本文以文獻研究及式樣分析之研究方法，探討楊英風與朱銘師徒藝術養成途徑與作品形式風格之關聯性，主要成果簡述如下：一、作品形式與內涵精神之異同：朱銘的太極系列，應受到楊英風太魯閣山水系列的影響，雖形式風格不盡相同，但都重視文化、氣勢、意境與自然；但楊是靜態的自然，朱則爲動態的自然。二、不同藝術學習途徑之異同：雖然兩人的出身與藝術養成背景不同，但都具有深厚紮實的基本功夫與學理依據，以及精益求精的創作實踐；另一條不可忽視的藝術學習途徑，就是不同文化的衝擊－楊與朱都在國外歷練後有突破性的發展，尤其是文明古都羅馬。三、藝術創作成功的共同法則：藝術創作成功的共同法則不外乎學理與基礎功的訓練，並重視文化、氣勢、意境與自然的發揮。以本文探究的兩大系列作品而言，工藝家出身的朱銘似乎青出於藍、更勝於藍，這也可能是在全球化的現象中，朱銘的「太極」作品更具亞洲華人文化特色的獨特性，以致能在國際舞台上受到矚目。

This paper aims to explore the relationship of those art works and learn the way between Yuyu Yang and Juming by literature research and style study of research methods. The main results can be summarized as follows: 1. The similarities and differences of both works in the "form" and "spirit": Juming's Taichi series should be influenced by Yuyu Yang's Taroko Landscape series. Although both works are different in style, but they all emphasize on culture, momentum, nature and the mood. Moreover, Yuyu Yang's Taroko is static nature. Juming's Taichi is dynamic nature. 2. The similarities and differences of both ways to learn the art: Although their family background and learn way are different, but they all have profound theory, solid skillful and creative practice constantly. Moreover, there is another way to learn art that cannot be ignored, that is, the impact of different cultures-They all have breakthrough development after overseas experience. Especially in the ancient capital of civilization, Rome. 3. The success law of artistic creation：The success way is nothing more than the academic training and basic skill. In addition, we have to emphasis on culture, momentum, nature and the mood. As for why the Taichi series are more famous in international then Taroko series? The reason maybe lies in the Taichi series having the Chinese culture characteristics, so that catch more globale eyesight.