|
于治中。「正文、性別、意識形態──克麗絲特娃的解析符號學」。在《文學的後設思考》,呂正惠主編,206-225。臺北:正中,1991。 子宛玉編。《風起雲湧的女性主義批評》。臺北市:谷風,1988。 王曉華。《西方美學中的身體意象:從主體觀的角度看》。北京:人民,2016。 朱怡貞。「陰柔美學──淺介90年代臺灣女性裝置藝術」。〈http://www.itpark.com.tw/artist/critical_data/24/978/327〉(2015/ 8/ 30)。 朱柔若。《社會研究方法──質化與量化取向》。臺北:揚智,2000。 汪民安。「導言」。在《身體的文化政治學》,汪民安主編,頁1-17。開封:河南大學,2003。 沈奕伶編譯。「翻轉既定印象──芭芭拉.克魯格的影像文字拼貼藝術」。《藝術家》410期(2009∕7):頁334-357。 何春蕤。「女性主義文學批評的死胡同」。在《風起雲湧的女性主義批評》,子宛玉編,頁77-94。臺北市:谷風,1988。 宋美璍。「經驗論與理念論──女性主義批評之修辭兩極」。在《風起雲湧的女性主義批評》,子宛玉編,頁42-64。臺北市:谷風,1988。 何智文。《平面廣告文本之符號學與語用學研究》。臺北市:學富文化,2005。 李銀河。「關於『酷兒』理論」。在《身體的文化政治學》,汪民安主編,頁101-112。開封:河南大學,2003。 宋曉萍。「狂奔的女性政治學」。在《身體的文化政治學》,汪民安主編,頁179-191。開封:河南大學,2003。 林彣全。「當代藝術之圖文傳播現象研究──以後現代主義藝術家Barbara Kruger的創作為例」。國立臺灣師範大學,碩士論文,2010。 林志明。「為何攝影對當代藝術是重要的──後觀念觀點」。在《觀念藝術之後》,張芳薇編,頁46-53。臺北市:北市美術館,2016。 林宏璋。「觀念藝術與其語言的推演能力」。在《觀念藝術之後》,張芳薇編,頁66-73。臺北市:北市美術館,2016。 屈雅君。「譯者前言」。在《他者女人的窺鏡》,頁I-VI。鄭州:河南大學,2013。 周黨。「讀圖,身體,意識形態」。在《身體的文化政治學》,汪民安主編,頁127-145。開封:河南大學,2003。 南方朔。「從『第二性』到『性的結束』──『後女性主義』思想論」。在《風起雲湧的女性主義批評》,子宛玉編,頁3-29。臺北市:谷風,1988。 南帆。「軀體的牢籠」。在《身體的文化政治學》,汪民安主編,頁146-157。開封:河南大學,2003。 高宣揚。《後現代論》。臺北:五南,1999。 徐敏。「封面女郎:凝視與面容的形而上學」。在《身體的文化政治學》,汪民安主編,頁165-178。開封:河南大學,2003。 倪湛舸。「語言.主體.性別──初探巴特勒的知識迷宮」。在《身體之重:論「性別」的話語界限》,Judith Butler著;李鈞鵬譯,頁1-6。上海:上海三聯書店,2011。 高雲換、黃怡茵、黃薇蓉。「作者已死:巴特與後現代主義」。《網路社會學通訊期刊》35期(2003 / 12 / 15)。〈http://mail.nhu.edu.tw/~society/e-j/35/35-32.htm〉(2018/10/10)。 徐穎果主編。《族裔與性屬研究最新術語詞典》。天津市:南開大學,2009。 唐曉蘭。《觀念藝術的淵源與發展》。臺北市:遠流,2000。 張一兵。「誘惑:一個揭開後現代玄秘畫皮的通道──波德里亞《論誘惑》的構境論解讀」。在《論誘惑》,Jean Baudrillard著;張新木譯。南京:南京大學,2011。 張岩冰。《女權主義文論》。濟南:山東教育,1998。 張芳薇。「前言」。在《觀念藝術之後》,張芳薇編,頁5-9。臺北市:北市美術館,2016。 張紹勳。《研究方法精華本》,二版。臺中市:滄海,2007。 張蕊君。「芭芭拉.克魯格作品中的父權地圖」。大葉大學,碩士論文,2010。 曾少千。「我買故我在:芭芭拉.克魯格與消費文化」。《臺大文史哲學報》58期 (2003/ 5):頁251-296。 曾少千。「傷痛的場景──Barbara Kruger的社會身體寫照」。在《身體變化:西方藝術中身體的概念和意象》,曾曬淑主編,頁209-237。臺北市:南天,2004。 曾少千。「Martha Rosler的時尚觀」。在《藝術與認同》,曾曬淑主編,頁217-252。臺北市:南天,2006。 黃心怡。「轉換的可能:芭芭拉.克魯格的圖文作品,1980-1999」。國立臺北教育大學,碩士論文,2005。 彭仁郁。「真相與正義:暴力創傷療癒的地平線」。在《從創傷到復原:性侵與家暴倖存者的絕望與重生》,Judith Herman著;施宏達、陳文琪、向淑容譯,頁4-17。新北市:左岸文化,2018。 黃華。《權力,身體與自我──福柯與女性主義文學批評》。北京:北京大學,2005。 黃瑞祺。《現代與後現代》,二版。臺北市:巨流,2001。 黃瑞祺。《傅柯三論:傅柯晚年思想研究》。臺北市:唐山,2018。 葉至誠、葉立誠。《研究方法與論文寫作》。臺北:商鼎文化,1999。 葛紅兵、宋耕。《身體政治》。上海:上海三聯書店,2005。 鄒建林編。《影子與蹤跡:漢斯.貝爾廷圖像理論中的指涉問題》。長沙:湖南美術,2014。 臺大男同性戀研究社主編。《男同性戀邦聯》。臺北:號角,1994。 廖雯。《不再有好女孩了:美國女性藝術家訪談》。臺北:藝術家,2001。 齊隆壬。「女性主義與現代電影理論與批評」。在《風起雲湧的女性主義批評》,子宛玉編,頁65-76。臺北市:谷風,1988。 劉岩。《差異之美:伊里加蕾的女性主義理論研究》。北京:北京大學,2010。 毆陽燦燦。《當代歐美身體研究批評》。北京:中國社會科學,2015。 劉慧卿。「女性自體」。在《精神分析講台──自體心理學(之二)》,王麗斐主編,頁147-200。臺北市:學富文化,2004。 賴瑛瑛。《臺灣現代美術大系・西方媒材類:複合媒體藝術》。臺北市:文建會,2004。 Battcock, Gregory著;連德誠譯。「序」。在《觀念藝術》,Gregory Battcock編,頁1-6。臺北市:遠流,1992。 Baudrillard, Jean著;張新木譯。《論誘惑》。南京:南京大學,2011。 Broude, N. and M. D. Garrard編;謝鴻均等譯。《女性主義與藝術歷史:擴充論述》。臺北市:遠流,1998。 Cixous, Hélène著;黃曉紅譯。「美杜莎的笑聲」。在《當代女性主義文學批評》,James Strachey等譯,頁188-211。北京市:北京大學,1992。 Clough, Patricia Ticineto著;夏傳位譯。《女性主義思想:慾望、權力及學術論述》。臺北市:巨流,2008。 Deleuze, Gilles著;周穎、劉玉宇譯。《尼采與哲學》。北京:社會科學文獻,2001。 Epstein, Steven著;李銀河譯。「酷兒的碰撞:社會學和性研究」。在《酷兒理論》,頁80-100。北京:文化藝術,2003。 Gubar, Susan 著;孔書玉譯。「『空白之頁』與女性創造力問題」。在《當代女性主義文學批評》,張京媛主編,頁161-187。北京市:北京大學,1992。 Herman, Judith著;施宏達、陳文琪、向淑容譯。《從創傷到復原:性侵與家暴倖存者的絕望與重生》。新北市:左岸文化,2018。 Irigaray, Luce 著;朱安譯。「性別差異」。在《當代女性主義文學批評》,張京媛主編,頁372-385。北京市:北京大學,1992。 Irigaray, Luce著;馬海良譯。「話語的權力與女性的從屬(訪談)」。在《後現代性的哲學話語──從福柯到賽義德》,汪民安、陳永國、馬海良主編,頁222-234。杭州:浙江人民出版社,2000。 Irigaray, Luce著;屈雅君等譯。《他者女人的窺鏡》。鄭州:河南大學,2013。 Jacobus, Mary著;朱安譯。「閱讀婦女(閱讀)」。在《當代女性主義文學批評》,張京媛主編,頁17-42。北京市:北京大學,1992。 Kosuth, Joseph著;連德誠譯。「藝術仿效哲學」。在《觀念藝術》,Gregory Battcock編,頁65-94。臺北市:遠流,1992。 Kristeva, Julia著;程巍譯。「婦女的時間」。在《當代女性主義文學批評》,張京媛主編,頁347-371。北京市:北京大學,1992。 Kristeva, Julia著;史忠義等譯。《符號學:符義分析探索集》。上海市:復旦大學,2015。 Michel, Audree著;張南星譯。《女權主義》。臺北市:遠流,1989。 Poovey, Mary著;張京媛譯。「女性主義與解構主義」。在《當代女性主義文學批評》,James Strachey等譯,頁332-346。北京市:北京大學,1992。 Rich, Adrienne著;金利民譯。「當我們徹底覺醒的時候:回顧之作」。在《當代女性主義文學批評》,張京媛主編,頁122-142。北京市:北京大學,1992。 Schwarzer, Alice著;婦女新知編譯組譯。《拒絕做第二性的女人:西蒙・波娃訪問錄》。臺北市:女書文化,2001。 Siegel, J.編;王元貞譯。《藝聞錄:八○年代早期藝術對話》。臺北市:遠流,1996。 Spivak, Gayatri Chakravorty著;孟悅譯。「女性主義與批評理論」。在《當代女性主義文學批評》,James Strachey等譯,頁303-331。北京市:北京大學,1992。 Wolf, Naomi著;何修譯。《美貌的神話》。臺北市:自立晚報,1992。 Zarka, Yves Charles著;趙靚等譯。《權力的形式:從馬基雅維利到福柯的政治哲學研究》。福州:福建教育出版社,2014。 Agacinski, Sylviane. Parity of the Sexes. Translated by Lisa Walsh. New York: Columbia University Press, 2001. Alberro, Alexander.“Picturing Relations: Images, Text, and Social Engagement.” In Barbara Kruger. Edited by Alexander Alberro, et al., 193-200. New York: Rizzoli, 2010. Alberro, Alexander, et al. ed. Barbara Kruger. New York: Rizzoli, 2010. Alexander, Victoria D. Sociology of the Arts: Exploring Fine and Popular Forms. Malden, MA: Blackwell, 2003. Ann, Goldstein. “Acknowledgements.” In Barbara Kruger. Edited by Ann Goldstein, 246-248. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999. Archer, Michael. Art Since 1960. London : Thames and Hudson, 1997. Aristotle. Politics. Edited by E. Barker. New York: Oxford University Press, 1962. Ashcroft, Bill, Gareth Griffiths and Helen Tiffin. Key Concepts in Post-Colonial Studies. London and New York: Routledge, 1998. Bakhtin, Mikhail. Rabelais and His World. Translated by Helen Iswolsky. Cambridge, Mass: MIT Press, 1968. Barry, Judith, and Sandy Flitterman-Lewis.“Textual Strategies: The Politics of Art-Making.”In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 53-59. London: Routledge, 2003. Barthes, Roland. Image Music Text. Edited and translated by Stephen Heat. New York: The Noonday Press, 1977. Barthes, Roland. A Lover's Discourse: Fragments. Translated by Richard Howard. New York: Hill and Wang, 1978. Barthes, Roland. Visual Culture: the Reader. Thousand Oaks: Sage, 1999. Baudrillard, Jean. The Consumer Society: Myths and Structures. London; Thousand Oaks, Calif.: Sage Publication, 1998. Beach, J. M. Studies in Ideology: Essays on Culture and Subjectivity. Lanham, Md.: University Press of America, 2005. Beasley, Chris. What Is Feminism?: An Introduction to Feminist Theory. London: Sage, 1999. Beasley, Chris. Gender & Sexuality: Critical Theories, Critical Thinkers. London; Thousand Oaks, Calif.: SAGE, 2005. Berger, John. Ways of Seeing. London: British Broadcasting Corporation; Harmondsworth, Middlesex, England: Penguin, 1972. Berger, John. “From Ways of Seeing.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 37-39. London: Routledge, 2003. Berger, Maurice. “Displacements.” In Ciphers of Identity. Edited by Antonia Gardner, 13-30. Maryland: Fine Arts Gallery, 1993. Betterton, Rosemary. “Feminist Viewing: Viewing Feminism.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 11-14. London: Routledge, 2003. Bordo, Susan. Unbearable Weight: Feminism, Western Culture and the Body. Berkeley, Calif.: University of California Press, 2003a. (本論文引用此書之文字乃參酌中譯本《不能承受之重》,綦亮、趙育春譯。南京:江蘇人民,2009。) Bordo, Susan. “Never Just Pictures.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 454-466. London: Routledge, 2003b. Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven and London: Yale University Press, 1983. Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex”. New York: Routledge, 1993. (本論文引用此書之文字乃參酌中譯本《身體之重:論「性別」的話語界限》,李鈞鵬譯。上海:上海三聯書店,2011。) Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1999. (本論文引用此書之文字乃參酌中譯本《性別麻煩:女性主義與身份的顛覆》,宋素鳳譯。上海:上海三聯,2009。) Butler, Judith.“Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 392-402. London: Routledge, 2003. Butler, Judith. Undoing Gender. New York: Routledge, 2004. (本論文引用此書之文字乃參酌中譯本《消解性別》,郭劼譯。上海:上海三聯書店,2009。) Bynum, Caroline Walker. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. Berkeley: University of California Press, 1987. Canetti, Elias. Crowds and Power. Translated by Carol Stewart. New York: The Viking Press, 1963. Carter, Angela. “The World According to Common Sense: A General Guide to the Work of Barbara Kruger.” In Barbara Kruger: 7 January to 28 January 1989. Edited by Barbara Kruger, 1-4. New York: Mary Boone Gallery,1989. Case, Sue-Ellen. “Toward a Butch-Femme Aesthetic.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 402-414. London: Routledge, 2003. Chernin, Kim. The Obsession: Reflections on the Tyranny of Slenderness. New York: Harper & Row, 1981. Chicago, Judy, and Miriam Schapiro. “Female Imagery.”In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 40-43. London: Routledge, 2003. Cixous, Hélène. “The Laugh of the Medusa.” In New French Feminisms: An Anthology. Edited by Elaine Marks and Isabelle de Courtivron, 245-264. Great Britain: The Harvester Press, 1981. Clough, Patricia Ticineto. Feminist Thought: Desire, Power, and Academic Discourse. Oxford, UK; Cambridge, Mass.: Blackwell, 1994. (本論文引用此書之文字乃參酌中譯本《女性主義思想:慾望、權力及學術論述》,夏傳位譯。臺北市:巨流,2008。) Colomina, Beatriz, and Mark Wigley. “Spaces, Phrases, Pictures, and Places: A Conversation with Barbara Kruger.”In Barbara Kruger: Believe + Doubt. Edited by Yilmaz Dziewior; translated by Sabine Bürger und Tim Beeby, 123-147. Germany: Kunsthaus Bregenz, 2014. Danto, Arthur C. Unnatural Wonders: Essays from the Gap between Art and Life. New York: Farrar, Straus, Giroux, 2005. Deaux, Kay, Francis C. Dane, and Lawrence S. Wrightsman. Social Psychology in the '90s. Pacific Grove, Calif.: Brooks/ Cole Pub., 1993. de Beauvoir, Simone. The Second Sex, Translated by Constance Borde and Sheila Malovany-Chevallier. New York: Alfred A. Knopf, 1989. DeLamater, John, and Patricia MacCorquodale. Premarital Sexuality: Attitudes, Relationships, Behavior. Madison: The University of Wisconsin Press, 1979. Deutsche, Rosalyn. “Breaking Ground: Barbara Kruger's Spatial Practice.” In Barbara Kruger. Edited by Ann Goldstein, 77-84. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999. Diamondstein, Barbaralee. “Barbara Kruger.” In Inside the Art World: Conversations with Barbaralee Diamondstein, 153-159. New York: Rizzoli, 1994. Dietz, Mary G. “Citizenship with a Feminist Face: The Problem with Maternal Thinking.”In Feminism, the Public and the Private. Edited by Joan B. Landes, 45-64. Oxford; New York: Oxford University Press, 1998. Doane, Mary Ann. “Film and the Masquerade: Theorising the Female Spectator.” Screen 23 (1982): 74-88. Dziewior, Yilmaz. “Words on Words.” In Barbara Kruger: Believe + Doubt. Edited by Yilmaz Dziewior; translated by Sabine Bürger und Tim Beeby, 74-88. Germany: Kunsthaus Bregenz, 2014a. Dziewior, Yilmaz, ed. Barbara Kruger: Believe + Doubt. Translated by Sabine Bürger und Tim Beeby. Germany: Kunsthaus Bregenz, 2014b. Eagleton, Terry. Walter Benjamin or towards a Revolutionary Criticism. London: Verso, 1981. Eagleton, Terry. “Ideology.” In The Eagleton Reader. Edited by Stephen Regan, 228-245. Oxford, UK; Malden, Mass.: Blackwell, 1998. Eisenstein, Zillah R. ed. “The Combahee River Collective: A Black Feminist Statement.” In Capitalist Patriarchy and the Case for Socialist Feminism, 362-372. New York and London: Monthly Review Press, 1979. Emerson, Stephanie, ed. Thinking of You: Barbara Kruger. Cambridge: The MIT Press, 1999. Falk, Pasi. The Consuming Body. London: SAGE Publications Ltd., 1994. Featherstone, Mike. “The Body in Consumer Culture.” In The Body: Social Process and Cultural Theory, 170-196. Edited by Mike Featherstone, Mike Hepworth and Bryan S. Turner. London: SAGE Publications Ltd., 1991. Fiske, John. Television Culture. London; New York: Methuen, 1987. Fiske, John. Introduction to Communication Studies. London; New York: Routledge, 1990. (本論文引用此書之文字乃參酌中譯本《傳播符號學理論》,張錦華等譯。臺北市:遠流,1995。) Foster, Hal. “Seriously Playful.”In Barbara Kruger. Edited by Alexander Alberro, et al., 17-19. New York: Rizzoli, 2010. Foucault, Michel. Power/ Knowledge. Edited by Colin Gordon; translated by Colin Gordon, et al. New York: Pantheon Books, 1980. Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, 1995. Foucault, Michel. The Spectacle of the Scaffold. Translated by Alan Sheridan. London & New York: Penguin Books, 2008. Foucault, Michel. Ethics: Subjectivity and Truth. Edited by Paul Rabinow; translated by Robert Hurley, et al. London: The Penguin Press, 2007. Frankel, David. “Barbara Kruger.” Artforum International 42.9 (May 2004): 208. Frankel, David. “Barbara Kruger.” Artforum International 48.10 (Summer 2010): 348. Fraser, Nancy and Linda J. Nicholson. “Social Criticism without Philosophy: An Encounter between Feminism and Postmodernism.” In Feminism / Postmodernism. Edited by Linda J. Nicholson, 19-38. New York and London: Routledge, 1990. Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Translated by James Strachey. London: The Hogarth Press, 1981. Gever, Martha. “Like TV: On Barbara Kruger's Twelve.” In Barbara Kruger. Edited by Alexander Alberro, et al., 121-128. New York: Rizzoli, 2010. Geyh, Paula. “Barbara Kruger.” In Postmodernism: The Key Figures. Edited by Hans Bertens and Joseph Natoli ,195-200. Malden, Mass.: Blackwell, 2002. Giblett, Rod. The Body of Nature and Culture. Basingstoke; New York: Palgrave Macmillan, 2008. Gilbert, Sandra M. and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth- Century Literary Imagination. New Haven and London: Yale University Press, 1979. Goldstein, Ann. “Acknowledgements.” In Barbara Kruger. Edited by Ann Goldstein, 246-248. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999a. Goldstein, Ann. “Bring in the World.” In Barbara Kruger. Edited by Ann Goldstein, 25-36. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999b. Görner, Veit. “Business as Usual.” In Barbara Kruger: Desire Exists Where Pleasure Is Absent. Edited by Veit Görner, Hilke Wagner, and Frank-Thorsten Moll, 7-11. Bielefeld: Kerber, 2006. Görner, Veit, Hilke Wagner, and Frank-Thorsten Moll ed. Barbara Kruger: Desire Exists Where Pleasure Is Absent. Bielefeld: Kerber, 2006. Harcourt, Wendy.“Productive and Caring Bodies.” In Body Politics in Development: Critical Debates in Gender and Development. London; New York: Zed Books, 2009. Haugaard, Mark. “The Birth of the Subject and the Use of Truth: Foucault and Social Critique.” In Ideology after Poststructuralism. Edited by Sinisa Malesevic and Lain MacKenzie, 157-170. London; Sterling, Va.: Pluto Press, 2002. Heller, Agnes. A Theory of Modernity. UK Oxford: Blackwell, 1999. Heller, Steven. “Barbara Kruger, Graphic Designer?.” In Barbara Kruger. Edited by Ann Goldstein. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999. Henley, Nancy M. Body Politics: Power, Sex, and Nonverbal Communication. New York: Simon & Schuster, 1986. Hobson, Paul. “ Foreword.” In Barbara Kruger. Edited by Ciara Moloney, 3. London: Modern Art Oxford, 2014. Holzwarth, Hans Werner, ed. Art Now 4. Köln; London: Taschen, 2013. Huffer, Lynne. Maternal Pasts, Feminist Futures: Nostalgia, Ethics, and the Question of Difference. Stanford, California: Stanford University Press, 1998. Humm, Maggie. The Dictionary of Feminist Theory. London: Prentice Hall and Harvester Wheatsheaf, 1995. Indiana, Gray. “The War at Home.” In Barbara Kruger. Edited by Ann Goldstein, 9-12. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999. Irigaray, Luce. This Sex Which Is Not One. Translated by Catherine Porter and Carolyn Burke. Ithaca, N.Y.: Cornell University Press, 1985a. Irigaray, Luce. Speculum of the Other Woman. Translated by Gillian C. Gill. Ithaca, New York : Cornell University Press, 1985b.(本論文引用此書之文字乃參酌中譯本《他者女人的窺鏡》,屈雅君等譯。鄭州:河南大學,2013。) Irigaray, Luce. The Irigaray Reader. Edited by Margaret Whitford; translated by David Macey. Cambridge, Mass.: Blackwell, 1991a. Irigaray, Luce. “The Bodily Encounter with the Mother.” In The Irigaray Reader. Edited by Margaret Whitford, 34-46. Oxford: Blackwell, 1991b. Irigaray, Luce. An Ethics of Sexual Difference. Translated by Carolyn Burke and Gillian C. Gill. London: The Athlone Press, 1993a. Irigaray, Luce. Je, Tu, Nous: Toward a Culture of Difference. Translated by Alison Martin. New York: Routledge, 1993b. Irigaray, Luce. Thinking the Difference: For a Peaceful Revolution. Translated by Karin Montin. London: The Athlone Press, 1994. Irigaray, Luce. I Love to You: Sketch for a Felicity within History. Translated by Alison Martin. New York and London: Routledge, 1996. Irigaray, Luce. “This Sex Which Is Not One.” In Writing on the Body: Female Embodiment and Feminist Theory. Edited by Kate Conboy. New York: Columbia University Press, 1997. Irigaray, Luce. Why Different? A Culture of Two Subjects: Interviews with Luce Irigaray. Edited by Luce Irigaray and Sylvère Lotringer; translated by Camille Collins. New York: Semiotext(e) , 2000. Irigaray, Luce. Between East and West: From Singularity to Community. Translated by Stephen Pluháček. New York: Columbia University Press, 2002. Irigaray, Luce. “Any Theory of the‘Subject’Has Always Been Appropriated by the ‘Masculine’.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 119-128. London: Routledge, 2003. Isaak, Jo Anna. Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter. London; New York: Routledge, 1996.(本論文引用此書之文字乃參酌中譯本《女性笑聲的革命性力量》,陳淑珍譯。臺北:遠流,2000。) Ivinski, Pamela A. “Women Who Turn the Gaze Around: Feminist Groups Fight Graphics with Graphics.” Print 47 (September 1993): 36-43. Jackson, Stevi. and Sue Scott. “Sexual Skirmishes and Feminist Faction: Twenty-Five Years of Debate on Women and Sexuality.” In Feminism and Sexuality: A Reader. Edited by Stevi Jackson and Sue Scott, 11-12. Edinburgh University Press: Edinburgh, 1996. Jacobus, Mary. Reading Woman: Essays in Feminist Criticism. New York: Columbia University Press, 1986. Jacobus, Mary. “In Parenthesis: Immaculate Conceptions and Feminine Desire. ” In Body Politics: Women, Literature, and the Discourses of Science. Edited by Mary Jacobus, Evelyn Fox Keller, and Sally Shuttleworth, 11-28. New York: Routledge, 1990. Jane, Flax. Thinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary West. California: University of California Press, 1990. Jones, Amelia. “Introduction: Conceiving the Intersection of Feminism and Visual Culture.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 1-7. London: Routledge, 2003. Jones, Ann Rosalind. “Inscribing Femininity: French Theories of the Feminine. ” In Making a Difference: Feminist Literary Criticism. Edited by Gayle Green and Coppélia Kahn. London; New York: Methuen, 1985. Juno, Andrea and V. Vale. Angry Women. San Francisco, Calif.: RE/ Search Publications, 1991. Kaplan, Sydney Janet. “Varieties of Feminist Critism.” In Making a Difference: Feminist Criticism Literary. Edited by Gayle Greene and Coppélia Kahn, 37-58 . London and New York: Routledge, 1988. Kelly, Mary. “Desiring Images/ Imaging Desire.”In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 72-76. London: Routledge, 2003. Kennedy, Brian. “Foreword.” In Read My Lips: Jenny Holzer, Barbara Kruger, Cindy Sherman. Edited by Pauline Green, 5. Australia: National Gallery of Australia, 1998. Kristeva, Julia. The Kristeva Reader. Edited by Toril Moi; translate by Séan Hand. New York: Columbia University Press, 1986. Kruger, Barbara and Kate Linker. Love for Sale. New York: Harry N. Abrams, 1990. Kruger, Barbara. Remote Control: Power, Cultures and the World of Appearances. Cambrige, Massachusetts: MIT Press, 1993. Kruger, Barbara and Phil Mariani. Remaking History. Edited by Barbara Kruger and Phil Mariani. New York: The New Press, 1998a. Kruger, Barbara. “Decadism.” In Barbara Kruger. Edited by Alexander Alberro, Barbara Kruger, and Phil Mariani. New York: The New Press, 1998b. Kruger, Barbara. “Work and Money. ” In Money Talks. New York: Skarstedt Fine Art, 2005. Kruger, Barbara. “Work and Money.” In Barbara Kruger. Edited by Alexander Alberro, et al., 89-95. New York: Rizzoli, 2010. Kwon, Miwon. “A Message from Barbara Kruger: Empathy Can Change the World.” In Barbara Kruger. Edited by Alexander Alberro, et al., 89-95. New York: Rizzoli, 2010. Lacy, Suzanne, and Leslie Labowitz. “Feminist Media Strategies for Political Performance.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 302-313. London: Routledge, 2003. Lasch, Christopher. The Culture of Narcissism. New York: W. W. Norton & Company, 1978. Lichtenstein, Therese. “Images of the Maternal: An Interview with Barbara Kruger.” In Representations of Motherhood. Edited by Donna Bassin, Margaret Honey, and Meryle Mahrer Kaplan, 198-203. New Haven and London: Yale University Press, 1994. Lois, McNay. Foucault and Feminism: Power, Gender, and the Self. Cambridge, England: Polity Press, 1992. Lyotard, Jean-François. Discourse, Figure. Translated by Antony Hudek and Mary Lydon. Minneapolis: University of Minnesota Press, 2011. Mall, Frank-Thorsten. “‘Not Nothing’: Reflections upon Paradox in the Works of Barbara Kruger.” In Barbara Kruger: Desire Exists Where Pleasure Is Absent. Edited by Veit Görner, Hilke Wagner, and Frank-Thorsten Moll, 85-95. Bielefeld: Kerber, 2006. Marx, Karl. and Friedrich Engels. The German Ideology: Part I & III. Edited by R. Pascal. New York: International Publishers, 1947. Marx, Karl, and Friedrich Engels. The German Ideology: Including Theses on Feuerbach and Introduction to The Critique of Political Economy. Amherst, N.Y.: Prometheus Books, 1998. McLaren, Angus, and Arlene Tigar McLaren. The Bedroom and the State: The Changing Practices and Politics of Contraception and Abortion in Canada, 1880-1980. Toronto, Oxford, New York: Oxford University Press, 1986. Michie, Helena. The Flesh Made Word: Female Figures And Women's Bodies. New York, Oxford: Oxford University Press, 1987. Mitchell, W. J. T. “An Interview with Barbara Kruger.”In Feminism, the Public and the Private. Edited by Joan B. Landes, 302-313. Oxford; New York: Oxford University Press, 1998. Moloney, Ciara. “ Real Consequences: Barbara Kruger and the Attention Economy.” In Barbara Kruger. Edited by Ciara Moloney, 5-9. Landon: Modern Art Oxford, 2014. Mulvey, Laura. “Visual Pleasure and Narrative Cinema. ” In Film Theory and Criticism: Introductory Readings. Edited by Leo Braudy and Marshall Cohen. New York: Oxford University Press, 1999. (本論文引用此書之文字乃參酌中譯本「視覺快感與敘事性電影」。在《電影與新方法》,張紅軍編;周傳基譯,頁203-221。北京市:中國廣播電視出版社,1992。) Mulvey, Laura. “Visual Pleasure and Narrative Cinema.”In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 44-53. London: Routledge, 2003. Nelson, Robert S. “Appropriation.” In Critical Terms for Art History. Edited by Robert S. Nelson and Richard Shiff, 160-173. Chicago and London: The University of Chicago Press, 2003. Nochlin, Linda. Women, Art, and Power: And Other Essays. Boulder, Colo.: Westview Press, 1988. (本論文引用此書之文字乃參酌中譯本《女性,藝術與權力》,游惠貞譯。臺北:遠流,2005。) Nochlin, Linda. “Why Have There Been No Great Women Artists?” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 229-233. London: Routledge, 2003. Ortner, Sherry B. “Is Female to Male as Nature Is to Culture.”In Feminism, the Public and the Private. Edited by Joan B. Landes, 21-44. Oxford; New York: Oxford University Press, 1998. Owens, Craig. “The Medusa Effect or, the Specular Ruse. ” Art in America 72.1 (January 1984): 97-105. Owens, Craig. Beyond Recognition: Representation, Power, and Culture. Edited by Scott Bryson, et al. Berkeley: University of California Press, 1992a. Owens, Craig. “The Medusa Effect, or, the Specular Ruse.” In Beyond Recognition: Representation, Power, and Culture. Edited by Scott Bryson, 191-200. Berkeley: University of California Press, 1992b. Pfeiffer, Ingrid. “Barbara Kruger in Conversation with Ingrid Pfeiffer.” In Barbara Kruger: Circus. Edited by Ingrid Pfeiffer and Max Hollein, 58-59. Köln: Buchhandlung der Walther König; New York, N.Y.: D.A.P., 2011. Phelan, Peggy. “Broken Symmetries: Memory, Sigh, Love.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 105-114. London: Routledge, 2003. Phillips, Lisa. “The Money Shot.” In Money talks. Edited by Barbara Kruger and Lisa Phillips, 5-8. New York: Skarstedt Fine, 2005. Pollock, Griselda. Vision and Difference: Femininity, Feminism, and Histories of Art. London; New York: Routledge, 1988. Posner, Richard A. Sex and Reason. Cambridge, Mass.: Harvard University Press, 1992. Raney, Karen. “Barbara Kruger. ” In Art in Question, 114-129. London; New York: Continuum, 2003. Riviere, Joan. “Womanliness as a Masquerade.” In Formations of Fantasy. Edited by Victor Burgin, James Donald, and Cora Kaplan, 35-44. London and New York: Methuen, 1986. Ruddick, Sara. “Thinking Mother/ Conceiving Birth.” In Representations of Motherhood. Edited by Donna Bassin, Margaret Honey, and Meryle Mahrer Kaplan, 29-45. New Haven and London: Yale University Press, 1994. Russo, Mary. “Female Grotesques: Carnival and Theory.” In Feminist Studies/ Critical Studies. Edited by Teresa de Lauretis, 213-229. Bloomington: Indiana University Press, 1986. Schwab, Gail M. “Mother's Body, Father's Tongue: Mediation and the Symbolic Order. ” In Engaging with Irigaray: Feminist Philosophy and Modern European Thought. Edited by Carolyn Burke, Naomi Schor, and Margaret Whitford, 351-378. New York: Columbia University Press, 1994. Shilling, Chris. The Body and Social Theory. London; Thousand Oaks, Calif.: SAGE Publications, 2003. (本論文引用此書之文字乃參酌中譯本《身體與社會理論》,李康譯。北京:北京大學,2010。) Squiers, Carol. “‘Who Laught Last? ’: The Photographs of Barbara Kruger.” In Barbara Kruger. Edited by Ann Goldstein, 141-148. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999. Squiers, Carol. “Barbara Kruger at Mademoiselle.” In Barbara Kruger. Edited by Alexander Alberro, et al., 225-232. New York: Rizzoli, 2010. Squires, Judith. “Representing Groups, Deconstructing Identities.” Feminist Theory 2.1 (2001): 7-27. Steinem, Gloria. Revolution from within: A Book of Self-Esteem. Boston, Mass.: Little, Brown, 1993. Stephanson, Anders. “ Barbara Kruger. ” Flash Art 136 (October 1987): 55-59. Tillman, Lynne. “Interview with Barbara Kruger.” In Barbara Kruger. Edited by Ann Goldstein, 189-196. Los Angeles, CA: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1999. Treichler, Paula A. “Feminism, Medicine, and the Meaning of Childbirth. ” In Body Politics: Women, Literature, and the Discourses of Science. Edited by Mary Jacobus, Evelyn Fox Keller, and Sally Shuttleworth, 113-138. New York: Routledge, 1990. Tussman, Joseph. Obligation and the Body Politics. New York: Oxford University Press, 1960a. Tussman, Joseph.“Political Behavior and Political Obligation. ”In Obligation and the Body Politics. New York: Oxford University Press, 1960b. Urban, Annette. “Printed Matter, Word, and a Space in Circulation: Barbara Kruger's Installation for the Schirn Kunsthalle Frankfurt.”In Barbara Kruger: Circus. Edited by Ingrid Pfeiffer and Max Hollein, 51-56. Köln: Buchhandlung der Walther König; New York, N.Y.: D.A.P., 2011. Wagner, Hilke. “Desire Exists Where Pleasure Is Absent.” In Barbara Kruger: Desire Exists Where Pleasure Is Absent. Edited by Veit Görner, Hilke Wagner, and Frank-Thorsten Moll, 13-30. Bielefeld: Kerber, 2006. Weedon, Chris. Feminist Practice and Poststructuralist Theory. Oxford: B. Blackwell, 1987. (本論文引用此書之文字乃參酌中譯本《女性主義實踐與後結構主義理論》,白曉紅譯。臺北:桂冠,1994。) Weir, Kathryn. “Holzer, Kruger, Sherman: In the Flesh.” In Read My Lips: Jenny Holzer, Barbara Kruger, Cindy Sherman. Edited by Pauline Green, 6-50. Australia: National Gallery of Australia, 1998. Williamson, Timothy. “Winners, Losers, Believers, Doubters.” In Barbara Kruger. Edited by Ciara Moloney, 57-61. Landon: Modern Art Oxford, 2014. Wolff, Janet. “Reinstating Corporeality: Feminism and Body Politics.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 414-426. London: Routledge, 2003. Zane, Kathleen. “Reflections on a Yellow Eye: Asian I (\Eye/) Cons and Cosmetic Surgery.” In The Feminism and Visual Culture Reader. Edited by Amelia Jones, 354-364. London: Routledge, 2003. Žižek, Slavoj. Interrogating the Real. Edited by Rex Butler and Scott Stephens. London and New York: Continuum, 2005.
|