海德格爾所以能成為現代西方重要的哲學家，實因其充份掌握「存在」的最根本問題。海氏終其一生，無不尋找「存在」的真理，其探求精神，與藝術家所欲至之至高境域，全無二致。因此，海氏所揭示的真理，不啻為人生存在的真諦，亦是文藝追求的理想境界。傳統西方哲學、美學對藝術本質的探問，非歸納即演繹，其結果導致人的感性與理性截然二分。海氏以為美學作為一門科學，必是一門存在的學問。如果美學脫離人的生活，離其所處的時空，離其物象存在的情境，則勢必喪失其偉大。海氏思想無疑是深刻的、重要的，然因其晦澀艱深，使其思想不易索解。因此，本文擬自海德格爾畫論和詩論中，就作為存在的藝術及存在的詮釋二層次，探究藝術作品之本源、本真之藝術、藝術之詮釋等意涵

Heidegger can become the modem West's important philosopher, because he can grasp ”being” most basic question. Heidegger is seeking for ”being” truth of his life. His pursue spirit and artist's spirit is the same. Therefore, Heidegger promulgates truth, not only person's survival true meaning, is also artist's ideal. Heidegger thought that being is knowledge. If esthetics leaves person's life, leaves it the space and time, leaves the thing the existence. It will lose its great inevitably. Heidegger's thought is profound, important, but it is abstruse. The people are not easy to understand. Therefore, this article hoped that Therefore, this article hoped that discuss being in Heidegger's esthetics