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題名:語用預設在廣告文案中應用之探析
書刊名:藝見學刊
作者:張露心 引用關係
作者(外文):Chang, Lu-hsin
出版日期:2014
卷期:8
頁次:頁111-119
主題關鍵詞:廣告文案語用預設預設Advertising copyPragmatic presuppositionPresupposition
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:9
  • 點閱點閱:12
加拿大傳播學者McLuhan(1967)曾說:「廣告是當代最偉大的藝術形式。」而廣告不僅是一門說服的藝術,更是一種特殊的語言交流形式。從語用學的觀點而言,廣告是一種稅服的語用行為,主要目的在於改變消費者的態度或行為,進而採取有利於產品銷售的動作。語用預設是人們說話或寫作時預先設定但又不直接說出或寫出的命題,在日常語言使用中,預設是十分普遍且現象,而且可以說是無所不在。本文闡述預設的心理機制與特徵以及預設在廣告文案中的應用與功能探究;透過廣告文案中語用心理的研究,洞察文案語言背後的溝通機制,有助於廣告文案的寫作以及掌握如何誘導消費者的心理過程。
McLuhan(1967) has ever said: 「Advertising is the greatest form of art in contemporary.」 Actually, Advertising is not only an art of persuasion, but also a very unique language communication form. From the point of view of Pragmatics, advertising is a kind of pragmatic behavior, its main purpose is to change the attitude and behavior of consumer, and then take the advantageous action toward the product or brand。Pragmatic presupposition is the proposition that has presupposed without need to say or write when we are talking or writing, and it is omnipresent in our daily conversation or communication. This paper addresses the psychology function and characteristics of presupposition and explores its application and effect on advertising copy. Through the research of application of pragmatic psychology in advertising copy, how the communication works through the advertising language is explored , and it helps the effective copywriting and grasps the skill of how to seduce consumers through copy.
期刊論文
1.Wansborough, M.、Mageean, A.(2000)。The role of urban design in cultural regeneration。Journal of Urban Design,5(2),181-197。  new window
2.Bekalu, M. A.(2006)。Presupposition in news discourse。Discourse & Society,17(2),147-172。  new window
3.趙春苗(2007)。廣告用語中之語用預設分析。商場現代化,2007,54-55。  延伸查詢new window
4.王揚(2005)。語用預設及其功能。湖北民族學院學報,2005,54-55。  延伸查詢new window
5.張曉梅、趙延江(2006)。語用預設在廣告語篇中的文體效應。山東社會科學,2006,125-128。  延伸查詢new window
6.陳新仁(1998)。論廣告用語中的語用預設。外國語,1998(5),54-57。  延伸查詢new window
7.劉蓉、方曉(2006)。廣告用語中之語用預設分析。商場現代化,2006,54-55。  延伸查詢new window
8.陳慶欣(2009)。預設及其在廣告中的應用。中外教育研究,2009(11),51-53。  延伸查詢new window
9.陳洁瑜、羅曉燕、李俊(2007)。試論預設策略在廣告中的應用。商場現代化,2007(7),9-80。  延伸查詢new window
10.Karttunen, L.(1974)。Presupposition and linguistic context。Theoretical Linguistics,4,169-193。  new window
11.Sellars W.(1954)。Presupposing。The Philosophical Review,63(2),197-215。  new window
12.Van Dijk, Teun Adrianus(1995)。Discourse Semantics and Ideology。Discourse & Society,6(2),243-289。  new window
13.吳岳剛(19990700)。平面廣告中圖像與產品種類的關係對於記憶的影響。廣告學研究,13,113-130。new window  延伸查詢new window
會議論文
1.Hutchinson, L. G.(1971)。Presupposition and belief inferences。7th Regional Meeting,Chicago Linguistic Society 。Chicago:Chicagi Linguistic Society。  new window
學位論文
1.張婉玲(2001)。從預設的應用探討中文廣告的訊息處理(碩士論文)。國立清華大學。  延伸查詢new window
圖書
1.何自然(1997)。語用學概要。湖南:湖南教育出版社。  延伸查詢new window
2.黃國文(2001)。語篇分析的理論與實踐--廣告語篇研究。上海:上海外語教育出版社。  延伸查詢new window
3.楊先順(1998)。廣告文案寫作原理與技巧。南投:暨南大學出版社。  延伸查詢new window
4.Verschueren, J.(1999)。Understandings Pragmatics。London:Arnold。  new window
5.McLuhan, M.、Fiore, Q.(1967)。The Medium is the Massage: An Inventory of Effects。London:Penquin。  new window
6.何智文(20050000)。平面廣告文本之符號學與語用學研究:以解析Mild seven香菸、chanel香水與OSIM音樂智慧椅雜誌廣告為研究主軸案例。臺北:學富文化。new window  延伸查詢new window
7.劉美琪、許安琪、漆梅君、于如心(2000)。當代廣告--概念與操作。台北:學富。  延伸查詢new window
8.Levinson, Stephen C.(1983)。Pragmatics。Cambridge。  new window
9.Jackendoff, Ray S.(1972)。Semantic Interpretation in Generative Grammar。MIT Press。  new window
10.Leech, Geoffrey Neill(1983)。Principles of Pragmatics。Longman。  new window
其他
1.WhatisAIDMA?,http://resources.alibaba.com/topic/800254852/What_is_AIDMA_.htm, 2014/06/29。  new window
圖書論文
1.Stalnaker, R.(1995)。Pragmatic Presuppositions。Semantics and Philosophy: Essays。London:Metheun,1995。  new window
2.Keenan, E. L.(1971)。Two kinds of suppositions in natural language。Studies in Linguistic Semantics。N.Y.:Holt。  new window
3.Bandura, Albert(1969)。Social-Learning Theory of Identificatory processes。Handbook of Socialization Theory and Research。Chicago, IL:Rand McNally。  new window
 
 
 
 
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