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T.(2017)。Grassroots internet celebrity plus live streaming。International Conference on Information Systems。 | | 3. | Lu, Zhicong、Xia, Haijun、Heo, Seongkook、Wigdor, Daniel(2018)。You watch, you give, and you engage: A study of live streaming practices in China。The 2018 CHI Conference on Human Factors in Computing Systems，(466)1-(466)13。 | | 4. | Li, B.-Y.、Hou, F.-F.、Guan, Z.-Z.、Chong, A. Y.-L.(2018)。What drives people to purchase virtual gifts in live streaming?。The 22nd Pacific Asia Conference on Information Systems。 | 圖書| 1. | Butler, Judith(2006)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。 | | 2. | Tasker, Yvonne、Negra, Diane(2007)。Interrogating Postfeminism: Gender and the Politics of Popular Culture。Durham：Duke University Press。 | | 3. | Douglas, Susan J.(1994)。Where the Girls Are: Growing Up Female with the Mass Media。New York：Times Books。 | | 4. | Burawoy, Michael、李榮榮(2008)。製造同意--壟斷資本主義勞動過程的變遷。北京：商務印書館。 延伸查詢 | | 5. | Banet-Weiser, S.(2012)。Authentic™: The politics of ambivalence in a brand culture。New York, NY：New York University。 | | 6. | Hochschild, Arlie Russell(1983)。The Managed Heart: Commercialization of Human Feeling。University of California Press。 | | 7. | 李亞、武潔、黃積武、黃碩(2017)。直播--獲利全攻略：從網紅主播、幕後推手到平臺經營，立馬搞懂直播產業鏈與周邊商機。大是文化。 延伸查詢 | | 8. | 杜一凡(2016)。網紅粉絲經濟：運營、管理、變現方法與技巧。人民郵電出版社。 延伸查詢 | | 9. | 曹志(2016)。網紅粉絲經濟學。人民郵電出版社。 延伸查詢 | | 10. | 龔鉑洋(2016)。直播營銷的場景革命。清華大學出版社。 延伸查詢 | | 11. | Banet-Weiser, S.(2018)。Empowered: Popular feminism and popular misogyny。Duke University Press。 | | 12. | Rottenberg, C.(2018)。The rise of neoliberal feminism。Oxford University Press。 | | 13. | Taylor, T. L.(2018)。Watch me play: Twitch and the rise of game live streaming。Princeton University Press。 | | 14. | Rofel, Lisa(2007)。Desiring China: Experiments in Neoliberalism, Sexuality, and Public Culture。Duke University Press。 | | 15. | McRobbie, Angela(2009)。The Aftermath of Feminism: Gender, Culture and Social Change。SAGE。 | | 16. | Hardt, Michael、Negri, Antonio(2004)。Multitude: War and Democracy in the Age of Empire。Penguin。 | 其他| 1. | 巴九靈(20200811)。題名錯字: 從0到1，如何在淘寶、抖音、快手和微信做直播？，https://cj.sina.com.cn/articles/view/5170186722/1342ac9e20190122oh?cre=wappage&mod=r&loc=4&r=0&rfunc=76&tj=wap_news_relate。 延伸查詢 | | 2. | 黃帥(20160817)。「網紅」直播背後的集體窺私欲。 延伸查詢 | | 3. | 蔡敏姿(20191227)。網紅經濟降溫熊貓直播收攤。 延伸查詢 | | 4. | Romine, M.(2019)。Women's esports competitions: One path to equity，https://medium.com/@rhoulette/womens-esports-competitions-a-path-to-equity-65edbc7c6b29。 | 圖書論文| 1. | Haidt, J.(2003)。The moral emotions。Handbook of affective sciences。Oxford University Press。 | | 2. | 柯舜智(2016)。自媒體世代臺灣YouTube內容產製與閱聽眾接收分析。數位匯流時代：創新、創意、創世紀論文集。風雲論壇。 延伸查詢 | | 3. | 陳志成(2016)。網際網路使用者從事網路素人創作與作品分享管道影響因素之研究。數位匯流時代：創新、創意、創世紀論文集。風雲論壇。 延伸查詢 | |