This paper explores three aspects of the history related to the concept of shiyu which was formed in the Song dynasty. First of all, it examines in detail the period during which the term shiyu was gradually used by critics and writers. The paper also analyses the ways in which the concept appeared. It indicates that the term shiyu first appeared in the early South-ern Song dynasty, most probably in the middle period of the 11th century. However, due to the absence of a clear definition, the meaning of shiyu at that time was quite ambiguous. In the second part, therefore, the paper tries to reconstruct its meaning by examining the various kinds of materials in which the term was found. In brief, shiyu, a term epitomizing what later known as ci, is composed of two characters: shi (poetry) and yu (surplus). The paper indicates that the concept of shiyu as it was formed in the Song dynasty primarily denoted the essence of ci and its origin, while people's sole motive to adopt the term shiyu was to improve the status of ci. Accord-ing to this study, the term "shiyu" probably has two connotations: (1) the source of ci is shi (including various kinds of poetry, such as Shi-jing詩經, yue-fu 樂府 and jin-ti-shi 近體詩 ); and (2) the ci poet uses his/her surplus strength to write ci poetry. Finally, the paper takes into account the far-reaching influence exerted by Su Shi. It argues that Su's famous view on ci, namely " yi-shi wei-ci," had largely shaped other people's tendency to regard ci as shi.