| 期刊論文1. | (1988)。Haacke Work Firebombed。Art in America,76,176。 | 2. | (1995)。Tobacco Row。Art in America,83,21。 | 3. | (1995)。Arts Funding on Upswing。Art in America,83,21。 | 4. | (1996)。German Rejects Sponsorship: It Should Not Replace the State。Art Newspaper,7,1。 | 5. | (2000)。Dull, Tedious, Boring。New Criterion,18(8),3。 | 6. | (2000)。Whitney's Sanitation Trouble。Art News,99(4),68。 | 7. | Armstrong, Matthew(1987)。Hans Haacke: Re-Presenting Reagan。Radical History Review,38,78-86。 | 8. | Bailey, Martin(1996)。The Generous Germans: Top Sponsors of the Arts in Europe。Art Newspaper,7,5。 | 9. | Bell, Jane(1985)。Hans Haacke。Art News,84,128-129。 | 10. | Bickers, Patricia(2001)。Mixed Messages: An Interview with Hans Haacke。Art Monthly,244,1-5。 | 11. | Bois, Yve-Alain、Crimp, Douglas、Krauss, Rosalind(1984)。A Conversation with Hans Haacke。October,30,23-48。 | 12. | Bois, Yve-Alain(1986)。The Antidote。October,39,128-144。 | 13. | Bolton, Richard(1989)。Enlightened Self-Interest: The Avant-Garde in the 80s。Afterimage,16,12-18。 | 14. | Buchloh, Benjamin H. D.(1988)。Hans Haacke: Memory and Instrumental Reason。Art in America,97-109+158-159。 | 15. | Chong, Derrick(1997)。Hans Haacke on Museum Management。Museum Management and Curatorship,16(3),273-285。 | 16. | Craven, David(1987)。Hans Haacke and the Aesthetics of Dependency Theory。Arts Magazine,61(7),56-58。 | 17. | Crimp, Douglas(1984)。Editorial。October,30,5-6。 | 18. | Danto, Arthur C.(1987)。Hans Haacke and the Industry of Art。The Nation,244,190-195。 | 19. | D'Arcy, David(1994)。Philip Morris: Will the Tobacco Firm's Art Support Outlive Its Critics?。Art Newspaper,5,1-3。 | 20. | (1996)。He Who Pays the Piper Calls the Tune: Sponsorship, Patronage and the Intellectual Independence of Museum。Museum Management and Curatorship,15,345-350。 | 21. | Germer, Stefan(1988)。Haacke, Broodthaers, Beuys。October,45,63-75。 | 22. | Gilbert-Rolfe, Jeremy(1986)。The Politics of Art。Arts Magazine,61,21-27。 | 23. | Glover, Michael(20010130)。Stop Making Sense。Independent。 | 24. | Goldstein, Richard(2000)。Libel: Turning an Anti-Fascist Artwork into an Anti-Jewish Slur。Village Voice,45(11),63。 | 25. | Graw, Isabelle(1990)。Field Work。Flash Art,136-137。 | 26. | Haacke, Hans(1977)。The Good Will Umbrella。Qualitative Sociology,1,108-121。 | 27. | Haacke, Hans(1989)。Text and Images。Art Journal,48,187-189。 | 28. | Haacke, Hans(1984)。Broadness and Diversity of the Ludwig Brigade。October,30,9-16。 | 29. | Haacke, Hans(1991)。In the Vice。Art Journal,50,48-55。 | 30. | Heartney, Eleanor(1987)。Hans Haacke。Art News,86,143-144。 | 31. | Heartney, Eleanor(1990)。Haacke's Helmsboro。Art in America,78,53。 | 32. | Herbstreuth, Peter(2000)。Haacke Provokes Reichstag。Flash Art,33,47。 | 33. | Higgs, Matthew(2001)。Politics of Presentation: An Interview with Hans Haacke。Tate Magazine,2001(Spring),56-59。 | 34. | Jones, Ronald(1988)。Hans Haacke: A Flash of Conscience, Knowable and Definable。Flash Art,141,151-152。 | 35. | Kaufman, Jason Edward(1994)。Corporations Favour Political Correctness When Sponsoring Museum Exhibitions。Art Newspaper,5,8。 | 36. | Kramer, Hilton(1984)。Turning Back the Clock: Art and Politics in 1984。New Criterion,2(8),62-80。 | 37. | Kuspit, Donald(1988)。Crowding the Picture: Notes on American Activist Art Today。Artforum,26,111-117。 | 38. | Lee, Smith(2000)。Aye Raising。Artforum,38(9),43。 | 39. | McCaffery, Larry(1993)。An Interview with Susan Daitch。Review of Contemporary Fiction,13(2),68-80。 | 40. | McWilliams, Martha(1996)。Canaries in the Coal Mine: Interventionist Artists Mine the Museum。The New Art Examiner,1996(Jan.),22-26。 | 41. | Morgan, Robert C.(1985)。Hans Haacke: Working from the Inside Out。Arts Magazine,60(2),24-25。 | 42. | North, Michael(1990)。The Public as Sculpture: From Heavenly City to Mass Ornament。Critical Inquiry,16,860-880。 | 43. | Perl, Jed(2000)。Exhaustion Chic。The New Republic,42。 | 44. | Phillips, Christopher(2000)。German Parliament Approves Haacke Installation。Art in America,88(5),37。 | 45. | Shiller, Herbert(1991)。Corporate Sponsorship: Institutionalized Censorship of the Cultural Realm。Art Journal,1991(Fall),56-59。 | 46. | Sirmans, Franklin(1997)。Remixing the Art World: Art in the Global Marketplace。Flash Art,194,69-72。 | 47. | Taylor, Paul(1986)。Interview with Hans Haacke。Flash Art,126,39-41。 | 48. | Ward, Frazer(1995)。The Haunted Museum: Institutional Critique and Publicity。October,73,71-89。 | 49. | Werneburg, Brigitte(1995)。The Armored Male Exposed。Art in America,83,44-48。 | 50. | Wu, Chin-tao(1998)。Embracing the Enterprise Culture: Art Institutions since the 1980s。New Left Review,230,28-57。 | 51. | 羊文漪(1996)。「巧克力大王」路德維傳奇--一位德國收藏家之浮沉與輝煌事業。藝術家,230-239。 延伸查詢 | 52. | 吳宗寶(20010500)。文化屬於大家也屬於每一個人--法國文化預算獨步歐美。當代,47=165,4-9。 延伸查詢 | 53. | 余珊珊(1999)。藝術、政治、公帑的三角戰爭:布魯克林美術館「聳動」展引發紐約各界口水戰。新朝藝術,14,24-28。 延伸查詢 | 54. | 吳曉芳(1999)。世紀末紐約最「聳動」的前衛藝術特展。藝術家,294,326-335。 延伸查詢 | 55. | 劉俐(1999)。藝術的自由與傲慢:煽色腥煽出巨焰。藝術家,294,336-341。 延伸查詢 | 56. | 曾少千(20020300)。藝術與社會學的交會:哈克與布赫迪厄的自由交流。歐美研究,32(1),45-105。 延伸查詢 | 會議論文1. | (2000)。跨世紀國際藝文資訊交流研討會論文集。跨世紀國際藝文資訊交流研討會,國家文化藝術基金會主辦 。台北。 延伸查詢 | 圖書1. | Godfrey, Tony(1998)。Conceptual Art。London:Phaidon Press。 | 2. | Weil, Stephen E.(1990)。Rethinking the Museum: And Other Meditations。Washington D.C.:Smithsonian Institution。 | 3. | Becker, Howard S.(1982)。Art Worlds。University of California Press。 | 4. | Adams, Peter(1992)。Art of the Third Reich。New York:H. N. Abrams。 | 5. | Alberro, Alexander、Stimson, Blake(1999)。Conceptual Art: A Critical Anthology。Cambridge:MIT。 | 6. | Angus, Ian、Ihally, Sut(1989)。Cultural Politics in Contemporary America。New York:Routledge。 | 7. | Tisdall, Caroline(1974)。Art into Society-Society into Art: Seven German Artists。London:Institute of Contemporary Art。 | 8. | Barnouw, Erik(1978)。The Sponsor。New York:Oxford University Press。 | 9. | Battcock, Gregory(1973)。Idea Art: A Critical Anthology。New York:Dutton。 | 10. | Bijvoet, Marga(1997)。Art as Inquiry: Toward New Collaborations between Art, Science, and Technology。New York:Peter Lang。 | 11. | Bourdieu, Pierre、Haacke, Hans(1995)。Free Exchange。Stanford:Stanford University。 | 12. | Buckely, Christopher(1995)。Thank You for Smoking。New York:Harper Perennial Library。 | 13. | Carroll, Noël(1999)。Philosophy of Art: A Contemporary Introduction。London:Routledge。 | 14. | Childs, Elizabeth C.(1997)。Suspended License: Censorship and the Visual Arts。Seattle:University of Washington。 | 15. | Conner, Steven(1989)。Postmodernist Culture: An Introduction to Theories of the Contemporary。Blackwell。 | 16. | Corrin, Lisa(1994)。Mining the Museum: An Installation by Fred Wilson。Baltimore。 | 17. | Crimp, Douglas(1995)。On the Museum's Ruins。Cambridge:MIT Press。 | 18. | Crow, Thomas(1996)。The Rise of the Sixties: American and European Art in the Era of Dissent。New York:Harry N. Abrams。 | 19. | During, Simon(1993)。Cultural Studies Reader。London:Routledge。 | 20. | Foster, Hal(1985)。Recordings: Art, Spectacle, Cultural Politics。Seattle:Bay Press。 | 21. | Foster, Hal(1996)。The Return of the Real: The Avant-Garde at the End of the Century。Cambridge:MIT。 | 22. | Foucault, Michel(1982)。The Archaeology of Knowledge。Vintage。 | 23. | (1975)。Framing and Being Framed: 7 Works 1970-75。Halifax:Press of the Nova Scotia College of Art and Design。 | 24. | Frascina, Francis(1999)。Art, Politics and Dissent: Aspects of the Art Left in Sixties America。Manchester:Manchester University。 | 25. | (2001)。Give & Take: 1 Exhibition 2 Sites。London:Serpentine Gallery。 | 26. | (1984)。Hans Haacke, Volume II, Works 1978-1983。London:The Tate Gallery。 | 27. | (1993)。Hans Haacke: Bodenlos。Venice:Edition Cantz。 | 28. | Haacke, Hans。AnsichtsSachen/ViewingMatters。Düsseldorf:Richter。 | 29. | Huyssen, Andreas(1995)。Twilight Memories: Making Time in a Culture of Amnesia。London:Routledge。 | 30. | Jünger, Ernst(1975)。The Storm of Steel: From the Diary of a German Storm Troupe Officer on the West Front。New York:Fertig。 | 31. | Kalaidjian, Walter(1993)。American Culture Between the Wars: Revisionary Modernism and Postmodern Critique。New York:Columbia University。 | 32. | Kastner, Jeffrey、Wallis, Brian(1998)。Land and Environmental Art。London:Phaidon Press。 | 33. | Martorella, Rosanne(1996)。Art and Business: An International Perspective on Sponsorship。London:Praeger。 | 34. | Mosse, George L.(1964)。The Crisis of German Ideology: Intellectual Origins of the Third Reich。New York:Grosset & Dunlap。 | 35. | Moxey, Keith(1994)。The Practice of Theory: Poststructuralism, Cultural Politics, and Art History。Cornell University Press。 | 36. | McShine, Kynaston(1999)。The Museum as Muse: Artists Reflects。New York:Museum of Modern Art。 | 37. | (1995)。Obra Social: Hans Haacke。Barcelona:Fundacio Antoni Tapies。 | 38. | Petropoulos, Jonathan(1996)。Art as Politics in the Third Reich。Chapel Hill:University of North Carolina。 | 39. | (1992)。The Play of the Unmentionable: An Installation by Joseph Kosuth at the Brooklyn Museum。New York:The New Press。 | 40. | Ross, Andrew(1988)。Universal Abandon? The Politics of Postmodernism。Minneapolis:University of Minnesota。 | 41. | Sherman, Daniel J.、Roggoff, Irit(1994)。Museum Culture: Histories, Discourses, Spectacles。Minneapolis:University of Minnesota。 | 42. | Stiles, Kristine、Selz, Peter(1996)。Theories and Documents of Contemporary art: A Sourcebook of Artists' Writings。Berkeley:University of California。 | 43. | Balkema, Annette W.、Slager, Henk(1997)。Still, The Museum。Rotterdam:Still Foundation。 | 44. | Wallis, Brian(1986)。Hans Haacke: Unfinished Business。New York:New Museum of Contemporary Art。 | 45. | Benjamin, Walter、Arendt, HI.(1973)。Illuminations。London。 | 46. | Weil, Stephen E.(1995)。A Cabinet of Curiosities; Inquiries into Museums and Their Prospects。Washington:Smithsonian。 | 47. | Burger, Peter、Shaw, Michael(1984)。Theory of the Avant-Garde。Minneapolis:University of Minnesota Press。 | 48. | 周一燮(1986)。美國歷任總統列傳。台北:黎明文化。 延伸查詢 | 49. | Foster, Hal(1983)。The Anti-Aesthetic: Essays on Postmodern Culture。Bay Press。 | 50. | Jordan, Glenn、Weedon, Chris(1995)。Cultural Politics: Class, Gender, Race and the Postmodern World。Blackwell。 | 51. | Conner, Steven(1997)。Postmodernist Culture: An Introduction to Theories of the Contemporary。Blackwell。 | 52. | Duncan, Carol(1995)。Civilizing Rituals: Inside Public Art Museums。Routledge。 | 53. | Mitchell, W. J. Thomas(1994)。Picture Theory: Essays on Verbal and Visual Representation。University of Chicago Press。 | 其他1. | Cohen, Roger(20000331)。Poking Fun, Artfully, at a Heady German Word,New York Times。 | 2. | Dobrzynski, Judith H.(20000313)。Work about Free Speech, Not Holocaust, Artist Says。 | 3. | (19840221)。Wall Street Journal。 | 4. | Solomon, Deborah(20000326)。Questions for Hans Haacke: School for Scandal。 | 圖書論文1. | Williams, Raymond(1993)。Advertising: The Magic System。The cultural studies: Reader。London:Routledge。 | 2. | Barthes, Roland、Heath, Stephen(1977)。The Death of the Author。Images, Music, Text: Essays selected and translated。New York:Hill and Wang。 | 3. | Crow, Thomas(1996)。Modernism and Mass Culture in the Visual Arts。Modern Art in the Common Culture。New Haven:Yale University。 | 4. | Kimmelman, Michael(1998)。Hans Haacke。Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere。New York:Random House。 | 5. | Malraux, Andre(1978)。Museums without the Walls。Voices of Silence。Princeton:Princeton University。 | 6. | Owens, Craig(1992)。From Work to Frame, or, Is There Life After 'The Death of the Author'?。Beyond Recognition: Representation, Power, and Culture。Berkeley:University of California。 | 7. | Shiller, Herbert J.(1989)。The Privatization and Transnationalization of Culture。Cultural Politics in Contemporary America。New York:Routledge。 | 8. | 曾少千(1999)。從挑戰到對話--當代西方藝術與美術館。1901-2000世界文化百年論文集。台北:國立歷史博物館。 延伸查詢 | 9. | 曾少千(2000)。安澤・基弗。牆。台北:國立歷史博物館。 延伸查詢 | |
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