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題名:日常生活的快拍攝影 : 從真實的臨在感, 到數位生活的網路影像
書刊名:藝術教育研究
作者:張美陵
作者(外文):Chang, May-ling
出版日期:2010
卷期:19
頁次:頁115-148
主題關鍵詞:日常生活他異性快拍攝影素人攝影視覺數位文化駁雜異質性網路影像數位生活Everday lifeAlterity snaphot phototgraphyVernacular photographyVisual digital cultureHeterogeneityNetworked iImageDigital lifestyle
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:0
  • 點閱點閱:54
攝影的機械複製特性,與取材於日常生活的內容,曾經不被認可是藝術,因為攝影被認為缺乏傳統藝術具有的原創性、新意、作者性。視覺文化的民族誌研究,主要問題之一是如何定義文化的他異性。如果攝影相對於傳統藝術而言具有他異性,那麼最大眾化、無特性、普遍存在的「快拍攝影」就是攝影的他異性,涉及了視覺文化的領域與藝術的價值判斷問題。視覺科技的攝影不斷挑戰人們的感知,也需要人們不斷重新思考視覺文化與藝術教育的意義。本文從攝影歷史回顧,簡述攝影的日常生活美學的轉變,從類比到數位攝影,進而分析相關的視覺數位文化。主要以美國「快拍攝影」的攝影類型作為分析對象,探討攝影如何深入日常生活?如何凸顯藝術文化領域界限問題?如何實踐日常生活數位攝影的社會使用?
The mechanical reproducibility and the content taken from everyday life have made photography being considered not an art, due to the lack of originality, innovation, and authorship. One of the main issues in ethnographic studies of visual culture is how to define cultural alterity. If photography presents the otherness for conventional art, then the most popular, bore, ubiquitous of snapshots present the otherness for photography. It has touched upon the problems of cultural boundaries and value judgments of the arts. From analog to digital photography, this study briefly describes the changes of everyday aesthetics in photography, and analyzes the related issues of visual digital culture. The genre of snapshot photography is the subject of analysis in this study. How does photography reflect everyday life, and question the art and cultural boundaries? How the social uses of snapshot photography are practiced in everyday life ?
期刊論文
1.Wilson, Brent(2003)。Of Diagrams and Rhizomes: Visual Culture, Contemporary Art, and the Impossibility of Mapping the Content of Art Education。Studies in Art Education,44(3),214-229。  new window
2.Kamhi, Michelle Marder(2004)。Rescuing Art from Visual Culture Studies。Arts Education Policy Review,106(1),25-31。  new window
3.Tavin, Kevin M.(2003)。Wrestling with Angels, Searching for Ghosts: Toward a Critical Pedagogy of Visual Culture。Studies in Art Education,44(3),197-213。  new window
4.Duncum, P.(2001)。Visual culture: Developments, definitions, and directions for art education。Studies in Art Education,42(2),101-112。  new window
5.Duncum, Paul(1999)。A Case for an Art Education of Everyday Aesthetic Experiences。Studies in Art Education,40(4),295-311。  new window
6.Batchen, Geoffrey(1994)。Phantasm: Digital Imaging and the Death of Photography。Aperture,136,46-51。  new window
7.Batchen, Geoffrey(2008)。Snapshots: Art history and the ethnographic turn。Photographies,1(2),121-142。  new window
8.Desai, D.(2002)。The Ethnographic Move in Contemporary Art: What Does It Mean for Art Education?。Studies in Art Education,43(4),307-323。  new window
9.Harris, Steven(1999)。The Chain of Glass: Rethinking Breton's Concept of Objective chance。Collapse,4(5)。  new window
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12.Iversen, Margaret(2004)。Readymade, Found Object, Photograph。Art Journal,63(2),44-57。  new window
13.Murray, Susan(2008)。Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics。Journal of Visual Culture,7(2),147-163。  new window
14.Rubinstein, Daniel、Sluis, Katrina(2008)。A life more photographic: Mapping the networked image。Photographies,1(1),9-28。  new window
15.Schwartz, Dona(1986)。Camera Clubs and Fine Art Photography: The Social Construction of an Elite Code。Urban Life,15(2),165-195。  new window
圖書
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3.Batchen, Geoffrey(1999)。Burning with Desire: The Conception of Photography。Cambridge, Massachusetts:The MIT Press。  new window
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9.Barthes, Roland、Howard, Richard(1981)。Camera Lucida: Reflections on Photography。New York:Hill and Wang。  new window
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11.Darley, Andrew(2000)。Visual digital culture: Surface play and spectacle in new media genres。Visual digital culture: Surface play and spectacle in new media genres。London。  new window
12.Weiss, Ann(2005)。The last album: eyes from the ashes of Auschwitz-Birkenau。The last album: eyes from the ashes of Auschwitz-Birkenau。  new window
13.Willis, Anne-Marie(1990)。Digitisation and The Living Death of Photography。Culture, technology and creativity in the late twentieth century。Indiana。  new window
14.Batchen, Geoffrey(2006)。Forget me not: Photography and remembrance。Forget me not: Photography and remembrance。New York。  new window
15.Benjamin, Walter(1931)。A short history of photography。Classic Essays On Photography。New Haven。  new window
16.Bernstein, Richard J.(1992)。The new constellation: Ethical-political horizons of modernity/postmodernity。The new constellation: Ethical-political horizons of modernity/postmodernity。Cambridge, Mass.。  new window
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18.Bourdieu, Pierre(1993)。Photography: A Middle-Brow Art。Photography: A Middle-Brow Art。Cambirdge。  new window
19.Breton, André(1935)。Lighthouse of the bride。Surrealism and painting。Boston。  new window
20.Edwards, Elizabeth、Hart, Janice(2004)。Photographs Objects Histories: On The Materiality of Images。Photographs Objects Histories: On The Materiality of Images。New York。  new window
21.Foster, Hal(1995)。The Artist as Ethnographer?。The traffic in culture: Refiguring art and anthropology。Berkeley。  new window
22.Foster, Hal(1996)。Preface to vision and visuality。Vision and Visuality。Seattle。  new window
23.Gernsheim, Helmut(1962)。Creative photography: Aesthetic trends, 1839-1960。Creative photography: Aesthetic trends, 1839-1960。London。  new window
24.Greenough, Sarah、Waggoner, Dianna、Kennel, Sarah、Witkovsky, Matthew S(2007)。The art of the American snapshot, 1888-1978。The art of the American snapshot, 1888-1978。Princeton, N.J.。  new window
25.Guba, Egon G.、Lincoln, Y. S.(1982)。Effective evaluation: improving the usefulness of evaluation results through responsive and naturalistic approaches。Effective evaluation: improving the usefulness of evaluation results through responsive and naturalistic approaches。San Francisco/Washington/London。  new window
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27.Lippard, Lucy R.(1992)。Partial Recall: Photographs of Native North Americans。Partial Recall: Photographs of Native North Americans。New York。  new window
28.Malcolm, Janet(1980)。Diana and Nikon: Essays on the Aesthetic of Photography。Diana and Nikon: Essays on the Aesthetic of Photography。Boston。  new window
29.Manovich, Lev(1997)。Paradoxes of Digital Photography。Photography after Photography : Memory and Representation in the Digital Age。Munich。  new window
30.Mitchell, Wiliam J.(1992)。The Reconfigured eye: Visual truth in the post-photographic Era。The Reconfigured eye: Visual truth in the post-photographic Era。Cambridge, Mass.。  new window
31.Ritchin, Fred(1990)。In Our Own Image: The Coming Revolution in Photography。In Our Own Image: The Coming Revolution in Photography。New York。  new window
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其他
1.(2009)。George Eastman。  new window
2.Harmon, Amy(2005)。We simply can't stop shooting,New York。  new window
3.(2000)。Lorie Novak。  new window
4.Van House, Nancy A.,Davis, Marc,Ames, Morgan,Finn, Megan,Viswanathan, Vijay(2005)。The uses of personal networked digital imaging: an empirical study of cameraphone photos and sharing。  new window
 
 
 
 
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