:::

詳目顯示

回上一頁
題名:從童話走入羅曼史的灰姑娘:當代流行言情作品與後女性主義
作者:賴育萱
作者(外文):Lai Yu-Hsuan
校院名稱:國立臺東大學
系所名稱:兒童文學研究所
指導教授:杜明城
學位類別:博士
出版日期:2013
主題關鍵詞:灰姑娘言情小說偶像劇後女性主義CinderellaRomance novelsIdol dramasPostfeminism
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:50
本研究以廣受青少年喜愛的本土言情小說及偶像劇為例,探討當代言情作品如何改寫灰姑娘童話而廣受歡迎。就文本的敘事結構上,以普洛普的形態學分析法來了解言情小說、偶像劇與童話之間的同質性;就文本內容的表現,則以後女性主義為視角,檢視其中的性別形象,探討後女性主義論述對於當代讀者的吸引力。分析結果發現各文本的結構與普洛普所歸納出來的童話構造大致雷同。文本內容隨著社會趨勢加入後女性主義的概念,性別角色的調整既反映也形塑當代文化的性別感知。
後女性主義對流行文化的關注,使得流行文化文本能夠被納入青少年文學領域。後女性主義也鼓勵年輕人嘗試新的事物並對自己的選擇負責,成為主動的慾望主體。然而,若後女性主義挪用少女一詞,只是為了鼓吹成年女性擁抱青春,或者將年輕世代的主動性與自我賦權都誘導在消費領域上,就此而言,後女性主義便無助於青少年(文學)的發展。
This study explores the ways in which contemporary romances rework the Cinderella tale and the reasons why such romance texts are popular in the cases of romance novels and idol dramas favored by teenagers. Vladimis Propp’s approach is applied to examine the structural similarities among romance novels, idol dramas and fairy tales. Gender representations are examined through a lens of postfeminism to explore how the postfeminist discourse appeals to contemporary audiences. The result shows that the morphological structure of each romance text is similar to the general pattern of fairy tales formulated by Propp. The texts adapt to social changes by incorporating postfeminist concepts. Shifted gender representations both reflect and shape cultural sensibilities about gender.
Postfeminism draws more attention to popular culture, creating a space for popular media texts in the field of young adult literature. Young people are constructed as active desiring subjects who can try new things and take responsibilities for their own choices in the postfeminist discourse. However, postfeminism may contribute little to the development of young adult (literature) if the word “girl” is appropriated only for grown women to embrace a sense of youth or the agential power of the young generation is induced only to the commercial realm.
Primary Works
Fated to Love You(命中注定我愛你). SET (三立電視台). 22 Mar.-30 Aug. 2008.
Hsi, Chuan(席絹). Non-princess in the Castle(城堡裡沒有公主). Hsintien(新店): Wansheng(萬盛), 2001.
╴╴. Strayed(迷路). Hsintien(新店): Wansheng(萬盛), 2004.
╴╴. Wealthy Gourmet(富貴饕家). Taipei: Feitien(飛田), 2008.
Next Stop, Happiness(下一站幸福). SET(三立電視台). 10 Oct. 2009-6 Mar. 2010.
The Prince Who Turns into a Frog(王子變青蛙). SET(三立電視台). 11 June-22 Oct. 2005.
Secondary Works
Adkins, Lisa. “Passing on Feminism: From Consciousness to Reflexivity?” European Journal of Women’s Studies 11.4 (2004): 427-444.
Ang, Ien Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge, 1985.
Banet-Weiser, Sarah. “What’s Your Flava? Race and Postfeminism in Media Culture.” Introduction. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Ed. Yvonne Tasker and Diane Negra. Durham: Duke UP, 2007. 201-226.
Baumgardner, Jennifer and Amy Richards. “Feminism and Femininity: Or How We Learned to Stop Worrying and Love the Thong.” All about the Girl: Culture, Power and Identity. Ed. Anita Harris. New York: Routledge, 2004. 59-67.
Beauvoir, Simone de. The Second Sex. Trans. and ed. H. M. Parshley. New York: Vintage Books, 1989.
Berger, Arthur Asa. Popular Culture Genres: Theories and Texts. Newbury Park: Sage, 1992.
Beynon, John. Masculinities and Culture. Buckingham: Open UP, 2002.
Bidoshi, Kristin. “Beauty and the Beast à la Russe.” Marvel & Tales 22.2 (2008): 277-295.
Black, Paula. “Discipline and Pleasure: The Uneasy Relationship Between Feminism and the Beauty Industry.” Feminism in Popular Culture. Ed. Joanne Hollows and Rachel Moseley. Oxford: Berg, 2006. 143-159.
Braithwaite, Ann. “Politics of/and Backlash.” Journal of International Women’s Studies 5.5 (2004): 18-33.
Brooks, Ann. Postfeminisms: Feminism, Cultural Theory and Cultural Forms. London: Routledge, 1997.
Brunsdon, Charlotte. Screen Tastes: Soap Opera to Satellite Dishes. London: Routledge, 1997.
Budgeon, Shelly. “Emergent Feminist (?) Identities: Young Women and the Practice of Micropolitics.” European Journal of Women’s Studies 8.1 (2001): 7-28.
Burns, Amy. “Tell Me about Your New Man: (Re)construction Masculinity in Contemporary Chick Texts.” Networking Knowledge: Journal of the MeCCSA Postgraduate Network. 4.1 (2011): 1-34. 19 August 2012
Cawelti, John G. Adventure, Mystery and Romance: Formula Stories as Art and Popular Culture. Chicago: U of Chicago P, 1976.
Chang, Hung-yuan(張宏源). “Cultural Export Catching the Eye of the World: The Production Mode of Taiwanese Idol Dramas in the cases of SET and GET (「文化出口」臺灣偶像劇揚名國際 臺灣影視內容產製模式—以三立、八大為例).” Industry Management Review(產業管理評論) 2.1 (2007): 49-58.new window
Chapman, Rowena. “The Greatest Pretender: Variations on the New Man Theme.” Male Order: Unwrapping Masculinity. Ed. Rowena Chapman and Jonathan Rutherford. London: Lawrence & Wishart, 1988. 225-248.
Cheng, Ya-pei(鄭雅佩). “A Study of the Relationship between Romance Novels and Female Readers(言情小說女性讀者與文本關連性研究).” Master Thesis. Chinese Culture U(文化大學新聞研究所碩士論文), 1998.
Cheng, Yi-wen(鄭伊雯). “Rhetorical Criticism from a Feminist Perspective: A Fantasy-Theme Approach to the HsiTai Romance Series(女性主義觀點的語藝批評—以幻想主題分析希代「言情小說」系列).” Master thesis. Fu Jen Catholic U(輔仁大學大眾傳播研究所碩士論文), 1996.
Chiu, Tzu-hsiu(邱子修). “The Three Waves of Feminist Criticism in Taiwan(台灣女性主義批評三波論).” Journal of Women’s and Gender Studies(女學學誌:婦女與性別研究) 27 (2010): 251-273.new window
Christian-Smith, Linda K. Becoming a Woman through Romance. New York: Routledge, 1990.
Chua, Beng Huat. “East Asian Pop Culture: Consumer Communities and Politics of the National.” Paper at the International Conference on Cultural Space and Public Sphere in Asia, March 15-16, 2006, Seoul, Korea. 27-43.
Clark, Beverly Lyon. “Fairy Godmothers or Wicked Stepmothers? The Uneasy Relationship of Feminist Theory and Children’s Criticism.” Children’s Literature: Critical Concepts in Literary and Cultural Studies. Ed. Peter Hunt. Vol. III. New York: Routledge, 2006. 236-247.
Crosby, Sara. “The Cruelest Season: Female Heroes Snapped into Sacrificial Heroines.” Action Chicks: New Images of Tough Women in Popular Culture. Ed. Sherrie A. Inness. New York: Palgrave Macmillan, 200. 153-178.
Deleyto, Celestino. “The Comic, the Serious and the Middle: Desire and Space in Contemporary Film Romantic Comedy.” Journal of Popular Romance Studies 2.1 (2011). 27 July 2013 jprs2.1_deleyto_romcom.pdf>.
Donald, Roby. “Mean, Moody, and Magnificent: The Hero in Romance Literature.” Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the romance. Ed. Jayne Ann Krentz. Philadelphia: U of Pennsylvania P, 1992, 81-84.
Dow, Bonnie J. “The Traffic in Men and the Fatal Attraction of Postfeminist Masculinity.” Women’s Studies in Communications. 29.1 (2006): 113-131.
╴╴. Prime-Time Feminism: Television, Media Culture, and the Women’s Movement Since 1970. Philadelphia: U of Pennsylvania P, 1996.
Dundes, Alan. “Introduction to The Second Edition.” Introduction. Morphology of the Folktale. By Vladimis Propp. Trans. Laurence Scott. Rev. ed. Austin: U of Texas P, 1968. xi-xvii.
Eco, Umberto. “Innovation and Repetition: Between Modern and Post-Modern Aesthetics.” Daedalus. 114.4 (1985): 161-184.
Edwards, Tim. Men in the Mirror: Men’s Fashion, Masculinity and Consumer Society. London: Cassell, 1997.
Eisenhauer, Jennifer. “Mythic Figures and Lived Identities: Locating the ‘Girl’ in Feminist Discourse.” All about the Girl: Culture, Power and Identity. Ed. Anita Harris. New York: Routledge, 2004. 79-89
Faludi, Susan. Backlash: The Undeclared War against American Women. New York: Crown, 1991.
Fan, Tsui-ling(范翠玲). “A Study of Hsi Chua’s Novels and Her Popularity(席絹小說及其流行現象之研究).” Master thesis. Tung Hai U(東海大學中國文學系碩士論文), 2006.
Ferriss, Suzanne and Mallory Young. “Chicks, Girls and Choices: Redefining Feminism.” Juncture: The Journal for Thematic Dialogue 6 (2006): 87-97.
Fiske, John. “Television: Polysemy and Popularity.” Critical Studies in Mass Communication 3.4 (1986): 391-408.
Franz, Marie-Louise von. “The Beautiful Wassilissa” Cinderella: A Casebook. Ed. Alan Dundes. Madison: U of Wisconsin P, 1988. 200-218.
Friedan, Betty. The Feminine Mystique. New York: Norton, 1997.
Gamman, Lorraine and Margaret Marshment. Introduction. The Female Gaze: Women as Viewers of Popular Culture. Ed. Lorraine Gamman and Margaret Marshment. Seattle: Real Comet P, 1989. 1-7.
Genz, Stéphanie and Benjamin A. Brabon. Postfeminism: Cultural Texts and Theories. Edinburgh: Edinburgh UP, 2009.
Genz, Stéphanie. “(Re)Making the Body Beautiful: Postfeminist Cinderellas and Gothic Tales of Transformation.” Postfeminist Gothic: Critical Interventions in Contemporary Culture. Ed. Benjamin A. Brabon and Stéphanie Genz. New York: Palgrave Macmillan, 2007. 68-84.
╴╴. “I Am Not a Housewife, but…: Postfeminism and the Revival of Domesticity.” Feminism, Domesticity and Popular Culture. Ed. Stacy Gillis and Joanne Hollows. New York: Routledge, 2009. 49-62.
╴╴. Postfemininities in Popular Culture. Basingstoke: Palgrave Macmillan, 2009.
╴╴. “Singled Out: Postfeminism’s ‘New Women’ and the Dilemma of Having it all.” The Journal of Popular Culture 43.1 (2010): 97-119.
Gill, Rosalind and Elena Herdieckerhoff. “Rewriting the Romance: New Femininities in Chick Lit?” Feminist Media Studies 6.4 (2006): 487-504.
Gill, Rosalind. “Postfeminist Media culture: Elements of a sensibility.” European Journal of Cultural Studies 10.2 (2007):147-166.
Griffin, Christine. “Good Girls, Bad Girls: Constitution of Contemporary Girlhood.” All about the Girl: Culture, Power and Identity. Ed. Anita Harris. New York: Routledge, 2004. 29-43.
Grindon, Leger. The Hollywood Romantic Comedy: Conventions, History, Controversies. Malden: Wiley-Blackwell, 2011.
Heinecken, Dawn. “Changing Ideologies in Romance Fiction.” Romantic Convention. Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek. Bowling Green: Bowling Green State U. Popular P, 1999. 149-172.
Hollows, Joanne, and Rachel Moseley. “Popularity Contests: The Meanings of Popular Feminism.” Feminism in Popular Culture. Ed. Joanne Hollows and Rachel Moseley. Oxford: Berg, 2006. 1-22.
Hollows, Joanne. “Can I Go Home Yet? Feminism, Post-feminism and Domesticity.” Feminism in Popular Culture. Ed. Joanne Hollows and Rachel Moseley. New York: Berg, 2006. 97-118.
╴╴. Feminism, Femininity, and Popular Culture. Manchester: Manchester UP, 2000.
Hsu, Hsiu-pei(許秀珮). “Romance Novels: Women’s Writings for Women(羅曼史小說:女人寫給女人的書).” Master thesis. National Tsing Hua U(國立清華大學社社會學研究所碩士論文), 2002.
Hsueh, Wen-hsuan(薛文軒). “A study on the Sixth-graders’ Interpretations of the Concept of Romantic Love in Taiwanese Trendy Dramas(國小六年級學童解讀臺灣偶像劇愛情概念之研究).” Master thesis. National Taipei U of Education(國立臺北教育大學教育傳播與科技研究所碩士論文), 2007.
Huang, Mei. Transforming the Cinderella Dream: from Frances Burney to Charlotte Brontë. New Brunswick: Rutgers UP, 1990.
Huang, Nuan-yun(黃暖雲). “An Analysis of Advantageous Resources and Production Strategies of Taiwanese Idol Dramas(台灣偶像劇之優勢資源與產製策略分析).” Master Thesis. National Chung Cheng U(國立中正大學電訊傳播研究所碩士論文), 2006
Huang, Shuling. “ National-branding and Transnational Consumption: Japan-mania and the Korean Wave in Taiwan.” Media, Culture & Society. 33.1 (2011): 3-18.
Huang, Su-hui(黃淑慧). “A Study on the Relationship between Taiwanese Popular Romance Novels and Traditional Female Education: A Case Study of High School Students(台灣通俗言情小說與傳統女子教育的關係研究—以高中職學生為例).” Master thesis. National Kaohsiung Normal U (國立高雄師範大學國文學系碩士論文), 2010.
Hung, Chun-hsiang(洪群翔). “A Study of Trust, Cooperation and Collaboration between the Two Leading Characters in Fantasy Literature Based on the Theory of Morphology of the Folk Tale: A Case Study of His Dark Materials Trilogy(從《故事形態學》談幻想小說中雙主人公的信任與合作—以《黑暗元素三部曲》為例.” Master thesis. National Taitung U(國立臺東大學兒童文學研究所碩士論文), 2012.
Illouz, Eva. Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism. Berkeley: U of California P, 1997.
Isbister, Georgina. “Sex and the City: A Postfeminist Fairy Tale.” Online Proceedings of the Annual Conference of the Cultural Studies Association of Australia, December 6-8, 2007. Ed. Susan Luckman, Jackie Cook, and Dino Murtic. Adelaide: CSAA, 2008, 1-14. Sustaining Culture. 18 August 2012 .
Kalbfleisch, Jane. “When Feminism Met Postfeminism: The Rhetoric of a Relationship.” Generations: Academic Feminist in Dialogue. Ed. Devoney Looser and E. Ann Kaplan. Minneapolis: U of Minnesota P, 1997. 250-266.
Kaler, Anne K. “Conventions of the Romance Genre.” Introduction. Romantic Conventions. Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek. Bowling Green, OH: Bowling Green State U Popular P, 1999. 1-9.
Kaplan, E. Ann. “Feminism, Aging, and Changing Paradigms.” Generations: Academic Feminist in Dialogue. Ed. Devoney Looser and E. Ann Kaplan. Minneapolis: U of Minnesota P, 1997. 13-29.
Ke, Yin-chiao(柯尹喬). “An Exploratory Study of Brand Building Elements for Trendy Drama in Taiwan: A Case Study of SET’s Trendy Drama(台灣偶像劇品牌建構要素之初探性研究—以三立偶像劇為例).” Master Thesis. Shih Hsin U(世新大學公共關係暨廣告學系碩士論文), 2010.
Kinsale, Laura. “The Androgynous Reader: Point of View in the Romance.” Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the romance. Ed. Jayne Ann Krentz. Philadelphia: U of Pennsylvania P, 1992, 31-52.
Lai, Yu-chin(賴育琴). “A Study on Romance Fiction in 90s in Taiwan(台灣九○年代言情小說研究).” Master thesis. Tamkang U(淡江大學中國文學系碩士論文), 2001.
Lazar, Michelle M. “Discover the Power of Femininity: Analyzing Global Power Femininity in Local Advertising.” Feminist Media Studies 6.4 (2006): 505-517.
Lee, Janet. “Care to Join me in an Upwardly Mobile Tango? Postmodernism and the ‘New Woman’.” The Female Gaze: Women as Viewers of Popular Culture. Ed. Lorraine Gamman and Margaret Marshment. Seattle: Real Comet P, 1989. 166-172.
Lee, Linda J. “ Guilty Pleasures: Reading Romance Novels as Reworked Fairy Tales.” Marvel & Tales 22.1 (2008): 52-66.
Leonard, Suzanne. “Ready-Maid Postfeminism? The American ‘Domestic’ in Popular Culture.” Feminism, Domesticity, and Popular Culture. Ed. Stacy Gillis and Joanne Hollows. New York: Routledge, 2009.
Li, Chih-chiang(李志薔). TV-Film.Trendy Drama∕Drag Queen: From Dream to Film(電視電影.偶像劇∕豔光四射歌舞團:一部電影的完成). Hsintien(新店): Yuan Tsu Wen Hua(遠足文化), 2004.
Li, Shao-ling(李韶翎). “Romance Readers, Reviewers and Fans: A Study on Contemporary Commercial Romance Novels and Online Community(我們讀,我們寫,我們迷:當代商業羅曼史與線上社群研究).” Master thesis. National Chung Cheng U(國立中正大學電訊傳播研究所碩士論文), 2007.
Lieberman, Marcia K. “Some Day My Prince Will Come: Female Acculturation through the Fairy Tale.” Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. Ed. Jack Zipes. New York: Routledge, 1989. 185-200.
Lin, Fang-mei. “Social Change and Romantic Ideology: The Impact of Publishing Industry, Family Organization, and Gender Roles on the Reception and Interpretation of Romance Fiction in Taiwan, 1960-1990.” Diss. U of Pennsylvania, 1992.
Lin, Hsin-chieh(林歆婕). “From Being Weeds to Being ‘Makeinu’: The Gender Ideology and the Construction of Women’s Images in Taiwan’s Idol Dramas(從雜草到敗犬:台灣偶像劇中的性別意識與形象建構).” Master Thesis. National Chung Hsing U(國立中興大學台灣文學與跨國文化研究所碩士論文), 2011.
Lin, Ying-chieh(林英杰). “Creating Romance and Consuming Love: The Production, Sales and Reading Culture of Romance Novels in Taiwan(製造浪漫 消費愛情:臺灣羅曼史小說的產銷與閱讀文化).” Master thesis. National Taiwan U(國立台灣大學中國文學系碩士論文), 1998.
Liu, Chen-tu(劉真途). “ A Study of Jin Yong’s Novels from the Perspective of Fairy-tale Functions(從童話功能考察金庸武俠小說的敘事特色).” Master thesis. Lingnan U(嶺南大學哲學碩士論文), 2000.
Lotz, Amanda D. “Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes.” Feminist Media Studies 1.1 (2001): 105-121.
Lu, Ni-lin(呂妮霖). “A Postmodern Turn in the Hollywood Cinematic Adaptations of Fairy Tales(好萊塢後現代童話電影的敘事轉向分析).” Master thesis, National Chengchi U(國立政治大學廣播電視學系碩士論文), 2008.
MacCannell, Dean and Juliet Flower MacCannell. “The Beauty System.” The Ideology of Conduct: Essays on Literature and the History of Sexuality. Ed. Nancy Armstrong and Leonard Tennenhouse. New York: Methuen, 1987. 206-238.
Marshment, Margaret. “ Substantial Women.” The Female Gaze: Women as Viewers of Popular Culture. Ed. Lorraine Gamman and Margaret Marshment. Seattle: The Real Comet P, 1989. 27-43.
McCracken, Scott. Pulp: Reading Popular Fiction. Manchester: Manchester UP, 1998.
Mcdonald, Tamar Jeffers. Romantic Comedy: Boy Meets Girls Meets Genre. London: Wellflower, 2007.
McRobbie, Angela. “Post-feminism and Popular Culture.” Feminist Media Studies 4.3 (2004): 255-264.
╴╴. “Postfeminism and Popular Culture: Bridget Jones and the New Gender Regime.” Interrogating Postfeminism: Gender and the Politics of Popular Culture. Ed. Yvonne Tasker and Diane Negra. Durham: Duke UP, 2007. 27-39.
╴╴. “Shut Up and Dance: Youth Culture and Changing Modes of Femininity.” Cultural Studies 7.3 (1993): 406-426.
Miller, Laura. “Japan’s Cinderella Motif: Beauty Industry and Mass Culture Interpretations of a Popular Icon.” Asian Studies Review 32 (2008):393-409.
Modleski, Tania. Loving with a Vengeance: Mass-Produced Fantasies for Women. New York: Routledge, 1982.
Mortimer, Claire. Romantic Comedy. London: Routledge, 2010.
Moseley, Rachel and Jacinda Read. ‘“Having it Ally”: Popular Television (Post-)Feminism.’ Feminist Media Studies 2.2 (2002): 231-249.
Mukherjea, Ananya. “My Vampire Boyfriend: Postfeminism, Perfect Masculinity, and the Contemporary Appeal of Paranormal Romance.” Studies in Popular Culture 33.2 (2011): 1-20.
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16.3 (1975): 6-18.
Mumford, Laura Stempel. Love and Ideology in the Afternoon: Soap Opera, Women, and Television genre. Bloomington: Indiana UP, 1995.
Mussell, Kay. Fantasy and Reconciliation: Contemporary Formulas of Women’s Romance Fiction. Westport: Greenwood P, 1984.
Neale, Steve and Frank Krutnik. Popular Film and Television Comedy. London: Routledge, 1990.
Negra, Diane. What a Girl Wants: Fantasizing the reclamation of self in postfeminism. New York: Routledge, 2009.
Pace, David. “Beyond Morphology: Lévi-Strauss and the Analysis of Folktales.” Cinderella: A Casebook. Ed. Alan Dundes. Madison: U of Wisconsin P, 1988. 245-258.
Parsons, Linda T. “Ella Evolving: Cinderella Stories and the Construction of Gender Appropriate Behavior.” Children’s Literature in Education 35.2 (2004): 135-154.
Pattee, Amy S. Reading the Adolescent Romance: Sweet Valley High and the Popular Young Adult Romance Novel. New York: Routledge, 2011.
Philips, Deborah. “Shopping for Men: The Single Woman Narrative.” Women: A Cultural Review 11.3 (2000): 238-251.
Preston, Cathy Lynn. “Disrupting the Boundaries of Genre and Gender: Postmodernism and the Fairy Tale.” Fairy Tales and Feminism: New Approaches. Ed. Donald Haase. Detroit: UP of Wayne State, 2004. 197-212.
Projansky, Sarah. “Mass Magazine Cover Girls: Some Reflections on Postfeminist Girls and Postfeminism’s Daughters.” Interrogating Postfeminism: Gender and the Politics of Popular Culture. Ed. Yvonne Tasker and Diane Negra. Durham: Duke UP, 2007. 40-72.
╴╴. Watching Rape: Film and Television in Postfeminist Culture. New York: New York UP, 2001.
Propp, Vladimis. Morphology of the Folktale. Trans. Laurence Scott. Rev. ed. Austin: U of Texas P, 1968.
Rader, Hilary. “Pretty is as Pretty Does: Free Enterprise and the Marriage Plot.” Film Theory Goes to the Movies. Ed. Jim Collins, Hilary Radner and Ava Preacher Collins. New York: Routledge, 1993. 56-76.
Radway, Janice A. Reading the Romance: Women Patriarchy and Popular Literature. Chapel Hill: U of North Carolina P, 1984.
Ramanujan, A. K. “Hanchi: A Kannada Cinderella.” Cinderella: A Casebook. Ed. Alan Dundes. Madison: U of Wisconsin P, 1988. 259-275.
Regis, Pamela. A Natural History of the Romance Novel. Philadelphia: U of Pennsylvania P, 2003.
Rowe, Karen E. “Feminism and Fairy Tales.” Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. Ed. Jack Zipes. New York: Routledge, 1989. 209-226.
Rowe, Kathleen. The Unruly Woman: Gender and the Genres of Laughter. Austin: U of Texas P, 1995.
Salzman, Marian, Ira Matathia and Ann O’reilly. The Future of Men. New York: Palgrave Macmillan, 2005.
Sanders, Hannah E. “Living a Charmed Life: The Magic of Postfeminist Sisterhood.” Interrogating Postfeminism: Gender and the Politics of Popular Culture. Ed. Yvonne Tasker and Diane Negra. Durham: Duke UP, 2007. 73-99.
Smith, Jennifer Crusie. “This Is Not Your Mother’s Cinderella: The Romance Novel as Feminist Fairy Tale.” Romantic Conventions. Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek. Bowling Green, OH: Bowling Green State U Popular P, 1999. 51-61.
Stacey, Judith. “What Comes After Patriarchy? Comparative Reflections on Gender and Power in a ‘Post-Patriarchal’ Age.” Radical History Review 71 (1998): 63-70.
Stephens, John. “Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers’ Snow White.” Marvels & Tales 16.2 (2002): 201-213.
Stone, Kay. Some Day Your Witch Will Come. Detroit: Wayne State UP, 2008.
Taft, Jessica K. “Girl Power Politics: Pop-Culture Barriers and Organizational Resistance.” All about the Girl: Culture, Power and Identity. Ed. Anita Harris. New York: Routledge, 2004. 69-78
Tasker, Yvonne, and Diane Negra. “Feminist Politics and Postfeminist Culture.” Introduction. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Ed. Yvonne Tasker and Diane Negra. Durham: Duke UP, 2007. 1-25.
Tatar, Maria. The Hard Facts of the Grimms’ Fairy Tales. Expanded 2nd ed. Princeton: Princeton U. P, 2003.
Tsai, Hui-nieh(蔡蕙年). “The Modern Concept of Love in Taiwanese Idol Drama Meteor Garden I: A transformation of the Fairy Tale ‘Cinderella’ (《流星花園I》的現代愛情觀:變形的灰姑娘童話).” Master thesis. National Taitung U(國立臺東大學兒童文學研究所碩士論文), 2011.
Tsao, Shu-yi(曹蜀宜). “The Influence of Idol Serials on the Consuming Behaviors of Teenagers: Using the Taiwan Self-produced Idol Serials as the Example(偶像劇對青少年消費行為的影響—以本土自製偶像劇為例).” Master thesis. National Taipei Normal U(國立台北師範學院教育傳播與科技研究所碩士論文), 2005.
Tseëlon, Efrat. The Masque of Femininity: The Presentation of Woman in Everyday Life. London: Sage Publications, 1995.
Vavrus, Mary Douglas. “Domesticating Patriarchy: Hegemonic Masculinity and Television’s ‘Mr. Mom’.” Critical Studies in Media Communication 19.3 (2002): 352-375.
Wang, Mei-yu(王梅郁). “Women, Marriage and Romance: A study on Hsichuan’s Novels(女性、婚戀與言情─席絹小說的女性書寫研究).” Master thesis. National Hsinchun U of Education(國立新竹教育大學人資處語文教學碩士論文), 2007.
Wen, Tzu-hsin(溫子欣). “A Study on Romance Reading of Female Adolescent Students(青少女學生閱讀愛情小說之研究:以兩班高職女學生為例).” Master Thesis. National Taiwan Normal U(臺灣師範大學教育研究所碩士論文), 2003.
Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used against Women. New York: Harper Perennial, 2002.
Wu, Yi-kuo and Chiang Yi-hui(吳怡國、姜易慧). “A Diachronic Analysis of the Industry Transition of Taiwanese Trendy Drama(台製偶像劇產業發展變遷之歷時性研究).” Paper at the Annual Conference of Chinese Communication Society(中華傳播學會年會論文), July 3-5, 2010. 21 April 2012 .
Yang, Chao(楊照). “Love across the Times: The Change and Continuity in Taiwanese Popular Romance Novels(跨越時代的愛情:台灣通俗羅曼史小說裡的變與不變).” A History of Taiwanese Contemporary Novels(台灣現代小說史綜論). Ed. Chen Yi-chih(陳義芝). Taipei: Lienching(聯經), 1998. 313-328.
Yang, Ming(楊明). “Research of Taiwan Commercial Romance from 2001 to 2010(台灣九○年代商業羅曼史研究).” Master thesis. National Sun Yan-sen U(國立中山大學中國文學研究所碩士論文), 2011.
Yeh, Ping-chun(葉品君). “The Previous Life and This Present Life of Cinderella: The Interaction Between Fairy Tales and Culture(灰姑娘的前世今生—論童話與文化的互動).” Master thesis. National Taitung U(國立臺東大學兒童文學研究所碩士論文), 2006.new window
Young, Shelagh. “Feminism and the Politics of Power.” The Female Gaze: Women as Viewers of Popular Culture. Ed. Lorraine Gamman and Margaret Marshment. Seattle: Real Comet P, 1989. 173-188.
Zidle, Abby. “From Bodice-Ripper to Baby-Sitter: The New Hero in Mass-Market Romance.” Romantic Convention. Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek. Bowling Green: Bowling Green State U. Popular P, 1999. 149-172.
Zipes, Jack. Fairy Tales and the Art of Subversion: The Classical Genre for Children and the Process of Civilization. 2nd ed. New York: Routledge, 2006.

 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關著作
 
QR Code
QRCODE