| 期刊論文| 1. | Hood, Mantle(1960)。The Challenge of 'Bi-Musicality'。Ethnomusicology，4(2)，55-59。   | | 2. | Foley, Kathy(2001)。Burmese Marionettes: Yokthe Thay in Transition。Aslan Theatre Journal，18(1)，69-80。 | | 3. | Marcus, George E.(20070600)。Collaborative Imaginaries。臺灣人類學刊，5(1)，1-17。 | | 4. | Appadurai, Arjun(1990)。Disjuncture and Difference in the Global Cultural Economy。Theory, Culture and Society，7(2)，295-335。 | | 5. | Brubaker, Rogers(2005)。The "diaspora" diaspora。Ethnic and Racial Studies，28(1)，1-19。 | | 6. | Baily, John(2001)。Learning to Perform as a Research Technique In Ethnomusicology。British Journal of Ethnomusicology，10(2)，85-98。 | | 7. | Fuks, Victor(1989)。Feedback Interviews and Reflexivity: In the Anthropological Study of Waiapi Festivals and Musical Performances。Society for Visual Anthropology Newsletter，5，24-28。 | | 8. | Grau, Andree(1992)。Intercultural Research in the Performing Arts。Dance Research: The Journal of the Society for Dance Research，10(2)，3-29。 | | 9. | Herndon, Marcia(1971)。The Cherokee Ballgame Cycle: An Ethnomusicologist's View。Ethnomusicology，15(3)，339-352。 | | 10. | Kapchaa, Deborah(1995)。Terformance。Journal of American Folklore，108(430)，479-508。 | | 11. | Rice, Timothy(2003)。Time, Space, and Metaphor in Musical Experience and Ethnography。Ethnomusicology，47(2)，151-179。 | | 12. | Singleton, Brian(1997)。Introduction: The Pursuit of Otherness for the Investigation of Self。Theatre Research International，22(2)，93-97。 | | 13. | Siawek, Stephen M.(1994)。The Study of Performane Practice as a Research Method: A South Asian Example。International Journal of Musicology，3，9-22。 | | 14. | Stone, Ruth M.(1981)。Toward a Kpelle Conceptualization of Music Performance。Journal of American Folklore，94(372)，188-206。 | | 15. | Stone, Ruth M.、Stone, Verlon L.(1981)。Event, Feedback, and Analysis: Research Media in the Study of Music Events。Ethnomusicology，25(2)，215-225。 | | 16. | Stone-MacDonald, Angela、Stone, Ruth M.(2013)。The Feedback Interview and Video Recording in African Research Settings。Africa Today，59(4)，2-22。 | | 17. | Titon, Jeff Todd(1995)。Bi-musicality as Metaphor。Journal of American Folklore，108(429)，287-297。 | | 18. | Marcus, George E.(1995)。Ethnography in/of the World System: The Emergence of Multi-Sited Ethnography。Annual Review of Anthropology，24(1)，95-117。 | 圖書| 1. | McLeod, Norma、Herndon, Marcia(1980)。The Ethnography of Musical Performance。Norwood, Pennsylvania：Norwood edition。 | | 2. | Turner, Victor Witter(1988)。The Anthropology of Performance。New York：PAJ Publications。 | | 3. | Singer, Noel F.(1995)。Burmese Dance and Theatre。New York：Oxford University Press。 | | 4. | Nettl, Bruno(2005)。The Study of Ethnomusicology: Thirty-one Issues and Concepts。University of Illinois Press。 | | 5. | 呂心純(20120000)。未褪色的金碧輝煌 : 緬甸古典音樂傳統的再現與現代性。臺北：國立臺灣大學出版中心。 延伸查詢 | | 6. | Coleman, Simon、von He Hermann, Pauline(2011)。Multi-Sited Ethnography: Problems and Possibilities in the Trans location of Research Methods。New York：Routledge。 | | 7. | Comaroff, John L.、Comaroff, Jean(2011)。Theory from, the South Or, How Euro-America Is Evolving Toward Africa。Paradigm Publishing。 | | 8. | Kisliuk, Michelle(1998)。Seize the Dance! BaAka Mruskal Life and the Ethnography of Performance。New York：Oxford University Press。 | | 9. | Mitoma, July、Trimillos, Ricardo(2004)。Narrative Performance Cross Cultural Encounters at APPEX。Los Angeles：UCLA Center。 | | 10. | Schechner, Richard(1988)。Essays on Performance Theory。New York：Routledge。 | | 11. | Bauman, Richard(1986)。Story, Performance, and Event: Contextual Studies of Oral Narrative。Cambridge University Press。 | 圖書論文| 1. | Baily, John(2008)。Ethnomusicology, Intermusability, and Performance Practice。The New (Ethno)mnsicologies。Plymouth：Scarecrow Press。 | | 2. | Kippen, James(2008)。Working with the Masters。Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology。New York：Oxford University Press。 | | 3. | Um, Hae-Kyung(2005)。Introduction: Understanding Diaspora identity, and Performance。Diaspora and Interculturalism in Asian Performing Arts: Translating Traditions。Routledge。 | | 4. | Wong, Deborah(2008)。Moving: From performance to performative ethnography and back again。Shadows in the field: New perspectives for fieldwork in ethnomusicology。New York：Oxford University Press。 | | 5. | Coleman, Simon(2006)。The Multi-sited Ethnographer。Critical Journeys: The Making of Anthropologist。Burlington, US：Ashgate。 | | 6. | Coleman, Simon、Collins, Peter(2006)。Introduction: Being... Where? Performing Fields on Shifting Grounds。Locating the Field: Space, Place and Context in Anthropology。New York：Berg。 | | 7. | Falzon, Mark-Antheny(2009)。[Multi-Sited Ethnography: Theory, Praxis and Locality in Contemporary Research] Introduction。Mulit-Sited Ethnography: Theory, Praxis and Locality in Contemporary Research。Surrey, UK：Ashgate。 | | 8. | Heimer, Maria(2006)。Field Sites, Research Design and Type of Findings。Doing Fieldwork in China。Honolulu：University of Hawaii Press。 | | 9. | Marcus, George E.(1999)。[Critical Anthropology Now] Introduction。Critical Anthropology Now: Unexpected Contexts, Shifting Constituencies, Changing Agendas。Santa Fe：SAR Press。 | | 10. | Marcus, George E.(2011)。Multi-sited Ethnography: Five or Six Things I Know about It Now。Multi-Sited Ethnography: Problems and Possibilities in the Translocation of Research Methods。New York：Routledge。 | | 11. | Siawek, Stephen M.(1991)。Ravi Shankar as Mediator between a Traditional Music and Modernity。Ethnomusicology and Modern Music History。Urbana：University of Illinois Press。 | |