論文探討了佛教的哲學理念如何生成賴聲川的戲劇思維,包括創作方法的選擇、藝術構形的生成、創意原理的運用等。此外,論文還闡析了賴聲川所接受的多種思想資源包括佛教哲學、后現代思潮、跨文化思維如何相互萃取、修正,生成其戲劇思維的獨特面貌。

This paper discusses how Buddhist philosophy supported Stan Lai’s theatrical thinking, including his theatrical methodology, formation of artistic configurations, and the operation of creative ideas. In addition, this paper analyses how the various intellectual resources, including Buddhist philosophy, postmodernism, and intercultural mentality, mix and condense into Lai’s unique theatrical theory.