Chung Li-ho (1915-1960) wrote ”Chia-li-p'o” in which he depicts his childhood and memories of his native grandmother. As a story dealing with the topic of relationship between Han-Chinese and native people in Taiwan, ”Chia-li-p'o” paints a rosy picture that Chinese and aboriginal people seem able to live together harmoniously and the ethnic, social, and cultural boundaries can be erased with ease. Chung Li-ho's work, however, still strikes a discordant note about the relationship between aborigines and Chinese people. His story does not transcend the concerns about racial, social, and cultural differences and conflicts often seen in other writers' works. It still ends with a tone of sorrow, lamenting that people's disparity on the surface interferes with their awareness of similarity in one another and stymies their effort to reach a harmonious union. When observed in a new light, ”Chia-li-p'o” actually provides a footnote depicting Chung Li-ho's grandmother's loss of self and identity in her family.