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題名:「能研諸慮,何遠之有哉」--《文心雕龍.風骨》九慮
書刊名:中國文哲研究集刊
作者:鄧仕樑
作者(外文):Dang, Shu-leung
出版日期:1998
卷期:12
頁次:頁125-165
主題關鍵詞:文心雕龍風骨剛健Wen-Hsin Tiao-LungFeng-Ku(Wind and Bone)Kang-chien(Strong and vigorous)
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
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  • 點閱點閱:59
     劉勰的《文心雕龍》,基本上是指導寫作的著述。此書成功與否,端在能否有效地以學文之道啟迪後學,因此書中用的,應該是當時不難理解的語言。作者用齊、梁盛行的駢儷之文撰寫全書。為了對偶爾剪裁語言,同時需要大量用近義詞和反義詞,容易引起概念上的混淆,這就造成後世理解上的困難。其中〈風骨篇〉的解讀問題,相信是今天研究者意見最為紛紜的。 本文旨在說明劉勰在指導後學作文的進路中,提出風骨有什麼意義,並根據〈風骨篇〉結語「能研諸慮,何遠之有哉」,指出風骨並非高不可及的要求。   本篇題為九慮,而重點有三︰   第一是從全書宗旨探討劉勰為什 要提出風骨,針對什麼問題提出風骨,風骨在學文的進程中屬於什麼層次的問題;   第二是就劉勰論文的二分概念說明風骨的性質;   第三是通過《易經》卦象〈彖辭〉,辨釋「剛健」和「文明以健」諸語,分析劉勰用《易》的原意,澄清有學者認為劉勰在〈風骨篇〉提倡剛健風格的看法。
     Liu Hsieh's Wen-hsin tiao-lung is essentially a book about how to write efficiently. It was a book aimed at those who are learning to write, and was, naturally, written in intelligible language for the benefit of its intended audience. However, as it was written in parallel language with an ornate style, using a great deal of synonyms and antonyms, it is not without ambiguity to the modern reader, causing heated debates on a number of issues. The interpretation of the Chapter Feng-ku is probably the most controversial of all in terms of the meanings and functions of “wind” and “bone”.   This paper attempts to demonstrate that, as a mentor giving advice to someone who is learning to write, Liu Hsieh introduced the concept of “wind” and “bone” in the chapter Feng-ku as a undamental and essential requirement for all writings. Indeed, the last sentence of the chapter states, “If one pays attention to these considerations, why should the art be beyond one’s reach?” The author of this paper takes this as an indication that in Liu's mind, the attainment of “wind” and “bone” is not out of reach of most writers and need not be a mystery.   There are nine considerations raised in this paper, with the following focuses:   1.To investigate why Liu Hsieh introduced the concept (of wind and bone) and the issues he addressed;   2.To clarify the meanings and functions of “wind” and “bone” in view of Liu’s tendency of using dichotomy in literary discussions; and   3.To argue on the basis of the terms used by Liu which were drawn from the Book of Change, that “wind”' and “bone”' have nothing to do with strong and vigorous style as some modern scholars have asserted.
期刊論文
1.鄧仕樑(1997)。試用風格學觀念探討劉勰有關風格的理論。中文學刊,1,97-120。  延伸查詢new window
2.畢萬忱、李淼(1986)。風骨論是文學的本質論。文心雕龍學刊,1986(4)。  延伸查詢new window
3.鄧仕樑(1989)。齊梁詩人與儒學。中國文化研究所學報,20,195。  延伸查詢new window
圖書
1.Warren, Ausin、Wellek, Rene(1976)。文學論─文學方法論。臺北。  延伸查詢new window
2.劉勰、周振甫(1980)。文心雕龍選譯。北京:中華書局。  延伸查詢new window
3.興膳宏(1984)。興膳宏文心雕龍論文集。興膳宏文心雕龍論文集。濟南。  延伸查詢new window
4.郭紹虞(1979)。中國歷代文論選。中國歷代文論選。香港:上海古籍出版社。  延伸查詢new window
5.劉辰翁、段大林(1987)。劉辰翁集。江西南昌:江西人民出版社。  延伸查詢new window
6.清聖祖(1960)。全唐詩。北京:中華書局。  延伸查詢new window
7.黃侃(1962)。文心雕龍札記。上海。  延伸查詢new window
8.楊明照(1982)。文心雕龍校注拾遺。上海:上海古籍出版社。  延伸查詢new window
9.羅根澤(1984)。中國文學批評史。上海:上海古籍出版社。  延伸查詢new window
10.鍾嶸、曹旭(1994)。詩品集注。上海:上海古籍出版社。  延伸查詢new window
11.蔡鍾翔、曹順慶(1996)。自然.雄渾。北京:中國人民大學出版社。  延伸查詢new window
12.劉勰、范文瀾(1960)。文心雕龍注。商務印書館。  延伸查詢new window
13.劉勰、詹鍈(1999)。文心雕龍義證。上海:上海古籍出版社。  延伸查詢new window
14.劉勰、王利器(1980)。文心雕龍校證。上海古籍出版社。  延伸查詢new window
15.戶田浩曉、曹旭(1992)。文心雕龍研究。上海古籍出版社。  延伸查詢new window
16.錢鍾書(1979)。管錐編。中華書局。  延伸查詢new window
17.姚察、姚思廉(1973)。梁書。北京:中華書局。  延伸查詢new window
18.班固、顏師古、西北大學歷史系、傅東華(1962)。漢書。北京:中華書局。  延伸查詢new window
19.王元化(1992)。文心雕龍新解三題‧第二‧言意之辨。文心雕龍研究薈萃。上海。  延伸查詢new window
20.Fowler, R.(1973)。A Dictionary of Modern Critical Terms。A Dictionary of Modern Critical Terms。  new window
21.(南朝梁)劉勰(1960)。文心雕龍新書。文心雕龍新書。臺北。  延伸查詢new window
22.馬茂元(1988)。說風骨。《文心雕龍》研究論文選(1949-1982)。濟南。  延伸查詢new window
23.涂光社(1988)。文心雕龍風骨篇簡論。《文心雕龍》研究論文選(1949-1982)。濟南。  延伸查詢new window
24.牟世金(1981)。從劉勰的理論體系看風格論。古代文學理論研究(4)。上海。  延伸查詢new window
25.(清)孫梅(1958)。昭明文選。昭明文選。香港。  延伸查詢new window
26.周勛初(1992)。易學中的兩大流派對劉勰文心雕龍的不同影響。文心雕龍研究薈萃。上海。  延伸查詢new window
27.敏澤(1992)。文心雕龍與周易。文心雕龍研究薈萃。上海。  延伸查詢new window
28.陳祥耀(1980)。文論二則。古代文學理論研究(2)。上海。  延伸查詢new window
29.詹鍈(1982)。文心雕龍的風格學。文心雕龍的風格學。北京。  延伸查詢new window
30.張隆溪(1936)。詩無達詁。比較文學研究資料。北京。  延伸查詢new window
31.牟世金(1992)。龍學七十年概觀。文心雕龍研究薈萃。上海。  延伸查詢new window
其他
1.(魏)王弼(1986)。周易略例,臺北。  延伸查詢new window
2.(明)王夫之(1981)。薑齋詩話,北京。  延伸查詢new window
3.(唐)孔穎達(1963)。周易正義,臺北。  延伸查詢new window
4.(東晉)葛洪。抱朴子,臺北。  延伸查詢new window
圖書論文
1.寇效信(1988)。論風骨─兼與廖仲安劉國盈二同志商榷。《文心雕龍》研究論文選(1949-1982)。濟南。  延伸查詢new window
 
 
 
 
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