The play “Peony Pavilion” was written in the Ming Dynasty which was 400 year ago. That was the time when Chinese society strictly observed the rules and regulations between men and women. This research aims to discuss how the female leading character in the play extended or changed body form to resist and surmount the suppression of the authority in the society. They broke through all kinds of disciplines and tried hard to practice individual bodily and the passion autonomy in the situation of could not be said, could not be indicated, and could not be desired.