jean-Claude、Whiteside, Shaun(1990)。Photography: A Middle-brow Art。Stanford, Calif.：Stanford University Press：Polity Press。  new window
9.Weber, Max、Roth, Guenther、Wittich, Claus(1968)。Economy and Society: An Outline of Interpretive Sociology。New York, NY：Bedminster Press。  new window
10.Bourdieu, P.、Collier, Peter(1988)。Homo Academicus。Cambridge：Polity Press。  new window
11.Bourdieu, Pierre(1984)。Distinction: A Social Critique of the Judgement of Taste。Harvard University Press。  new window
12.Foster, Hal(1996)。The Return of the Real: The Avant-Garde at the End of the Century。Cambridge：MIT Press。  new window
13.Bourdieu, Pierre、Nice, Richard(1977)。Outline of a Theory of Practice。Cambridge：Cambridge University Press。  new window
14.Bourdieu, Pierre、Emanuel, Susan(1996)。The Rules of Art-Genesis and Structure of the Literary Field。Stanford University Press。  new window
15.Bourdieu, Pierre、Wacquant, Loïc J. D.(1992)。An invitation to reflexive sociology。Polity Press。  new window
16.Bourdieu, Pierre、Nice, Richard(1993)。Sociology in Question。Sage。  new window
17.Bourdieu, Pierre(1990)。The Logic of Practice。Stanford, California：Stanford University Press。  new window
18.Walton, J. S.、Becker, H. S.(1975)。Social science and the work of Hans Haacke。Doing things together: Selected papers。沒有紀錄。  new window
19.Bourdieu, Pierre(1998)。Acts of resistance: Against the new myths of our time。Cambridge：Polity Press。  new window
20.Bourdieu, P.(2000)。The weight of the world: Social suffering in contemporary society。The weight of the world: Social suffering in contemporary society。Cambridge。  new window
21.Haacke, H.、Bourdieu, P.(1995)。Free exchange。Free exchange。Stanford。  new window
22.Deutsche, R.(1986)。Property values: Hans Haacke, real estate, and the museum。Hans Haacke: Unfinished business。New York, NY。  new window
23.Enzensberger, H. M.(1974)。The industrialization of the mind。The consciousness industry: On literature, politics and the media。New York, NY。  new window
24.Fowler, B.(1997)。Pierre Bourdieu and cultural theory: Critical investigations。London, UK：Sage。  new window
25.Corrin, L.(2001)。Give & Take: 1 Exhibition 2 Sites。Give & Take: 1 Exhibition 2 Sites。London, UK。  new window
26.Glueck, G.(1993)。A kind of public service。Hans Haacke: Bodenlos。Stuttgart, Germany。  new window
27.Haacke, H.(1984)。Museums, managers of consciousness。Hans Haacke: volume II/ works 1978-1983。London, UK。  new window
28.Haacke, H.(1984)。Working conditions。Hans Haacke, Volume II。London, UK。  new window
29.Haacke, H.(1993)。Caught between revolver and checkbook。Obra social: Hans Haacke。沒有紀錄。  new window
30.Haacke, H.(1993)。Gondola! Gondola!。Hans Haacke: Bodenlos。Stuttgart, Germany。  new window
31.Haacke, H.(1995)。All the 'art' that's fit to show。Obra social。Barcelona, Spain。  new window
32.Haacke, H.(1999)。Ansichts Sachen/ Viewing Matters。Ansichts Sachen/ Viewing Matters。Düsseldorf, Germany。  new window
33.(0)。Hans Haacke: Framing and being framed, 7 works 1970-1975。Hans Haacke: Framing and being framed, 7 works 1970-1975。Halifax。  new window
34.Haacke, H.、Lacey, C.、Debbaut, J.(1984)。Hans Haacke: Volume II/ work 1978-1983。Hans Haacke: Volume II/ work 1978-1983。London, UK。  new window
35.(1986)。Hans Haacke: Unfinished business。Hans Haacke: Unfinished business。New York, NY。  new window
36.Jameson, F.(1986)。Hans Haacke and the cultural logic of postmodernism。Hans Haacke: Unfinished business。New York, NY。  new window
37.Kimmelman, M.(1998)。Hans Haacke。Portraits: Talking with artists at the Met, the Modern, the Louvre and elsewhere。New York, NY。  new window
38.Lane, J. F.(2000)。Pierre Bourdieu: A critical introduction。London。  new window
39.Buchloh, B. H. D.、Grasskamp, W.(1995)。Obra social: Hans Haacke。Obra social: Hans Haacke。Barcelona, Spain。  new window
40.Petropoulos, J.(1996)。Art as politics in the third reich。Art as politics in the third reich。Chapel Hill。  new window
41.Thomson, M.(1994)。An interview with Hans Haacke。Duchamp: Passim。New York, NY。  new window
42.Weil, S. E.(1995)。A cabinet of curiosities: Inquiries into museums and their prospects。A cabinet of curiosities: Inquiries into museums and their prospects。Washington。  new window
圖書論文
1.Baudrillard, Jean(1983)。The Ecstasy of Communication。The Anti-Aesthetic. Essays on Postmodern Culture。Seattle：Bay Press。  new window
 
 
 
 
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