余華是大陸先鋒派作家，他早期作品中展現文革傷痕的暴力與血腥，使他的作品在文革敘事獨樹一格。其以身體為一寫作試驗場的書寫手法，也使得作品在身體／意識兩者之間往往形成一場追逐式的辯證。《現實一種》收錄了余華早期的三個短篇小說。本文共分三為個小節：第一小節探討〈一九八六年〉的文革寫作，探看余華以瘋癲的意識來隔絕歷史傷痛；第二小節探討其寫於一九八七年的〈河邊的錯誤〉，探討余華對於瘋癲與事實之間的辯證，真實如何成為一種懸宕；第三小節探討同名小說〈現實一種〉，析論余華如何透過暴力與非暴力的辯證書寫，展現死亡的同質性而反襯出意識消亡實為悲劇關鍵。

Yu-Hua Continental avant-garde writer, his early works show the scars of violence and bloody of The Cultural Revolution, and a unique style of his work during the Cultural Revolution narrative. To the body as a writing test site writing practices, also works in the body / consciousness between the two often form a chase-dialectical. "Hsian-Shi-Yi-Zhong" a collection of three short stories in the early of Yu-Hua’s writings. This paper is divided into three small sections: the first section discusses the writing of the Cultural Revolution in “The year 1986”, peek Yu-Hua isolated historical to madness awareness to pain; second section discusses its written in 1987 “The error of the riverside” explore the Yu-Hua how to become a dialectic between madness and the fact, real-postponed; third sections explore the novel of the same name