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題名:漢斯.哈克的文化政治探索
書刊名:國立臺灣大學美術史研究集刊
作者:曾少千 引用關係
作者(外文):Tseng, Shao-chien
出版日期:2002
卷期:12
頁次:頁213-284+288
主題關鍵詞:漢斯.哈克文化政治藝術機制企業贊助納粹歷史言論自由Hans HaackeCultural politicsThe institution of artCorporate sponsorshipNazi historyFree speech
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(4) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:6
  • 點閱點閱:60
     漢斯•哈克1936)是西方藝術史上探索文化政治最深入透徹的藝術家之一。自1960年代末期至今,他以攝影、油畫、裝置、文字論述真對話盒正這複雜關係,表現深刻的洞察和批判,並且以多元的題材和手法,剖析當代藝術的權力結構和政治經濟學。本文運用藝術家訪談和寫作等第一手資料,參考博物館學、傳播學、社會學的論述,分析哈克如何以豐富的圖像和文字,呈現對於藝術機制、企業贊助、美國共和黨政府、納粹歷史、言論自由等議題的長期探索。
     Hans Haake is one of the few artists in the history of western art to make profound and comprehensive inquires into cultural politics. Since the late 1960s, through photography, oil painting, installations in various visual styles, he has been exploring the complex relationships between culture and politics and analyzing many topical issues concerning the political economy of contemporary art. This paper uses the artist's interviews and writings as primary source and considers the relevant discourses of muselology, communications, and sociology. It discusses how the artist, using image and words, presents his long-term inquiry into such area as the art institution, corporate sponsorship, American Republican politics, Nazi history, and free speech.
期刊論文
1.(1988)。Haacke Work Firebombed。Art in America,76,176。  new window
2.(1995)。Tobacco Row。Art in America,83,21。  new window
3.(1995)。Arts Funding on Upswing。Art in America,83,21。  new window
4.(1996)。German Rejects Sponsorship: It Should Not Replace the State。Art Newspaper,7,1。  new window
5.(2000)。Dull, Tedious, Boring。New Criterion,18(8),3。  new window
6.(2000)。Whitney's Sanitation Trouble。Art News,99(4),68。  new window
7.Armstrong, Matthew(1987)。Hans Haacke: Re-Presenting Reagan。Radical History Review,38,78-86。  new window
8.Bailey, Martin(1996)。The Generous Germans: Top Sponsors of the Arts in Europe。Art Newspaper,7,5。  new window
9.Bell, Jane(1985)。Hans Haacke。Art News,84,128-129。  new window
10.Bickers, Patricia(2001)。Mixed Messages: An Interview with Hans Haacke。Art Monthly,244,1-5。  new window
11.Bois, Yve-Alain、Crimp, Douglas、Krauss, Rosalind(1984)。A Conversation with Hans Haacke。October,30,23-48。  new window
12.Bois, Yve-Alain(1986)。The Antidote。October,39,128-144。  new window
13.Bolton, Richard(1989)。Enlightened Self-Interest: The Avant-Garde in the 80s。Afterimage,16,12-18。  new window
14.Buchloh, Benjamin H. D.(1988)。Hans Haacke: Memory and Instrumental Reason。Art in America,97-109+158-159。  new window
15.Chong, Derrick(1997)。Hans Haacke on Museum Management。Museum Management and Curatorship,16(3),273-285。  new window
16.Craven, David(1987)。Hans Haacke and the Aesthetics of Dependency Theory。Arts Magazine,61(7),56-58。  new window
17.Crimp, Douglas(1984)。Editorial。October,30,5-6。  new window
18.Danto, Arthur C.(1987)。Hans Haacke and the Industry of Art。The Nation,244,190-195。  new window
19.D'Arcy, David(1994)。Philip Morris: Will the Tobacco Firm's Art Support Outlive Its Critics?。Art Newspaper,5,1-3。  new window
20.(1996)。He Who Pays the Piper Calls the Tune: Sponsorship, Patronage and the Intellectual Independence of Museum。Museum Management and Curatorship,15,345-350。  new window
21.Germer, Stefan(1988)。Haacke, Broodthaers, Beuys。October,45,63-75。  new window
22.Gilbert-Rolfe, Jeremy(1986)。The Politics of Art。Arts Magazine,61,21-27。  new window
23.Glover, Michael(20010130)。Stop Making Sense。Independent。  new window
24.Goldstein, Richard(2000)。Libel: Turning an Anti-Fascist Artwork into an Anti-Jewish Slur。Village Voice,45(11),63。  new window
25.Graw, Isabelle(1990)。Field Work。Flash Art,136-137。  new window
26.Haacke, Hans(1977)。The Good Will Umbrella。Qualitative Sociology,1,108-121。  new window
27.Haacke, Hans(1989)。Text and Images。Art Journal,48,187-189。  new window
28.Haacke, Hans(1984)。Broadness and Diversity of the Ludwig Brigade。October,30,9-16。  new window
29.Haacke, Hans(1991)。In the Vice。Art Journal,50,48-55。  new window
30.Heartney, Eleanor(1987)。Hans Haacke。Art News,86,143-144。  new window
31.Heartney, Eleanor(1990)。Haacke's Helmsboro。Art in America,78,53。  new window
32.Herbstreuth, Peter(2000)。Haacke Provokes Reichstag。Flash Art,33,47。  new window
33.Higgs, Matthew(2001)。Politics of Presentation: An Interview with Hans Haacke。Tate Magazine,2001(Spring),56-59。  new window
34.Jones, Ronald(1988)。Hans Haacke: A Flash of Conscience, Knowable and Definable。Flash Art,141,151-152。  new window
35.Kaufman, Jason Edward(1994)。Corporations Favour Political Correctness When Sponsoring Museum Exhibitions。Art Newspaper,5,8。  new window
36.Kramer, Hilton(1984)。Turning Back the Clock: Art and Politics in 1984。New Criterion,2(8),62-80。  new window
37.Kuspit, Donald(1988)。Crowding the Picture: Notes on American Activist Art Today。Artforum,26,111-117。  new window
38.Lee, Smith(2000)。Aye Raising。Artforum,38(9),43。  new window
39.McCaffery, Larry(1993)。An Interview with Susan Daitch。Review of Contemporary Fiction,13(2),68-80。  new window
40.McWilliams, Martha(1996)。Canaries in the Coal Mine: Interventionist Artists Mine the Museum。The New Art Examiner,1996(Jan.),22-26。  new window
41.Morgan, Robert C.(1985)。Hans Haacke: Working from the Inside Out。Arts Magazine,60(2),24-25。  new window
42.North, Michael(1990)。The Public as Sculpture: From Heavenly City to Mass Ornament。Critical Inquiry,16,860-880。  new window
43.Perl, Jed(2000)。Exhaustion Chic。The New Republic,42。  new window
44.Phillips, Christopher(2000)。German Parliament Approves Haacke Installation。Art in America,88(5),37。  new window
45.Shiller, Herbert(1991)。Corporate Sponsorship: Institutionalized Censorship of the Cultural Realm。Art Journal,1991(Fall),56-59。  new window
46.Sirmans, Franklin(1997)。Remixing the Art World: Art in the Global Marketplace。Flash Art,194,69-72。  new window
47.Taylor, Paul(1986)。Interview with Hans Haacke。Flash Art,126,39-41。  new window
48.Ward, Frazer(1995)。The Haunted Museum: Institutional Critique and Publicity。October,73,71-89。  new window
49.Werneburg, Brigitte(1995)。The Armored Male Exposed。Art in America,83,44-48。  new window
50.Wu, Chin-tao(1998)。Embracing the Enterprise Culture: Art Institutions since the 1980s。New Left Review,230,28-57。  new window
51.羊文漪(1996)。「巧克力大王」路德維傳奇--一位德國收藏家之浮沉與輝煌事業。藝術家,230-239。  延伸查詢new window
52.吳宗寶(20010500)。文化屬於大家也屬於每一個人--法國文化預算獨步歐美。當代,47=165,4-9。  延伸查詢new window
53.余珊珊(1999)。藝術、政治、公帑的三角戰爭:布魯克林美術館「聳動」展引發紐約各界口水戰。新朝藝術,14,24-28。  延伸查詢new window
54.吳曉芳(1999)。世紀末紐約最「聳動」的前衛藝術特展。藝術家,294,326-335。  延伸查詢new window
55.劉俐(1999)。藝術的自由與傲慢:煽色腥煽出巨焰。藝術家,294,336-341。  延伸查詢new window
56.曾少千(20020300)。藝術與社會學的交會:哈克與布赫迪厄的自由交流。歐美研究,32(1),45-105。new window  延伸查詢new window
會議論文
1.(2000)。跨世紀國際藝文資訊交流研討會論文集。跨世紀國際藝文資訊交流研討會,國家文化藝術基金會主辦 。台北。  延伸查詢new window
圖書
1.Godfrey, Tony(1998)。Conceptual Art。London:Phaidon Press。  new window
2.Weil, Stephen E.(1990)。Rethinking the Museum: And Other Meditations。Washington D.C.:Smithsonian Institution。  new window
3.Becker, Howard S.(1982)。Art Worlds。University of California Press。  new window
4.Adams, Peter(1992)。Art of the Third Reich。New York:H. N. Abrams。  new window
5.Alberro, Alexander、Stimson, Blake(1999)。Conceptual Art: A Critical Anthology。Cambridge:MIT。  new window
6.Angus, Ian、Ihally, Sut(1989)。Cultural Politics in Contemporary America。New York:Routledge。  new window
7.Tisdall, Caroline(1974)。Art into Society-Society into Art: Seven German Artists。London:Institute of Contemporary Art。  new window
8.Barnouw, Erik(1978)。The Sponsor。New York:Oxford University Press。  new window
9.Battcock, Gregory(1973)。Idea Art: A Critical Anthology。New York:Dutton。  new window
10.Bijvoet, Marga(1997)。Art as Inquiry: Toward New Collaborations between Art, Science, and Technology。New York:Peter Lang。  new window
11.Bourdieu, Pierre、Haacke, Hans(1995)。Free Exchange。Stanford:Stanford University。  new window
12.Buckely, Christopher(1995)。Thank You for Smoking。New York:Harper Perennial Library。  new window
13.Carroll, Noël(1999)。Philosophy of Art: A Contemporary Introduction。London:Routledge。  new window
14.Childs, Elizabeth C.(1997)。Suspended License: Censorship and the Visual Arts。Seattle:University of Washington。  new window
15.Conner, Steven(1989)。Postmodernist Culture: An Introduction to Theories of the Contemporary。Blackwell。  new window
16.Corrin, Lisa(1994)。Mining the Museum: An Installation by Fred Wilson。Baltimore。  new window
17.Crimp, Douglas(1995)。On the Museum's Ruins。Cambridge:MIT Press。  new window
18.Crow, Thomas(1996)。The Rise of the Sixties: American and European Art in the Era of Dissent。New York:Harry N. Abrams。  new window
19.During, Simon(1993)。Cultural Studies Reader。London:Routledge。  new window
20.Foster, Hal(1985)。Recordings: Art, Spectacle, Cultural Politics。Seattle:Bay Press。  new window
21.Foster, Hal(1996)。The Return of the Real: The Avant-Garde at the End of the Century。Cambridge:MIT。  new window
22.Foucault, Michel(1982)。The Archaeology of Knowledge。Vintage。  new window
23.(1975)。Framing and Being Framed: 7 Works 1970-75。Halifax:Press of the Nova Scotia College of Art and Design。  new window
24.Frascina, Francis(1999)。Art, Politics and Dissent: Aspects of the Art Left in Sixties America。Manchester:Manchester University。  new window
25.(2001)。Give & Take: 1 Exhibition 2 Sites。London:Serpentine Gallery。  new window
26.(1984)。Hans Haacke, Volume II, Works 1978-1983。London:The Tate Gallery。  new window
27.(1993)。Hans Haacke: Bodenlos。Venice:Edition Cantz。  new window
28.Haacke, Hans。AnsichtsSachen/ViewingMatters。Düsseldorf:Richter。  new window
29.Huyssen, Andreas(1995)。Twilight Memories: Making Time in a Culture of Amnesia。London:Routledge。  new window
30.Jünger, Ernst(1975)。The Storm of Steel: From the Diary of a German Storm Troupe Officer on the West Front。New York:Fertig。  new window
31.Kalaidjian, Walter(1993)。American Culture Between the Wars: Revisionary Modernism and Postmodern Critique。New York:Columbia University。  new window
32.Kastner, Jeffrey、Wallis, Brian(1998)。Land and Environmental Art。London:Phaidon Press。  new window
33.Martorella, Rosanne(1996)。Art and Business: An International Perspective on Sponsorship。London:Praeger。  new window
34.Mosse, George L.(1964)。The Crisis of German Ideology: Intellectual Origins of the Third Reich。New York:Grosset & Dunlap。  new window
35.Moxey, Keith(1994)。The Practice of Theory: Poststructuralism, Cultural Politics, and Art History。Cornell University Press。  new window
36.McShine, Kynaston(1999)。The Museum as Muse: Artists Reflects。New York:Museum of Modern Art。  new window
37.(1995)。Obra Social: Hans Haacke。Barcelona:Fundacio Antoni Tapies。  new window
38.Petropoulos, Jonathan(1996)。Art as Politics in the Third Reich。Chapel Hill:University of North Carolina。  new window
39.(1992)。The Play of the Unmentionable: An Installation by Joseph Kosuth at the Brooklyn Museum。New York:The New Press。  new window
40.Ross, Andrew(1988)。Universal Abandon? The Politics of Postmodernism。Minneapolis:University of Minnesota。  new window
41.Sherman, Daniel J.、Roggoff, Irit(1994)。Museum Culture: Histories, Discourses, Spectacles。Minneapolis:University of Minnesota。  new window
42.Stiles, Kristine、Selz, Peter(1996)。Theories and Documents of Contemporary art: A Sourcebook of Artists' Writings。Berkeley:University of California。  new window
43.Balkema, Annette W.、Slager, Henk(1997)。Still, The Museum。Rotterdam:Still Foundation。  new window
44.Wallis, Brian(1986)。Hans Haacke: Unfinished Business。New York:New Museum of Contemporary Art。  new window
45.Benjamin, Walter、Arendt, HI.(1973)。Illuminations。London。  new window
46.Weil, Stephen E.(1995)。A Cabinet of Curiosities; Inquiries into Museums and Their Prospects。Washington:Smithsonian。  new window
47.Burger, Peter、Shaw, Michael(1984)。Theory of the Avant-Garde。Minneapolis:University of Minnesota Press。  new window
48.周一燮(1986)。美國歷任總統列傳。台北:黎明文化。  延伸查詢new window
49.Foster, Hal(1983)。The Anti-Aesthetic: Essays on Postmodern Culture。Bay Press。  new window
50.Jordan, Glenn、Weedon, Chris(1995)。Cultural Politics: Class, Gender, Race and the Postmodern World。Blackwell。  new window
51.Conner, Steven(1997)。Postmodernist Culture: An Introduction to Theories of the Contemporary。Blackwell。  new window
52.Duncan, Carol(1995)。Civilizing Rituals: Inside Public Art Museums。Routledge。  new window
53.Mitchell, W. J. Thomas(1994)。Picture Theory: Essays on Verbal and Visual Representation。University of Chicago Press。  new window
其他
1.Cohen, Roger(20000331)。Poking Fun, Artfully, at a Heady German Word,New York Times。  new window
2.Dobrzynski, Judith H.(20000313)。Work about Free Speech, Not Holocaust, Artist Says。  new window
3.(19840221)。Wall Street Journal。  new window
4.Solomon, Deborah(20000326)。Questions for Hans Haacke: School for Scandal。  new window
圖書論文
1.Williams, Raymond(1993)。Advertising: The Magic System。The cultural studies: Reader。London:Routledge。  new window
2.Barthes, Roland、Heath, Stephen(1977)。The Death of the Author。Images, Music, Text: Essays selected and translated。New York:Hill and Wang。  new window
3.Crow, Thomas(1996)。Modernism and Mass Culture in the Visual Arts。Modern Art in the Common Culture。New Haven:Yale University。  new window
4.Kimmelman, Michael(1998)。Hans Haacke。Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere。New York:Random House。  new window
5.Malraux, Andre(1978)。Museums without the Walls。Voices of Silence。Princeton:Princeton University。  new window
6.Owens, Craig(1992)。From Work to Frame, or, Is There Life After 'The Death of the Author'?。Beyond Recognition: Representation, Power, and Culture。Berkeley:University of California。  new window
7.Shiller, Herbert J.(1989)。The Privatization and Transnationalization of Culture。Cultural Politics in Contemporary America。New York:Routledge。  new window
8.曾少千(1999)。從挑戰到對話--當代西方藝術與美術館。1901-2000世界文化百年論文集。台北:國立歷史博物館。  延伸查詢new window
9.曾少千(2000)。安澤・基弗。牆。台北:國立歷史博物館。  延伸查詢new window
 
 
 
 
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