浮世繪在日本的藝術史上活躍了將近三百年，除了留下當時社會的眾生百態，風景畫這個題材更是影響深遠，葛飾北齋即是當時最著名的代表畫家。本研究針對葛飾北齋在1831年所出版的〈富嶽三十六景〉作為研究樣本。從日本浮世繪的歷史發展、印刷技法演變與葛飾北齋的生活經歷、創作背景等觀點進行文獻蒐集，並找出其衍生的相關訊息與關聯性。其後，綜觀〈富嶽三十六景〉作品本身的主題內容與形式風格、表現手法、技法用色等分析。研究結果發現，葛飾北齋在〈富嶽三十六景〉中流露了他對日本富士山有一種崇高的敬愛，並隨著取景地點時差不同而轉換用色與表現手法，更大膽融合西方的透視法與中國的山水畫法，創造出他獨特的個人風格。

Ukiyoe have been near for 300 years in Japan's art history, it left all the society's living things behind at that time, the theme of landscape painting was the most influence. Katsushika Hokusai was the most renowned representative painter at that time. This research takes the sample ”Thirty-six Views of Mount Fuji” which published in 1831 by Katsushika Hokusai. Collect the reference from the Japanese Ukiyoe's historical development, the printing technique, Katsushika Hokusai's life experience and creation background. After the comparison, discovers its related information. Then go analyze ”Thirty-six Views of Mount the Fuji” subject content and the form style, the expression, the technique and its color. The results discovered that Katsushika Hokusai revealed him have lofty respecting and loving to Mt. Fuji from ”Thirty-six Views of Mount Fuji”. He transformed with different color and the expression by different scene and combined the West's perspective and China's scenery drawing technique. It created his unique individual style.