本文探討一個本位化的神學，聖三道理有啟示宗教的特色，以太極原理說明，能讓啟示真理平添幾分美感，最能表達「不可言喻」的真理，莫過於「無聲之美」；而聖三神學又帶給古琴藝術的陰、陽原理一種「位際相遇」的滋味。本文寫作背景有艾克哈密契主義與道家思想，配合古琴藝術，開發一種美感的靈性修養。

This paper seeks to develop an inculturated local theology. Although the doctrine of the Trinity is part of revelation for Christians, yet it may be elucidated by means of Tai-Chi theory lending a sense of beauty to revelation so as to express ineffable truth and silent beauty. Furthermore, Trinitarian theology brings to the yin-yang of zither music a flavour of personal encounter.The background to this paper lies in the mysticism of Eckhart and Daoist philosophy, combined with zither music to develop a new way of spirituality.