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題名：繪本敘事轉述為影像歷程初探：以繪本《雨果的秘密》之跨媒介轉述為例
書刊名：傳播研究與實踐
作者：賴玉釵 引用關係
作者(外文)：Lai, Yu-chai
出版日期：2015
卷期：5:2
頁次：頁79-120
主題關鍵詞：媒介間互文性；跨媒介改編；跨媒介敘事；圖像敘事；繪本；Intermediality；Transmedia adaptation process；Transmedia narratology；Film narrative；Picture-book
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:7
  • 點閱點閱:60
本研究以繪本轉述為電影為例，說明繪本圖文結構如何轉述為影像敘事，並闡明繪本之跨媒介敘事潛質。繪本圖文組合形態有便於影像敘事者援用「媒介間互文性」（intermediality；即運用相仿構圖、符碼與情節等呼應原作特質），將繪本轉述為他種類型作品。以連續圖像言之，繪本以多景框描述細節，近似分鏡效果。以文字言之，繪本對話與旁白可轉為電影聲效。文字亦可補述圖像情境，電影敘事者可將此細節具像化呈現，增加眼見為真之臨場感。
How to transform a picture-book story into a film narrative? How to appropriate the static graphics of the print text for constructing the audio-visual dynamics of a film? This paper explores this adaptation process, based on a case study of the film [Hugo] from the picture-book ＂The Invention of Hugo Cabret＂, by focusing on the potentials of picture-books as transmedia narratives. Typically combining graphics and text in its print format, the picture-book is actually rich in intermediality useful for the adaptation. Thus, the text of the picture book, used to fill in where the visual scene might lack, could be actualized by the narrator in the film to enhance the immediacy of the scene as reality. By specifying the role ＂intermediality＂ plays in the process, the author identifies several adaptation mechanisms at work, which suggests what needs to be considered in transmedia narratology.
期刊論文
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2.Janet, E.(2011)。Raymond Briggs: Controversially blurring boundaries。Bookbird，49(4)，49-61。  new window
3.Atkins, J. E.(2002)。Picturing "Samuel Richardson": Francis Hayman and the Intersections of Word and Image。Eighteen-Century Fiction，14，465-505。  new window
4.Booth, Paul(2008)。Intermediality in film and internet: Donnie Darko and issues of narrative substantiality。Journal of Narrative Theory，38(3)，398-415。  new window
5.Coleman, E. J.(1985)。The funnies, the movies and aesthetics。Journal of Popular Culture，18(4)，89-100。  new window
6.Collard, C.(2010)。Adaptive collaboration, collaborative adaptation: Filming the Mamet Canon。Adaptation，3，82-98。  new window
7.Faubert, P.(2011)。"Perfect Picture Material": Anthony Adverse and the future of adaptation theory。Adaptation，4(2)，180-198。  new window
8.Fluck, W.(2002)。The role of the reader and changing functions of literature: Reception aesthetics, literary anthropography, Funktionsgeschichte。European Journal of English Studies，6，253-271。  new window
9.Ingarden, R.(1961)。Aesthetic experience and aesthetic object。Philosophy and Phenomenological Research，21，289-313。  new window
10.Kember, J.(2010)。Productive intermediality and the expert audiences of magic theatre and early film。Early Popular Visual Culture，8(1)，31-46。  new window
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16.Pavis, P.(2001)。Theatre studies and interdisciplinarity。Theatre Research International，26，153-163。  new window
17.Serra, I.(2010)。From literature to film through figurative arts: Italian imagistic substitutions。Adaptation，4，137-166。  new window
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20.Warner, R.(2012)。The cinematic essay as adaptive process。Adaptation，6，1-24。  new window
21.陳海泓(20040600)。無字圖畫書和錄影帶對兒童故事推論的影響。國立編譯館館刊，32(2)，51-63。  延伸查詢new window
22.Nellse, W.(1993)。Historical implied authors and readers。Comparative Literature，45，22-46。  new window
23.劉紀蕙(19970500)。跨藝術互文與女性空間：從後設電影談蘿茲瑪的藝術相對論。中外文學，25(12)=300，52-81。new window  延伸查詢new window
會議論文
1.張寶芳(2010)。從媒介機緣談數位敘事的可能與限制。頂尖大學核心計畫年度成果發表會會議。臺北。  延伸查詢new window
學位論文
1.邱琬媜(2008)。親子共讀無字圖畫書歷程之互動與反應(碩士論文)。國立臺南大學，台南市。  延伸查詢new window
圖書
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2.McCloud, S.(1999)。Understanding comics: The invisible art。New York, NY：Paradox Press。  new window
3.Nikolajeva, Maria、Scott, Carole(2006)。How picturebooks work。New York, NY：Routledge。  new window
4.Schwarcz, J. H.(1982)。Ways of the illustrator: visual communication in children's literature。Chicago：American Library Association。  new window
5.Bordwell, D.、Thompson, K.(2010)。Film art: An introduction。New York, NY：McGraw-Hill。  new window
6.Clarke, M. J.(2013)。Transmedia television: New trends in network serial production。London：Bloomsbury Academic。  new window
7.Jones, M.(2009)。Found in translation: Structural and cognitive aspects of the adaptation of comic art to film。VDM Verlag Dr. Muller。  new window
8.Kress, G.、van Leeuwen, T.(2001)。Mutilmoda discourse: the modes and media of contemporary communication。London：Hodder Arnold。  new window
9.Daveies, Stephen、宋瑾、柯楊、陳燕婷、高拂曉、汪濤、王維(2007)。音樂的意義與表現。湖南：湖南文藝。  延伸查詢new window
10.Bluestone, G.(1957)。Novels into film: The metamorphosis of fiction into cinema。University of California Press。  new window
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13.孟建(2005)。圖像時代：視覺文化傳播的理論詮釋。上海市：復旦大學出版社。  延伸查詢new window
14.Selznick, B.(2011)。The Hugo movie companion: A behind the scenes look at how a beloved book became a major motion picture。New York, NY：Scholastic Press。  new window
15.Stam, Robert(2005)。Literature through film: Realism, magic and the art of adaptation。Blackwell。  new window
16.王志敏(2006)。現代電影美學體系。北京：北京大學。  延伸查詢new window
17.Selznick, B.、宋珮(2012)。雨果的祕密。臺北：臺灣東方。  延伸查詢new window
18.Selznick, B.、宋珮(2012)。奇光下的祕密。臺北：天下文化。  延伸查詢new window
19.Deleuze, G.、陳蕉(2009)。法蘭西斯．培根：感官感覺的邏輯。臺北：國立編譯館。  延伸查詢new window
20.Gaudreault, A.、劉雲舟(2010)。從文學到影片：敘事體系。北京：商務。  延伸查詢new window
21.Boyum, Joy Gould(1985)。Double exposure: Fiction into film。New York, NY：Universe Books。  new window
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24.Hutcheon, Linda、O'Flynn, Siobhan(2013)。A theory of adaptation。Routledge。  new window
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31.Solomon, S. T.(1976)。Beyond formula: American film genres。New York, NY：Harcourt, Brace and Jovanovich。  new window
32.Steig, W.(2008)。Shrek!。New York, NY：Square Fish。  new window
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40.van Allsburg, C.(1985)。The polar express。Boston, MA：Houghton Mifflin。  new window
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44.Chatman, Seymour B.(1990)。Coming to Terms: The Rhetoric of Narrative in Fiction and Film。Cornell University Press。  new window
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其他
1.項貽斐(20120220)。雨果的冒險，闖進奇幻世界。  延伸查詢new window
2.King, G.，Scorsese, M.(2011)。Hugo，Paramount Pictures and GK Films。  new window
圖書論文
1.張岳(2002)。美術片聲音元素解構--淺談動畫片的聲音元素及其運用。審美空間延伸與拓展--電影聲音藝術理論。北京：中國電影。  延伸查詢new window
2.Holthuis, S.(2010)。Intertexualtiy and meaning constitution。Approaches to poetry: Some aspects of textuality, intertexuality and intermediality。New York, NY：Palgrave Macmillan。  new window
3.McHale, B.(2010)。Narrativity and segmentivity, or, poetry in the gutter。Intermediality and storytelling。New York, NY：De Gruyter。  new window
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7.甘凌(2002)。電影聲音的藝術再現--對聲音主觀表現性的討論。審美空間延伸與拓展--電影聲音藝術理論。北京：中國電影。  延伸查詢new window
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