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題名：Eileen Chang[張愛玲], Woman's Film, and Domestic Culture of Modern Shanghai
書刊名：Tamkang Review
作者：Fu, Poshek
出版日期：1999
卷期：29:4
頁次：頁9-28
主題關鍵詞：Eileen Chang；Modernity；Domestic Culture；Women's Stories；Shanghai；Cinema；Gender；Romance；張愛玲；上海；女性主義；中國電影；香港電影；太太萬歲
原始連結：連回原系統網址new window
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　　　　　Eileen Chang did not get involved in cinema until 1947 and then only when she was driven to do so by political and financial necessities. In that year she wrote two scripts, but only one film, Taitai wansui, survives today. Between 1957 and 1964, struggling to get by in the U.S. without a regular income, she wrote a total of eight scripts for Hong Kong's MP & GI Company. From these ten film texts, Taitai wansui, which was written in postwar Shanghai, has been recognized as giving the strongest expression to Chang's familiar themes of domestic conflicts and human frailties. This essay will therefore focus on Taitai wansul to explore the ways in which Chang used a popular cultural medium to project her ideas regarding the domestic culture of Shanghai's middle-class women, focusing on the home, romance, marriage, sentiment, and family relations. By placing women's stories at the center of film, and presenting them in comic form, she created a new genre in Chinese (and Hong Kong) cinema, which had been dominated since the 1920s by anti-imperialist nationalism and social didacticism.
期刊論文
1.Pickowicz, Paul G.(1991)。The Theme of Spiritual Pollution in Chinese Films of the 1930s。Modern China，17(1)，38-75。  new window
2.Mulevy, Laura(1977)。Notes on Sirk and Melodrama。Movie，25。  new window
會議論文
1.Pickowicz, Paul(1994)。Remembering A Holocaust: Post War Film Portraits of the War of Resistance。Centennial Symposium on Sun Yat-sun's Founding of the Kuomintang for Revolution，(會議日期: 1994/11/19-11/23)。  new window
圖書
1.Doane, Mary Ann(1987)。The Desire to Desire: The Woman's Film of the 1940s。Indiana University Press。  new window
2.Yu, Qing(1993)。Zhang Ailing zhuan。Taipei：Shijie shuju。  new window
3.Gunn, Edward(1982)。Unwelcome Muse: Chinese Literature in Shanghai and Peking。New York：Columbia UP。  new window
4.Zhang, Zijing。My Sister Zhang Ailing。Taipei：Shibao wenhua。  new window
5.Yu, Bin(1993)。A Biography of Zhang Ailing。Hainan：Hainan chubanshe。  new window
6.Cheng, Jihua(1980)。A History of Chinese Cinema。Beijing：Zhongguo dianying chuban she。  new window
7.Ma, Jingyuan(1992)。The Development of Wenhua Film Company。Shanghai dianying shiliao。  new window
8.Chen, Zishan(1996)。Siyu Zhang Ailing。Hangzhou：Zhejiang wenyi chubanshe。  new window
9.Chamey, Leo、Schwartz, Venessa(1995)。Cinema and the Introduction of Modern Life。Berkeley：U of California P。  new window
10.Haskell, Molly(1974)。From Reverence to Rape: The Treatment of Women in The Movies。New York：Holt, Rinehart & Winston。  new window
11.Schatz, Thomas(1997)。Boom and Bust: The American Cinema in the 1940s。Charles Scribner's Sons。  new window
12.Basinger, Jeanie(1993)。A Woman's View: How Hollywood Spoke to Women, 1930-1960。New York：Alfred A. Knof。  new window
13.Basinger, Jeanie。A Woman's View。  new window
14.Doane, Mary Ann。The Desire to Desire。  new window
15.Wen, Zaidao、Fengtu, xiaoji(1944)。Sketches of Local Custom。Shanghai：Taiping shuju。  new window
16.胡蘭成(1976)。This Life。Hong Kong：Xinwen tiandi。  new window
17.Fu, Poshek(1993)。Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945。Stanford University Press。  new window
單篇論文
1.Lee, Leo Ou-fan。The Urban Milieu of Shanghai Cinema: Film Spectatorship and the Making of a Native Tradition。  new window
2.Wang, David Der-wei。Three Hungry Women。  new window
3.Huang, Nicole。Written on Water: Eileen Chang and the Modem Essay。  new window
其他
1.Chen, Dong(19480404)。About Zhang Ailing。  new window
2.Zhao, Shuhui(19970707)。The Cinematic World of Zhang Ailing。  new window
圖書論文
1.Law, Kar(1998)。The Cinematic Destiny of Zhang Ailing。Transcending the Times: King Hu and Eileen Chang。Hong Kong：Urban Council。  new window
2.(1992)。A Few Words。Zhang Ailing wenji。Hefei：Anhui wenyi chubanshe。  new window
3.Kaplan, E. Ann。Mothering, Feminism and Representation: The maternal in melodrama and the Woman's Film 1910-40。Home is Where The Heart Is。London：BFI Books。  new window
4.Rowe, Kathleen(1995)。Comedy, Melodrama and Gender: Theorizing the Genres of Laughter。Classical Hollywood Comedy。New York：Routledge。  new window
5.Zheng, Shusheng(1996)。Zhang Ailing de Taitai wansui。Siyu Zhang Ailing。  new window
6.Zhang, Ailing(1992)。Preface to Long Live the Wife。Zhang Ailing wenji。  new window
7.Gledhill, Christine(1984)。Recent Developments in Feminist Film Criticism。Revision: Essays in feminist Film Criticism。Los Angeles：AFI。  new window
8.(1992)。Preface to Romance。Zhang Ailing wenji。  new window
9.Jie, Yindeng(1992)。Borrowing A Silver Light。Zhang Ailing wenji。  new window
10.(1992)。My View of Su Qing。Zhang Ailing wenji。  new window
11.(1992)。My Works。Zhang Ailing wenji。  new window
 
 
 
 
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