作為本文研究對象的紀弦、覃子豪與林亨泰，實為臺灣當代詩學理論之先行者。具體而言，紀弦、覃子豪、林亨泰三人之詩論內容中都十分強調，由實到虛之象徵關係，對詩之本體層面及方法範疇來說，可謂必備之關鍵元素。至於新穎獨創、注重內在、物我交融、強調意象與提倡美感，當可說是紀弦等三人現代詩論中最為精華的主張。總體來說，紀弦、覃子豪與林亨泰詩學理論中的象徵與現代，本就具有彼此貫通的詩學背景；而不管是首開臺灣當代詩論之風、影響後起詩論、支援詩評之驗證、提供詩史之書寫資源、指引詩人創作之方向，以及強化五○年代之文學自律，皆可視為紀弦、覃子豪與林亨泰之象徵詩論與現代詩論，對於臺灣當代詩壇、文學界所帶來的重要成就

As the subject of this study, Ji Xian, Qin Zihao and Lin Hengtai can be considered the pioneers of Taiwan's contemporary poetic theory. Specifically, the poetic theories of Ji Xian, Qin Zihao and Lin Hengtai all emphasize the symbolic relationship between real and imaginary objects, because it is the key element that can be described as essential to the ontological and methodological aspects of poetry. The originality, the focus on the content, the blends of human and object, and the stress on imagism and aesthetics are the most essential proposition of Ji Xian, Qin Zihao and Lin HengTai's poetic theory of modernity. Generally speaking, there is the compatible background of poetry between the symbolism and modernism of Ji Xian, Qin Zihao and Lin Hengtai's poetic theory. At last, for the contemporary poetry circles and literary circles in Taiwan, the pioneering of Taiwan's contemporary poetic theory, the influence on later poetic theory, the verification of poetic criticism, the providing of resources in poetic history, the guiding of poetic creation and the strengthening of literary self-discipline in the 1950s can be regarded as important achievements of Ji Xian, Qin Zihao and Lin Hengtai's symbolic poetics and modern poetic theory