這是筆者研究明未清初女性禪師的系列內容之一。在語錄被納入《嘉興藏》的七位女性禪師中，寶持玄總與祖揆玄符兩人師出同門，屬三峰派下繼起弘儲的嗣法第子。她們雖然來處不同，但共學同參，相互論鬥譏鋒，合著《頌古合響集》，彼此共扶教化，先後住持妙湛禪院，而禪風特質卻也各異，一冷一熱，一峻絕精嚴、一靈動恣暢，兩人形成一首異音合響的交響曲。為了之後論述禪風時能更有豐富的底蘊與生命感，必需先考索她們的各別的生平行傳，以及兩人的互動法誼，這便是本文寫作的主旨所在。 在女性文獻較稀少的環境下，筆者以兩人的語錄為本，並從燈傳、方志、文學總集等史籍，極盡所以地考察，企圖為她們描繪出較清晰的生命跡履，所以本文大部分的史料都是前人未曾運用過的，但也出現很多空白闕如、不得而知的狀況。行傳考述的內容，除了呈現她們兩人的行誼事蹟外，亦依事蹟略引詩偈法語等內容，來實以核心精神，讓行傳不只是事蹟，也是文彩、法誼與禪法、心志的展現，但重點仍在行傳上。在行傳之前，先考辨兩人法名，以釐清《續比丘尼傳》之誤。行傳之後，統論兩人同參機鋒，合著頌古的情形，最後以她們為彼此所作的讚詩為結。讚詩裡，兩人都以女性禪師典範人物：末山、無著來比喻對方，顯然女性禪師傳系與女性性別之自覺都在。兩人相惜和相和，異音合響，為女性禪師形成兩種典型，也譜下一段女禪合響。

This research is one of a series of researches on the female Zen maters during late Ming Dynasty and Early Ching Dynasty. Among seven female Zen masters whose quotations were included into Jiahsing Book Collections, Baochi Xuanzong and Zhukuei Xuanfu were actually enlightened and taught by the same master. They were disciples who inherited Buddhist doctrines form Master Jiqu Hongchu of San Fong School. Although they came from different places, they learned and tried to reach understanding of dhyana, mutual debate Buddhist allegoric words and gestures and wrote together Extolling Ancientry Joint Resounding Collection in supporting Buddhism. They ever took over Miaozhan Zen Temple. But their characteristics of Zen style were different. In order to discuss their Zen style with rich inside contents and the sense of life, we have to examine their individual biographies and their interactions and friendship in Buddhist doctrines. This is the purpose of the article. In an environment of scarce literature about female Zen masters, based on their quotations, the author tried her best to explore and examine information in history books like Light Passing-on, local records and literature collections to try to make up clearer footprints of life. Therefore, most of historical information the author used were never used by others before. Still, there were many blank and lacking and unknown situation. The contents of textual criticism and explanations of biographies not only showed their deeds and sagas but also demonstrate and prove their core spirits with the contents of their poetries, allegoric words and quotations that will make their biographies become not only sagas but also literary graces, friendship and Zen doctrines. Before discussing their biographies, we examined their Buddhist names to clarify the mistakes of The Continuation of Buddhist Nuns. After discussing their biographies, the author generally discussed the situations in which they together tried to reach the understandings of dyhana, mutual debate Buddhist allegoric words and gestures and wrote together Extolling Ancientry Joint Resounding Collection. The article concluded with their praising poems for the other. In the poems, both of them mutually compared the other with good examples of female Zen master: Master Moshan and Master Suzhu. Obviously, the self-consciousness of female Zen master existed. They highly valued each other and jointly resound with different vibrations. They are two different types of examples of female Zen masters and they have left a good example of joint resounding by two female masters in their friendship.