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題名:後劇場的科技性:周東彥在《空的記憶》、《我和我的午茶時光》與《光年紀事:臺北-哥本哈根》中的「影像詩學」與「科技時空」
書刊名:戲劇學刊
作者:邱誌勇 引用關係
作者(外文):Chiu, Chih-yung
出版日期:2021
卷期:33
頁次:頁35-62
主題關鍵詞:科技劇場周東彥空的記憶我和我的午茶時光光年紀事:臺北-哥本哈根Techno-theatreTung-Yen ChiuEmptied MemoriesTeatime with Me, Myself & IChronicle of Light Year: Taipei-Copenhagen
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:10
期刊論文
1.Green, Nicola(2002)。On the Move: Technology, Mobility, and the Mediation of Social Time and Space。The Information Society,18(4),281-292。  new window
2.Tsatsou, Panayiota(2009)。Reconceptualising "Time" and "Space" in the Era of Electronic Media and Communications。Journal of Media and Communication,1,11-32。  new window
學位論文
1.陳沛妤(2014)。台灣數位表演藝術的屏幕裝置:以周東彥作品《空的記憶》為例(碩士論文)。國立臺南藝術大學。  延伸查詢new window
圖書
1.Lehmann, Hans-Thies、Jürs-Munby, Karen(2006)。Postdramatic Theatre。Routledge。  new window
2.Dixon, Steve、Smith, Barry(2007)。Digital Performance: a History of New Media in Theater, Dance, Performance art, and Installation。MIT Press。  new window
3.Oddey, Alison(2007)。Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance。Palgrave Macmillan。  new window
4.Klich, Rosemary、Scheer, Edward(2012)。Multimedia performance。Palgrave Macmillan。  new window
5.Castells, Manuel(2010)。The Rise of the Network Society。Wiley-Blackwell。  new window
6.周東彥(2013)。空的記憶。狠主流。  延伸查詢new window
7.黃翰荻(1987)。前衛電影。電影圖書館。  延伸查詢new window
8.Patrick, Lonergan(2016)。Theatre & Social Media。Macmillan International。  new window
9.Biggin, Rose(2017)。Immersive Theatre and Audience Experience: Space, Game and Story in the Work of Punchdrunk。Palgrave Macmillan。  new window
10.Eckersall, Peter、Grehan, Helena、Scheer, Edward(2017)。New Media Dramaturgy: Performance, Media and New Materialism。Palgrave Macmillan。  new window
11.Leeker, Marina、Schipper, Imanuel、Beyes, Timon(2017)。Performing the Digital: Performativity, Performance Studies and Digital Culture。Transcript Verlag。  new window
12.Bay-Cheng, Sarah、Parker-Starbuck, Jennifer、Saltz, David Z.(2015)。Performance and Media: Taxonomies for A Changing Field。University of Michigan Press。  new window
13.Cheng, Meiling、Cody, Gabrielle(2016)。Reading Contemporary Performance: Theatricality Across Genres。Routledge。  new window
其他
1.于善祿(2018)。無重力的光幻美學--評《光年紀事:台北-哥本哈根》,https://talks.taishinart.org.tw/juries/ysl/2018110302。  延伸查詢new window
2.呂筱翊(2014)。我存的溫柔召喚《我和我的午茶時光》,https://pareviews.ncafroc.org.tw/?p=13331。  延伸查詢new window
3.邱誌勇(2018)。一首唯美絢麗的影像詩:《光年紀事:台北-哥本哈根》,https://talks.taishinart.org.tw/event/talks/2018082103。  延伸查詢new window
圖書論文
1.Barber, John F.(2008)。Digital Archiving and The New Screen。Transdisciplinary Digital Art: Sound, Vision, and the New Screen。Springer-Verlag。  new window
2.Manovich, Lev(2007)。Database as symbolic form。Database aesthetics: Art in the age of information overflow。Minneapolis, MN:University of Minnesota Press。  new window
3.周東彥(2013)。未完的腳本。空的記憶。狠主流。  延伸查詢new window
4.邱誌勇(2014)。遊牧於數位景觀世界中的自我展演。2014藝術跨域發展計畫年鑑。國立台灣美術館。  延伸查詢new window
5.洪瑞薇(2013)。一首不小心寫大了的詩。空的記憶。狠主流。  延伸查詢new window
6.洪瑞薇(2013)。然後,就有了光(和影)。空的記憶。狠主流。  延伸查詢new window
7.洪瑞薇(2013)。找尋空與記憶的聲音。空的記憶。狠主流。  延伸查詢new window
8.Petersen, Kjell Yngve(2004)。The Emergence of Hyper-reality in Performance。New Visions in Performance: The Impact of Digital Technologies。Swets & Zeitlinger。  new window
9.Havránek, Vit(2003)。Latema Magika, Polyekran, Kinoautomat。Future Cinema: The Cinematic Imaginary After Film。The MIT Press。  new window
10.Tribe, Mark、Jana, Reena(2007)。Art in the Age of Digital Distribution。New Media Art。Taschen。  new window
 
 
 
 
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