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題名：Between Reality and Contrivance: Body Performance and Class Imagination in Sarah Waters' Fingersmith
書刊名：臺大文史哲學報
作者：葉雅茹 引用關係
作者(外文)：Yeh, Ya-ju
出版日期：2014
卷期：81
頁次：頁149-172
主題關鍵詞：身體；階級；扮演；莎拉．華特斯；荊棘之城；Body；Class；Performance；Sarah Waters；Fingersmith
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《荊棘之城》被譽為莎拉‧華特斯「維多利亞三部曲」中最傑出的作品，入圍英國文學柑橘獎和曼布克獎，奠定了華特斯在當代文壇的重要地位。以英國維多利亞時代的倫敦為背景，刻畫當時的階級流動與性別關係，具備嚴謹的敘事結構與詳實的時代考據，歸類為歷史犯罪小說；亦因小說中兩位女主角的曖昧情愫，或被定位為女性同志小說。兩位成長環境迥異的少女，蘇珊與莫德陷入身份調換的多重陰謀：她們謀劃隱瞞真實身份，以模仿動作舉止與服飾穿著，企圖扮演女主人與侍女身份；然而扮演的角色與原本身份在扮演中一再逆轉，真實與謀劃的身份撲朔迷離、游移不定。本文試圖分析小說中各種形式的身體扮演，探究華特斯筆下身體扮演的意義，以及其中所呈現出的階級想像。
Sarah Waters' ＂Fingersmith＂ (2002) has been acclaimed for the most suspenseful work within her popular Victorian quasi-trilogy. Full of twists and turns, it soon made the bestseller list and has been serialized on film by the BBC. With its solid narrative structure and precise setting in Victorian England, it is categorized as a historical crime fiction; with its same-sex love plots between two heroines, it is also deemed a lesbian novel. The protagonist is Susan Trinder, an orphan in the care of Mrs. Sucksby whose London slum household hosts a transient family of petty thieves. Susan helps Richard Rivers seduce a wealthy heiress, Maud Lilly, who is raised in a country house named Briar, where she lives a secluded life under the care of her uncle. Susan and Maud are set to change their identities in a treacherous double-cross: they perform, either knowingly or unknowingly, roles of mistress and maid in the contrived performance as well as in their reality of life. Their performances involve an imitation of body gestures and an intimacy of feminine garments. Exploring the confusion between contrivance and reality in the novel, this paper aims to analyze various modes of performance derived from class implications and delves into how Waters complicates the significance of body performance.
期刊論文
1.Armitt, Lucie(2007)。Interview with Sarah Waters。Feminist Review，85，116-127。  new window
2.Boehm, Katherina(2011)。Historiography and the Material Imagination in the Novels of Sarah Waters。Studies in the Novel，43(2)，237-257。  new window
3.Ciocia, Stefania(2007)。Queer and Verdant: The Textual Politics of Sarah Waters’s Neo-Victorian Novels。Literary London Journal，5(2)。  new window
4.Costantini, Mariaconcetta(2006)。Faux-Victorian Melodrama, in the New Millennium: The Case of Sarah Waters。Critical Survey，18(1)，17-39。  new window
5.Davidoff, Leonore(1974)。Mastered for Life: Servant and Wife in Victorian and Edwardian England。Journal of Social History，7(4)，406-428。  new window
6.Dennis, Abigail(2008)。Ladies in Peril, : Sarah Waters on Neo-Victorian Narrative Celebrations and Why She Stopped Writing about the Victorian Era。Neo-Victorian Studies，1(1)，41-52。  new window
7.Kohlke, M. L.(2004)。Into History through the Back Door: The "Past Historic"。Nights at Circus and Affinity” Women: A Cultural Review，15(2)，153-166。  new window
8.Letissier, Georges(2010)。From Dickens’s Theatrical Performance to Contemporary, Post-Dickensian Narrative and Artistic Performances。Cahiers Victoriens et Edouardiens，71，299-311。  new window
9.Llewellyn, Mark(2004)。Queer? I should say it is criminal!。Journal of Gender Studies，13(3)，203-214。  new window
10.Palmer, Beth(2009)。Are the Victorians Still with Us?: Victorian Sensation Fiction and Its Legacies in the Twenty-First Century。Victorian Studies，52(1)，86-94。  new window
11.Seajay, Carol(2006)。Sarah Waters: Interviewed by Carol Seajay。Lambda Book Report，14(1)，4-5。  new window
圖書
1.Mitchell, Sally(1996)。Daily Life in Victorian England。London：Greenwood。  new window
2.Flanders, Judith(2004)。Inside the Victorian Home: A Portrait of Domestic Life in Victorian England。New York：Norton。  new window
3.Graham, Kelley(2008)。Gone to the Shops: Shopping in Victorian England。Westport：Praeger Publishers。  new window
4.Hayward, Edward(1998)。Upstairs & Downstairs: Life in an English Country House。Andover：Pitkin。  new window
5.Horn, Pamela(2007)。Life as a Victorian Lady。Stroud：Sutton。  new window
6.Kobayashi, Akio(2006)。British Servants: A Collection of Early Guides and Companions。Osaka：Eureka。  new window
7.Langland, Elizabeth(1995)。Nobody's Angels: Middle-Class Women and Domestic Ideology in Victorian Culture。Ithaca：Cornell UP。  new window
8.Marshall, Dorothy(1949)。The English Domestic Servant in History。London：The Historical Association。  new window
9.Setnik, Linda(2000)。Victorian Costume for Ladies, 1860-1900。Atglen：Schiffer。  new window
10.Silver, Anna Krugovoy(2002)。Victorian Literature and the Anorexic Body。Cambridge：Cambridge UP。  new window
11.Waters, Sarah(1999)。Tipping the Velvet。London：Virago。  new window
12.Waters, Sarah(2000)。Affinity。London：Virago。  new window
13.Waters, Sarah(2002)。Fingersmith。London：Riverhead Books。  new window
14.Goffman, E.(1969)。The presentation of self in everyday life。Penguin。  new window
圖書論文
1.Moore, Grace(2011)。Neo-Victorian and Pastiche。A Companion to Sensation Fiction。Malden：Wiley-Blackwell。  new window
2.Spooner, Catherine(2007)。“Spiritual Garments”: Fashioning the Victorian Seance in Sarah Waters’ Affinity。Styling Texts: Dress and Fashion in Literature。Youngstown：Cambridge。  new window
 
 
 
 
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