圖書論文| 1. | 張英進(2006)。My Camera Doesn't Lie? Truth Subjectivity and Audience in Chinese Independent Film and Video。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。   |
| 2. | 馬修．大衛．詹森(2006)。A Scene beyond Our Line of Sight Wu Wenguang and New Documentary Cinemas Politics of Independence。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。 |
| 3. | 呂彤鄰(2006)。Trapped Freedom and Localized Globalism。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。 |
| 4. | 畢克偉(2006)。Social and Political Dynamics of Underground Filmmaking in China。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。 |
| 5. | 裴開瑞(2006)。Independently Chinese Duan Jinchuan Jiang Yue and Chinese Documentary。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。 |
| 6. | 瓦萊麗．賈非(2006)。Every Man a Star The Ambivalent Cult of Amateur Art in New Chinese Documentaries。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。 |
| 7. | 陳默、蕭知緯(2006)。Chinese Underground Films Critical Views from China。From Underground to Independent: Alternative Film Culture in Contemporary China。Lanham, MD：Rowman and Littlefield。 |
| 8. | 崔淑琴(2007)。Ning Ying's Beijing Trilogy: Cinematic Configurations of Age, Class, and Sexuality。The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century。Duke University Press。 |
| 9. | 馬傑生(2007)。The Independent Cinema of Jia Zhangke: From Postsocialist Realism to a Transnational Aesthetic。The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century。Duke University Press。 |