清代浙西詞派的九創者朱彝尊推崇姜虁和張炎，提倡醇雅清空，但其實際創作更加靠近張炎，正能夠實朱彝尊推尊姜的理念，並開創浙西詞派發局面的是厲鶚。厲鶚與姜夔的共鳴既表現在藝術上，也表現在生活經歷上。但他對姜夔既有學習也有發展。一是通過表特定區的山水來寫人物感情和特定的學感受，二是通過寫歷史人物來營造氛圍，三是創了詞中的靜清寂之境。儘管厲鶚的咏物詞特別追求獨創，但當時和後世的接受卻往往片面接受了其徵典獺祭之作，這反映了時代審美思潮的某些方面。

Although Zhu Yizun, the inaugurator of West Zhejiang Ci School in the Qing Dynasty, canonizes Jiang Kui and Zhang Yan and advocates “Pure and Elegant” and “Clear and Empty”, his writings close more with Zhang Yan. It is Li E who can carry out Zhu Yizun’s idea for respecting Jiang Kui and start the development for West Zhejiang Ci School. Li E’s sympathy with Jiang Kui is in arts as well as in life. But Li E not only follows Jiang Kui but also exceeds him which is reflected as follows: first, he can write felling and aesthetic taste by location landscape; third, he creates a kind of state, quiet and clear, in the Ci poetry. Through Jiang Kui’s Ci poetry on objects was full of creation, the receivers, in present and afterward, often take his such works with a lot of allusions as excellent ones. That shows some aspects of aesthetic spirit for the era.