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題名：「多元自我」與「互為主體」：一位緬甸古典音樂家的音樂自我建構
作者：呂心純
書刊名：同理心、情感與互為主體：人類學與心理學的對話;劉斐玟, 朱瑞玲 (主編)
頁次：157-205
出版日期：2014
出版項：臺北:中央研究院民族學研究所
主題關鍵詞：音樂；自我建構
學門：社會學
資料類型：專書論文
相關次數：
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:7
期刊論文
1.余德慧(20021200)。追索敘說自我的主體。應用心理研究，16，214-217。new window  延伸查詢new window
2.Hood, Mantle(1960)。The Challenge of 'Bi-Musicality'。Ethnomusicology，4(2)，55-59。  new window
3.Rice, Timothy(2003)。Time, Place, and Metaphor in Musical Experience and Ethnography。Ethnomusicology，47(2)，151-179。  new window
4.Ochs, Elinor、Capps, Lisa(1996)。Narrating the Self。Annual Review of Anthropology，25，19-43。  new window
5.Blum, Stephen(1975)。Towards a Social History of Musicological Technique。Ethnomusicology，19，207-231。  new window
6.Foley, Kathy(2001)。Burmese Marionettes: Yokthe Thay in Transition。Aslan Theatre Journal，18(1)，69-80。  new window
7.Ewing, Katherine P.(1990)。The Illusion of Wholeness: Culture, Self, and the Experience of Inconsistency。Ethos，18(3)，251-278。  new window
8.林韶怡、蔡敦浩(2013)。自我敘說的再回觀：經驗、書寫與批判。應用心理研究，57，1-4。  延伸查詢new window
9.Baily, John(2001)。Learning to Perform as a Research Technique In Ethnomusicology。British Journal of Ethnomusicology，10(2)，85-98。  new window
10.Titon, Jeff Todd(1995)。Bi-musicality as Metaphor。Journal of American Folklore，108(429)，287-297。  new window
11.Wikan, Unni(1992)。Beyond the Words: The Power of Resonance。American Ethnologist，19(3)，460-482。  new window
12.Miller, Peggy J.、Fung, Heidi、Mintz, Judith(1996)。Self-Construction through Narrative Practices: A Chinese and American Comparison of Early Socialization。Ethos: Journal of the Society for Psychological Anthropology，24(2)，237-280。  new window
13.Duranti, Alessandro、Burrell, Kenny(2004)。Jazz Improvisation: A Search for Hidden Harmonies and a Unique Self。Ricerche di Psicologia，3(27)，71-101。  new window
14.Hemdon, Marcia(1993)。Insiders, Outsiders: Knowing Our Limits, Limiting Our Knowing。The World of Music，35(1)，63-80。  new window
15.Slawek, Stephen(1994)。The Study of Performance Practice as a Research Method: A South Asian Example。International Journal of Musicology，3，9-22。  new window
16.Nasreddin-Longo, Ethan L. J.(1995)。Selfhood, Self-identity, Complexion, and Complication: The Contexts of a Song Cycle by Oily Wilson。Black Music Research Journal，15(1)，75-92。  new window
17.Holland, Dorothy、Leander, Kevin(2004)。Ethnographic Studies of Positioning and Subjectivity: An Introduction。Ethos，32(2)，127-139。  new window
18.Koning, Jos(1980)。The Fieldworker as Performer: Fieldwork Objectives and Social Roles in County Clare, Ireland。Ethnomusicology，24(3)，417-429。  new window
19.Lixhrmann, T. M.(2006)。Subjectivity。Anthropological Theory，6，345-361。  new window
20.Markus, Hazel R.、Kitayama, Shinobu(1991)。Culture and the self: Implications for cognition, emotion, and motivation。Psychological Review，98(2)，224-253。  new window
21.陸洛(20031200)。人我關係之界定--「折衷自我」的現身。本土心理學研究，20，139-207。new window  延伸查詢new window
圖書
1.Singer, Noel F(1995)。Burmese Dance and Theatre。New York：Oxford University Press。  new window
2.Wong, Deborah(2004)。Speak It Louder: Asian Americans Making Music。New York：Routledge。  new window
3.Cohen, Anthony Paul(1994)。Self Consciousness: An Alternative Anthropology of Identity。London：Routledge。  new window
4.Monson, Ingrid(1996)。Saying Something: Jazz Improvisation and Interaction。Chicago：University of Chicago Press。  new window
5.Seeger, Charles(1977)。Studies in Musicology, 1935-1975。Berkeley：University of California Press。  new window
6.Nettl, Bruno(2005)。The Study of Ethnomusicology: Thirty-one Issues and Concepts。University of Illinois Press。  new window
7.Stock, Jonathan P. J.(1996)。Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings。Rochester, NY：University of Rochester Press。  new window
8.Blacking, John(1973)。How Musical is Man?。University of Washington Press。  new window
9.呂心純(20120000)。未褪色的金碧輝煌 : 緬甸古典音樂傳統的再現與現代性。臺北：國立臺灣大學出版中心。new window  延伸查詢new window
10.Barthes, Roland(1997)。Image, Music, Text。New York：Hill and Wang。  new window
11.Stebbins, Robert A.(1992)。Amateurs, professionals, and serious leisure。McGill-Queen's University Press。  new window
12.Attali, Jacques、Massumi, Brian(2006)。Noise: The Political Economy of Music。Minneapolis：University of Minnesota Press。  new window
13.Goodwin, Maijorie H.(1990)。He-said-she-said: Talk as social organization among black children。Bloomington：Indiana University Press。  new window
14.Merriam, Alan P.(1967)。Ethnomusicology of the Flathead Indians。New York：Wenner-Gren Foundation for Anthropological Research。  new window
15.Zonis, Ella(1973)。Classical Pereian Music: An Introduction。Cambridge：Harvard University Press。  new window
16.Wong, Deborah(2001)。Sounding the Center: History and Aesthetics in Thai Buddhist Performance。Chicago：University of Chicago Press。  new window
17.Berliner, Paul(1993)。The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe。Chicago：The University of Chicago Press。  new window
18.Chattexjee, Piya(2001)。A Time for Tea: Post/Colonial Politics on an Indian Plantation。Durham, N.C.：Duke University Press。  new window
19.Danielson, Virginia(1997)。The Voice of Egypt: Umm Kulthūm, Arabic Song, and Egyptian Society in the Twentieth Century。Chicago：University of Chicago Press。  new window
20.Seeger, Anthony(2004)。Why Suyá Sing: A Musical Anthropology of an Amazonian People。Champaign, IL：University of Illinois Press。  new window
圖書論文
1.Baily, John(2008)。Ethnomusicology, Intermusability, and Performance Practice。The New (Ethno)mnsicologies。Plymouth：Scarecrow Press。  new window
2.Rees, Helen(2009)。introduction: Writing Lives in Chinese Music。Lives in Chinese Music。Urbana：University of Illinois Press。  new window
3.Wong, Deborah(2008)。Moving: From performance to performative ethnography and back again。Shadows in the field: New perspectives for fieldwork in ethnomusicology。New York：Oxford University Press。  new window
4.Geertz, Clifford(1984)。From the Native's Point of View: On the Nature of Anthropological Understanding。Culture Theory. Essays on Mind, Self and Emotion。Cambridge University Press。  new window
5.O'Neill, Susan A.(2002)。The Self-identity of Young Musicians。Musical Identities。New York：Oxford University Press。  new window
6.Rice, Timothy(1997)。Toward a Mediation of Field Methods and Field Experience in Ethnomusicology。Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology。New York：Oxford University Press。  new window
7.Ingold, Tim(1993)。The Art of Translation in a Continuous World。Beyond Boundaries: Understanding, Translation, and Anthropological Discourse。Oxford：Berg Publishers。  new window
 
 
 
 
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