一般認為蘇軾任杭州通判後，詩歌最引人注目的特色之一是致力於山水記遊與表現自然，然而，這是基於怎樣的創作心理與自我認識呢？再者，杭州作為蘇軾成長為宋代第一流詩人的標誌性之地，他是如何看待在杭的創作與自我？這些問題是歷來較少關注的。本文旨在探究蘇軾的倅杭之「遊」與其內在意識之間的關係，從倅杭之前「遊」的自傳性表現，到倅杭時期以書寫自然風景自任的態度、「清」與「野」的個體意識等逐一闡釋，由此說明蘇軾遨遊山水的詩人形象背後所蘊含的自我認識、詩作特質，揭顯蘇軾之「遊」與時代深刻的對應關係。

Most people thought that Su Shi’poetry focused on the travel and nature since he served Tang Pon（通判） in Hang-chou（杭州）. However, this characteristic is base on what kind of mind and self-knowledge？ Moreover, since Hang-chou was the land which Su Shi became the first-class poet on Song Dynasty, how did Su Shi regarded his creation and self? Few of researchers was concerned these questions serously. This article researched the relationship between the Su Shi in Hang-chou and his inner consciousness. This paper attempts to explore step by step autobiographic performance before Su Shi in Hang-chou, the attitude that Su Shi regarded writing natural scenery as his responsibility when he was in Hang-chou and the individual consciousness of lucid and rusticity. Thus, we can not only get more comprehension about the image of the poet of Su Shi, but also uncover the corresponding relationship between the Yu (遊) of Su Shi’poetry and his generation.