收錄於《南齊書》〈張融傳〉中的《門律》〈自序〉一文，是一條長期為學界所忽略的材料。雖就命名而言，《門律》實如顏延之〈庭誥〉一類，為家訓方面的作品，但其中涉及的文學思想，除了與張融自身為人處事的風格相合拍外，無一不與齊梁之際的文學思潮密切相關。任何文學主張的提出，絕不可能是作者自己的憑空想像，往往受到時代認知與社會價值的侷限，有其背後文學脈絡的承繼與流傳。本文擬以《門律》〈自序〉為出發點，參照魏晉南朝的文學批評史料，除了試圖探討張融本身的文學思想外，也嘗試從中側映出南齊時代的文學脈動。

The article 《Menlui》〈Zixu〉 collected in 《Nanchisu》〈Rong Chang’s autobiography,〉was long ignored by the academia. From the title,《Menlui》 was similar with 〈Tinggao〉 by Yan-Zhi Yan as the article of traditional family injunction while the literary thinking not only matched to the life style of Rong Chang but also accommodated with the literary trend during Chi and Liang dynasties. Any literary claim proposed could not be the imagination by author himself but limited by the contemporary cognitions and social value at the time as well as succeeded and spread the literary context. The present study attempted to use the 《Menlui》〈Zixu〉and refer to the literary criticism at the time to identify the literary thinking of Rong Chang and reflect the literary trend during the Nanchi Dynasty.