:::

詳目顯示

回上一頁
題名:從節目模式改編的價值鏈,思考綜藝節目產業的升級與轉型:以《中國好聲音》為例
書刊名:傳播研究與實踐
作者:蔡珮 引用關係
作者(外文):Tsai, Pei
出版日期:2018
卷期:8:2
頁次:頁109-150
主題關鍵詞:中國好聲音全球在地化節目模式綜藝節目價值鏈The Voice of ChinaGlocalizationTV formatVariety showValue chain
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:16
  • 點閱點閱:9
期刊論文
1.李政忠(20030400)。以「連結」觀點思考媒體業者在全球化趨勢中的經營策略。新聞學研究,75,1-36。new window  延伸查詢new window
2.Bourantas, D.(1989)。Avoiding Dependence on Suppliers and Distributors。Long Range Planning,22(3),140-149。  new window
3.Porter, M. E.(1991)。Towards a dynamic theory of strategy。Strategic Management Journal,12,95-117。  new window
4.Barney, Jay B.(2001)。Resource-based Theories of Competitive Advantage: A Ten-year Retrospective on the Resource-based View。Journal of Management,27(6),643-650。  new window
5.Casciaro, T.、Piskorski, M. J.(2005)。Power imbalance, mutual dependence, and constraint absorption: A close look at resource dependence theory。Administrative Science Quarterly,50,167-199。  new window
6.Barney, Jay B.(1986)。Strategic Factor Markets: Expectations, Luck, and Business Strategy。Management Science,32(10),1231-1241。  new window
7.王嘉俐(2015)。微信「搖電視」:跨屏互動新模式。視聽,8,4-5。  延伸查詢new window
8.白朝陽(2012)。《中國好聲音》版權購買費高達300 多萬元 「好聲音」唱火了節目版權生意。中國經濟週刊,33,64-66。  延伸查詢new window
9.易品(2015)。從微信春晚「搖一搖」看電視媒體與社交媒體的互動。新聞知識,6,89-90。  延伸查詢new window
10.房文子(2015)。傳統電視如何被「搖動」--「搖電視」平臺開放註冊後的電視業態分析。新聞愛好者,8,78-80。  延伸查詢new window
11.杜興華(2015)。真人秀節目「本土化」改造--以《中國好聲音》為例。名作欣賞,15,36-37。  延伸查詢new window
12.袁靖華(2010)。流行節目模式:電視業國際競爭的新領域。浙江傳媒學院學報,17,77-80。  延伸查詢new window
13.彭侃(2015)。電視節目IP開發現狀。視聽界,6,33-36。  延伸查詢new window
14.葉兆(2013)。「中國好聲音」的品牌內涵發展之道。現代營銷,10,29-30。  延伸查詢new window
15.萬克文、程前、李志國(2014)。「親密捆綁式」:一種全新的制播分離模式--由《中國好聲音》引發的思考。編輯之友,7,70-73。  延伸查詢new window
16.董杰、楊琳(2015)。新舊媒體交融電視欄目「季播」節目優勢分析。今傳媒,4,66-67。  延伸查詢new window
17.趙巍(2010)。中國電視「季播」發展現狀及存在問題。今傳媒,7,103-104。  延伸查詢new window
18.鄭曉迪(2013)。談《中國好聲音》中的網臺聯動模式。祖國,4,49-50。  延伸查詢new window
19.Altmeppen, K. D.、Lantzsch, K.、Will, A.(2007)。Flowing networks in the entertainment business: Organizing international TV format trade。The International Journal on Media Management,9,94-104。  new window
20.Baltruschat, D.(2009)。Reality TV formats: The case of Canadian Idol。Canadian Journal of Communication,34,41-59。  new window
21.Chalaby, J. K.(2013)。Reflection i: Transnational TV formats: Making the local visible and the global invisible。Critical Studies in Television,8(2),54-56。  new window
22.Esser, A.(2010)。Television formats: Primetime staple, global market。Popular Communication,8(4),273-292。  new window
23.Kunz, W.(2010)。Prime-time island: Television program and format importation into the United States。Television & New Media,11,308-324。  new window
24.Frau-Meigs, D.(2006)。Big Brother and reality TV in Europe: Towards a theory of situated acculturation by the media。European Journal of Communication,21,33-56。  new window
25.Knox, S.(2013)。Reflection iii: Transnationalisation, television formats and the universal。Critical Studies in Television,8,104-106。  new window
26.McKercher, C.、Mosco V.(2010)。Getting the message: Communications workers and global value chains。Work Organization, Labour & Globalisation,4(2),1-9。  new window
27.Moran, A.(2009)。Global franchising, local customizing: The cultural economy of TV program formats。Continuum: Journal of Media & Cultural Studies,23(2),115-125。  new window
28.Weissmann, E.(2013)。Reflection ii: The format trade and transnational knowledge cultures。Critical Studies in Television,8(2),73-75。  new window
29.Peteraf, Margaret A.(1993)。The Cornerstones of Competitive Advantage: A Resource-Based View。Strategic Management Journal,14(3),179-191。  new window
30.Wernerfelt, Birger(1984)。A Resource-based View of the Firm。Strategic Management Journal,5(2),171-180。  new window
會議論文
1.李欣穎、孫榮光(2015)。中國大陸綜藝節目《中國好聲音》、《全能星戰》召喚的國族認同與想像。2015年文化研究學會年會。臺北。  延伸查詢new window
學位論文
1.李晨(2014)。電視「真人秀」文化價值觀解讀--以《中國好聲音》為例(碩士論文)。天津師範大學。  延伸查詢new window
2.汪寶根(2014)。〈中國好聲音〉商業模式研究(碩士論文)。對外經濟貿易大學。  延伸查詢new window
3.劉啟宇(2006)。台灣電視劇節目跨國輸出之研究(碩士論文)。世新大學。  延伸查詢new window
圖書
1.謝耘耕、陳虹(2007)。真人秀節目:理論、形態和創新。上海:復旦大學出版社。  延伸查詢new window
2.Daft, Richard L.(2001)。Organization, Theory, and Design。South-Western College Publishing。  new window
3.Giddens, Anthony(1991)。The consequences of modernity。Stanford, CA:Stanford University Press。  new window
4.Denzin, N. K.、Lincoln, Y. S.(2000)。The handbook of qualitative research。Sage。  new window
5.McLuhan, M.(2002)。Understanding Media: The Extensions of Man。Routledge。  new window
6.Porter, Michael E.(1985)。The Competitive Advantage: Creating and Sustaining Superior Performance。Free Press。  new window
7.周敏(2015)。電視娛樂節目的公益性傳播研究。北京:人民日報出版社。  延伸查詢new window
8.袁靖華(2010)。電視節目模式創意。北京:中國廣播電視出版社。  延伸查詢new window
9.Bazalgette, P.(2005)。Billion dollar game: How three men risked it all and changed the face of TV。London:Time Warner。  new window
10.Mathijs, E.、Jones, J.(2004)。Big brother international: Formats, critics and publics。New York, NY:Wallflower Press。  new window
11.Moran, A.(1998)。Copycat TV: Globalisation, program formats and cultural identity。Luton, Bedfordshire:University of Luton Press。  new window
12.Moran, A.、Malbon, J.(2006)。Understanding the global TV format。Bristol:Intellect。  new window
13.Florida, Richard L.(2002)。The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community, and Everyday Life。Basic Books。  new window
14.Denzin, Norman K.(1989)。The research act: a theoretical introduction to sociological methods。Prentice-Hall, Inc.。  new window
15.Pfeffer, Jeffrey、Salancik, Gerald Richard(1978)。The external control of organizations: A resource dependence perspective。Harper & Row。  new window
16.Robertson, Roland(1992)。Globalization: Social Theory and Global Culture。Sage。  new window
其他
1.TVBS NEWS(20121020)。《當掌聲響起》抄襲風!經費少 臺灣選秀怎破困境,http://news.tvbs.com.tw/news/detail/general/34433。  延伸查詢new window
2.人民網(20150527)。中國好聲音唯一官方App報名通道落戶BoBo,http://ent.people.com.cn/n/2015/0526/c1012-27059795.html。  延伸查詢new window
3.今日新聞娛樂中心(20130919)。《好聲音》追殺豬哥亮 臺灣綜藝進棺材,http://www.nownews.com/n/2013/09/19/974347。  延伸查詢new window
4.今日新聞影劇中心(20110320)。胡瓜節目抄襲?外商公司跨海提告,http://www.nownews.com/n/2011/03/20/546299。  延伸查詢new window
5.文星(20150209)。中國好聲音也是兩岸好聲音,http://tw.people.com.cn/BIG5/n/2015/0209/c14657-26529722.html。  延伸查詢new window
6.王惠琳(20160131)。版權爆糾紛 好聲音恐鬧雙包。  延伸查詢new window
7.王曉易(20150707)。好聲音借力BoBo 突圍傳統電視深淵,http://ent.163.com/15/0707/11/ATTUL0IE000333J5.html。  延伸查詢new window
8.世熙傳媒。了解世熙,http://www.3cmedia.com.cn/3c/html/ljsx/。  延伸查詢new window
9.世熙傳媒(20140826)。四川電視節.世熙獎 首屆中國電視節目模式大賽,http://msds2015.3cmedia.com.cn/html/intro/dsxw/2014/0826/2.html。  延伸查詢new window
10.任佳(20150910)。《中國好聲音》:8檔衍生節目力拓產業鏈,http://m.dooland.com/index.php?s=/article/id/753960.html。  延伸查詢new window
11.(20160707)。好聲音暫更名「新歌聲」,http://epaper.jinghua.cn/html/2016-07/07/content_317192.htm。  延伸查詢new window
12.李邑蘭(20150918)。「我只覺得來得太晚了」 臺灣製作人在大陸十年,http://www.infzm.com/content/111828。  延伸查詢new window
13.李邑蘭(20150313)。「所有真人秀做到最後都是情感節目」 星空傳媒CEO田明有話說,http://www.infzm.com/content/108227。  延伸查詢new window
14.李佳恬(20140630)。搶佔眼球的戰爭--從中國大陸線上影音平臺自製內容發展趨勢談起,https://www.itri.org.tw/chi/Content/NewsLetter/Contents.aspx?&SiteID=1&MmmID=5000&MSID=620633316204021231&PageID=2。  延伸查詢new window
15.李麗(20160129)。揭秘《中國好聲音》版權糾紛內幕:「模式費」漲到數億元,http://news.ycwb.com/2016-01/29/content_21246697_2.htm。  延伸查詢new window
16.吳敏潔(20120911)。獨家探班「正能量」《中國好聲音》臺前幕後的秘密,http://n.cztv.com/zy/2012/09/2012-09-113558623.htm。  延伸查詢new window
17.張莉,胡里(20120814)。《中國好聲音》的「股份制」,http://www.zongyiweekly.com/new/info.asp?id=860。  延伸查詢new window
18.張漪(20120726)。媒體解惑揭秘《中國好聲音》五大疑問,http://media.people.com.cn/n/2012/0726/c40606-18600289.html。  延伸查詢new window
19.彭靖(20121112)。IPCN國際傳媒80後美女總裁:賣中國好聲音版權,http://finance.sina.com.cn/business/20121112/112513646198.shtml。  延伸查詢new window
20.(20131122)。節目模式「中國造」成趨勢 原創節目將返銷海外,http://big5.xinhuanet.com/gate/big5/news.xinhuanet.com/ent/2013-11/22/c_125748181.htm。  延伸查詢new window
21.葉君遠(20150826)。金鐘獎入圍名單 狠刮綜藝圈一巴掌,https://video.udn.com/news/362113。  延伸查詢new window
22.葉君遠(20150808)。臺灣綜藝節目「缺的不是錢 而是態度」,http://udn.com/news/story/7264/1107229。  延伸查詢new window
23.賈培德(20150813)。《校花來了》,抄襲《奇葩說》也敲響臺灣綜藝節目的喪鐘,http://opinion.udn.com/opinion/story/5783/1119668。  延伸查詢new window
24.傳媒內參(20160603)。「中國模式日」來襲,這次要讓世界聚焦中國原創模式,http://toutiao.com/i6292029733760664065。  延伸查詢new window
25.楊睿愷(20090530)。臺日文化 模仿抄襲致敬?,http://castnet.nctu.edu.tw/castnet/article/1693?issueID=71。  延伸查詢new window
26.廖慧娟(20150515)。好聲音4決選 黃聖文搶贏麥克風,http://www.chinatimes.com/newspapers/20150515001029-260308。  延伸查詢new window
27.鄭爽,胡芷滔(20120817)。《中國好聲音》生意經:廣告分成和錦囊八計,http://tech.sina.com.cn/i/2012-08-17/01227514296.shtml。  延伸查詢new window
28.鄭道森,吳立湘(20140414)。「中國好聲音」資本運作揭秘,http://www.bjnews.com.cn/finance/2014/04/14/312846.html。  延伸查詢new window
29.蔡維歆(20130302)。臺灣綜藝節目無視山寨版紛收攤 倒退嚕抄中國,https://tw.appledaily.com/headline/daily/20130302/34861686。  延伸查詢new window
30.E-BULLETIN(20070115)。Value of television formats continues to grow despite legal uncertainty,http://swanturton.com/value-oftelevision-formats-continues-to-grow-despite-legal-uncertainty。  new window
31.The Format Recognition and Protection Association(2009)。FRAPA Report 2009,http://www.frapa.org/services/frapa-report。  new window
32.Kretschmer, M.(2009)。Exploiting idols: A case study of international TV formats trading in the absence of intellectual property protection,http://tvformats.bournemouth.ac.uk/Downloads/Exploiting_Idols.pdf。  new window
33.Sabbagh, D.(2005)。Big Brother on mobiles earns 3 a small fortune,https://www.thetimes.co.uk/article/big-brother-on-mobiles-earns-3-a-small-fortune-ct27n7kqf98。  new window
圖書論文
1.蘇蘅(2004)。傳播全球化研究在臺灣。臺灣傳播學的想像。巨流。  延伸查詢new window
2.Magder, T.(2004)。The end of TV 101: Reality programs, formats, and the new business of television。Reality TV: Remaking television culture。New York, NY:University of New York Press。  new window
3.Moran, A.(2010)。When TV formats migrate: Languages of business and culture。Locating migrating media。Lanham, MD:Lexington。  new window
4.Skovmand, M.(1992)。Barbarous TV international: Syndicated wheels of fortune。Media cultures: Reappraising transnational media。London:Routledge。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE