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題名：未褪色的金碧輝煌 : 緬甸古典音樂傳統的再現與現代性
作者：呂心純 引用關係
出版日期：2012
出版項：臺北:國立臺灣大學出版中心
集叢：亞太音樂叢書;研究篇, 1
ISBN：978-986-03-3699-3
主題關鍵詞：民族音樂學；音樂社會學；緬甸
學門：藝術學
資料類型：專書
相關次數：
  • 被引用次數被引用次數:期刊(3) 博士論文(0) 專書(0) 專書論文(1)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:0
  • 點閱點閱:61
期刊論文
1.Connery, Christopher(1994)。Introduction: Asia/Pacific as Space of Cultural Production。Boundary 2，21(1)，30-56。  new window
2.Rice, Timothy(2003)。Time, Place, and Metaphor in Musical Experience and Ethnography。Ethnomusicology，47(2)，151-179。  new window
3.Scott, Derek(1998)。Orientalism and Musical Style。The Musical Quarterly，82(2)，309-335。  new window
4.Wilson, Rob、Dirlik, Arif(1994)。Introduction: Asia/Pacific as Space of Cultural Production。Boundary 2，21(1)，1-14。  new window
5.Monson, Ingrid(1999)。Riffs, Repetition, and Theories of Globalization。Ethnomusicology，43(1)，31-65。  new window
6.Ochs, Elinor、Capps, Lisa(1996)。Narrating the Self。Annual Review of Anthropology，25，19-43。  new window
7.沈冬(199008)。唐代驃國樂初探。中外文學，19(3)=219，23-57。new window  延伸查詢new window
8.徐小涵(2010)。兩種「反抗史」的書寫--斯科特James C. Scott)和底層研究學派 (The Subaltern Studies)的對比評述。社會學研究，1，211-227。  延伸查詢new window
9.陳孺性(199205)。關於「僄越」､「盤越」與「滇越」的考釋。大陸雜誌，84(5)，1-10。  延伸查詢new window
10.劉學照(2003)。清史編纂體裁體例之我見。華東師範大學學報，35(4)，1-9。  延伸查詢new window
11.羅貴祥、陳澤蕾(200506)。沒有亞洲這東西 : 港日「亞洲」電影的種族特殊性。中外文學，34(1)=397，89-105。new window  延伸查詢new window
12.饒文心(2009)。清代宮廷禮樂中的外來樂器闡釋。音樂研究，3，59-61。  延伸查詢new window
13.Becker, Judith(1967)。The Migration of the Arched Harp from India to Bunna。The Galpin Society Journal，20，17-23。  new window
14.Bell, Kevin(2003)。Jazz Country: Ralph Ellison in America。MFS Modern Fiction Studies，49(4)，836-838。  new window
15.Blum, Stephen(1975)。Towards a Social History of Musicological Technique。Ethnomusicology，19，207-231。  new window
16.Douglas, Gavin(2005)。Burmese Music and the World Market。Anthropology Today，21(6)，5-12。  new window
17.Foley, Kathy(2001)。Burmese Marionettes: Yokthe Thay in Transition。Aslan Theatre Journal，18(1)，69-80。  new window
18.Garfias, Robert(1975)。Preliminary Thoughts on Bunnese Modes。Asian Music，7(1)，39-49。  new window
19.Garfias, Robert(1981)。Speech and Melodic Contour Interdependence in Bunnese Music。Symposium of the College of Music Society，21(1)，33-39。  new window
20.Garfias, Robert(1985)。A Musical Visit to Burma。World of Music，18(1)，3-13。  new window
21.Garfias, Robert(1985)。The Development of the Modern Bunnese Hsaing Ensemble。Asian Music，16(1)，1-28。  new window
22.Glassman, Jim(2005)。On the Borders of Southeast Asia: Cold War Geography and the Construction of the Other。Political Geography，24，784-807。  new window
23.Gourlay, Kenneth A.(1978)。Towards a Reassessment of the Ethnomusicologist's Role in Research。Ethnomusicology，22(1)，1-33。  new window
24.Gourlay, Kenneth A.(1982)。Towards a Humanizing Ethnomusicology。Ethnomusicology，26(3)，411-420。  new window
25.Hood, Mantle(1960)。The Challenge of' Bi- Musicality。Ethnomusicology，4(2)，55-59。  new window
26.Khin, Zaw(1941)。Burmese Music- A Preliminary Enquiry。Society，30，387-466。  new window
27.Lee, Rachel(1999)。Asian American Cultural Production in Asian-Pacific Perspective。Boundary 2，26(2)，231-254。  new window
28.Lu, Hsin-chun(2009)。Burmese Classical Music: An Introduction。Fontes Artis Musicae，56(3)，254-271。  new window
29.Lu, Hsin-chun(2010)。Shaping Asian-Pacific Subjectivity in Cross-cultural Music Collaboration: An Asian-American Perspective。Formosan Journal of Music Research，9，131-158。  new window
30.Okell, John(1971)。The Burmese Double-reed Nhai!。Asian Music，2(1)，25-31。  new window
31.Rees, Helen(2001)。He Yi'an's Ninety Musical Years: Biography, History, and Experience in Southwest China。The World of Music，43(1)，43-67。  new window
32.Simonson, Linda(1987)。A Burmese Arched Harp (Saung-gauk) and Its Pervasive Buddhist Symbolism。Journal of the American Musical Instrument Society，13，39-64。  new window
33.Stock, Jonathan(2001)。Toward an Ethnomusicology of the Individual, or Biographical Writing in Ethnomusicology。The World of Music，43(1)，5-19。  new window
34.Twitchett, Denis、Christie, Anthony(1959)。A Medieval Buimese Orchestra。Asia Major，7，176-195。  new window
35.Wang, Yiman(2007)。Screening Asia: Passing, Performative Translation, and Reconfiguration。Positions，15(2)，319-343。  new window
36.Williamson, Muriel C.(1968)。The Constmction and Decoration of One Burmese Harp。Selected Reports in Etlwomusicology，1(2)，45-62。  new window
37.Williamson, Muriel C.(1975)。Aspects of Traditional Style Maintained in Burma’s First 13 Kyo Songs。Selected Reports in Ethnomusicology，2(2)，117-163。  new window
38.Williamson, Muriel C.(1979)。A Biographical Note on Mya-wadi U Sa。Musica Asiatical，2，151-194。  new window
39.Williamson, Muriel C.(1979)。The Basic Tune of a Late Eighteenth Century Burmese Classical Song。Musica Asiatical，2，155-195。  new window
40.Williamson, Muriel C.(1981)。The Correlation Between Speech-tones of Text-syllables and Their Musical Setting in a Burmese Classical Song。Musica Asiatica，3，11-28。  new window
41.Wilson, Rob(2001)。Doing Cultural Studies inside APEC: Literature, Cultural Identity, and Global / Local Dynamics in the American Pacific。Comparative Literature，53(4)，389-403。  new window
42.Douglas, Gavin(20030900)。The Myanmar University of Culture: For Patriotism and National Unity。民俗曲藝，141，261-282。  new window
43.呂心純(20110300)。音樂作為一種離散社會空間：臺灣中和地區緬甸華僑的音景與族裔空間建構。民俗曲藝，171，11-64。new window  延伸查詢new window
44.Appadurai, A.(1990)。Disjuncture and difference in the global culture economy。Theory, Culture, and Society，7(2/3)，295-310。  new window
45.Haraway, Donna(1988)。Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective。Feminist Studies，14(3)，575-599。  new window
46.Markus, Hazel R.、Kitayama, Shinobu(1991)。Culture and the self: Implications for cognition, emotion, and motivation。Psychological Review，98(2)，224-253。  new window
47.陳俊斌(20101200)。談臺灣原住民卡帶文化的混雜性。關渡音樂學刊，13，27-50。new window  延伸查詢new window
會議論文
1.呂心純(1999)。淺析唐代驃國獻樂的意義--以「新唐書」『南蠻傳』為主要探討對象。第一屆全國大學院校研究生音樂學術研討會。桃園：國立中央大學。1-26。  延伸查詢new window
2.Wong, Deborah(2006)。East Asian Modernities, or How Traditional Musics Go Global。International Conference of East Asian Music and Modernity。I-Lan。  new window
學位論文
1.Becker, Judith。Modes and the Oral Tradition in Burmese Music(碩士論文)。University of Michigan。  new window
2.Douglas, Gavin(2001)。State Patronage of Burmese Traditional Music(博士論文)。University of Washington。  new window
圖書
1.Lee, Josephine(1997)。Performing Asian America: Race and Ethnicity on the Contemporary Stage。Philadelphia：Temple University Press。  new window
2.Goffman, Erving(1967)。Interaction ritual: Essays on face-to-face behavior。New York：Pantheon Books。  new window
3.Levin, Theodore(1996)。The Hundred Thousand Fools of God: Musical Travels in Central Asia。Bloomington：Indiana University Press。  new window
4.Wong, Deborah(2004)。Speak It Louder: Asian Americans Making Music。New York：Routledge。  new window
5.Behar, Ruth、黃佩玲、黃恩霖(2010)。傷心人類學：易受傷的觀察者。台北市：群學。  延伸查詢new window
6.Cohen, Anthony Paul(1994)。Self Consciousness: An Alternative Anthropology of Identity。London：Routledge。  new window
7.王芝(1969)。海客日譚。臺北：文海出版社。  延伸查詢new window
8.彭定求(1960)。全唐詩。中華書局。  延伸查詢new window
9.托律(1992)。欽定大清會典圖。文海出版社。  延伸查詢new window
10.余少華(2001)。樂在顛錯中：香港雅俗音樂文化。牛津大學出版社。  延伸查詢new window
11.李謀(2007)。琉璃宫史。香港：商務印書館。  延伸查詢new window
12.林謙三、郭沫若(1957)。隋唐燕樂調研究。商務印書館。  延伸查詢new window
13.賀聖達(1992)。緬甸史。北京：人民出版社。  延伸查詢new window
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15.趙爾巽(1975)。清史稿•樂志。臺北：鼎文書局。  延伸查詢new window
16.Attali, Jacques(2006)。Noise: The Political Economy of Music。USA：University of Minnesota Press。  new window
17.Bakan, Michael(1999)。Music of Death and New Creation: Experiences in the World of Balineses Gamelan Beleganjur。Chicago：University of Chicago Press。  new window
18.Benian, Brenda F.(2000)。Awakening Spaces: French Caribbean Popular Songs, Music, and Culture。Chicago：University of Chicago Press。  new window
19.Chatterjee, Piya(2001)。A Time for Tea: Women, Labor, and Post / Colonial Politics on an Indian Plantation。Durham, NC：Duke University Press。  new window
20.Danielson, Virginia(1997)。The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Centwy。Chicago：University of Chicago Press。  new window
21.Erlmann, Veit(1996)。Nightsong: Performance, Power, and Practice in South Africa。Chicago：University of Chicago Press。  new window
22.Feld, Steven(1990)。Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression。Philadelphia：University of Pennsylvania Press。  new window
23.Fonnan, Murray(2002)。The ' Hood Comes First: Race, Space, and Place in Rap and Hip-Hop。Middeletown, CT：Wesleyan University Press。  new window
24.Furnivall, John Sydenham(1948)。olonial Policy and Practice: A Comparative Study of Burma and Netherlands India。Cambridge：University of Cambridge Press。  new window
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26.Garfias, Robert(1975)。Burmese Music and Dance。New York：Performing Arts Program of Asia Society。  new window
27.Garfias, Robert(1979)。Burmese Hsaing and Anyein。New York：Performing Arts Program of Asia Society。  new window
28.Hai-vey, Godfrey Eric(2010)。History of Burma: from the Earliest Times to 10 March, 1824, the Beginning of the English Conquest。New Delhi：Cosmo Publications。  new window
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31.Levin, Theodore(1996)。The Hundred Thousand Fools of God: Musical Travels in Central Asia and Queen's。New York：University of Indiana Press。  new window
32.Lipsitz, George(2007)。Footsteps in the Dark: the Hidden Histories of Popular Music。Minneapolis：University of Minnesota Press。  new window
33.Lortat-Jacob, Bernard、Fagan, Teresa Lavender(1995)。Sardinian Chronicles。Chicago：University of Chicago Press。  new window
34.MacLachlan, Heather(2011)。Burma's Pop Music Industry: Creators, Distributors, Censors。University of Rochester Press。  new window
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37.Nettl, Bruno(1983)。The Study of Etlmomusicology: Twenty-nine Issues and Concepts。Urbana：University of Illinois Press。  new window
38.Neuman, Daniel(1980)。The Life of Music in North India。Detroit：Wayne State University Press。  new window
39.Novas, Himilce、Cao, Lan(2004)。Everything You Need To Know About Asian-American History。New York：Plume。  new window
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47.Sherman, Jane(1976)。Soaring: The Diary and Letters of a Denishawn Dancer in the Far East 1925-1926。Middletown, CT：Wesleyan University Press。  new window
48.Shoon, Myaing(2004)。Mahagita Myanmar Classics volume。Mandalay, Myanmar：Myoma Amateur Music Association。  new window
49.Singer, Noel F.(1995)。Burmese Dance and Theatre。New York：Oxford University Press。  new window
50.Skidmore, Monique(2004)。Karaoke Fascism: Burma and the Politics of Fear。Philadelphia：University of Pennsylvania Press。  new window
51.Slobin, Mark(1993)。Subcultural Sounds: Micromusics of the West。Hanover, NH：University Press of New England。  new window
52.Stock, Jonathan(1996)。Musical Creativity in Twenfiefh- Cenfury China: Abing His Music, and Its Changing Meanings。Rochester, NY：University of Rochester Press。  new window
53.Sun, Yat-san(1941)。China and Japan: Natural Friends, Unnatural Enemies: A Guide for China's Foreign Policy。Shanghai：China United Press。  new window
54.Taylor, Robert(1987)。The State in Burma。C. Hurst & Co. Publishers。  new window
55.Taylor, Timothy(1997)。Global Pop: World Music, World Markets。Routledge。  new window
56.Tun, Hsaing(2001)。Dictionary of Myanma Performing and Plastic Arts。Yangon：The Ministry of Culture。  new window
57.Turino, Thomas(1993)。Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration。Chicago：University of Chicago Press。  new window
58.Von Eschen, Penny Marie(2004)。Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War。Harvard University Press。  new window
59.Williamson, Muriel C.(2000)。The Burmese Harp: Its Classical Music, Timings, and Modes。Dekalb, IL：Northern Illinois University。  new window
60.Ye Htut(1997)。Myanmar Dances. Yangon。Yangon：Win Sarpay。  new window
61.王溥、楊家駱(1974)。唐會要。臺北：世界書局。  延伸查詢new window
62.Foucault, Michel、Sheridan, Alan(1975)。Discipline and Punish: The Birth of the Prison。New York：Vintage Books。  new window
63.樊綽(1992)。蠻書。北京：中國書店。  延伸查詢new window
64.陶宗儀、張宗祥(1963)。說郛。臺北市：新興書局。  延伸查詢new window
65.Goffman, Erving(1969)。Strategic Interaction。Philadelphia：University of Pennsylvania Press。  new window
66.Boym, Svetlana(2001)。The Future of Nostalgia。New York：Basic Books。  new window
67.Bennett, Andy(2001)。Cultures of Popular Music。Open University Press。  new window
68.Foucault, Michel(1980)。Power and Knowledge: Selected Interviews and Other Writings, 1972-1977。New York：Pantheon。  new window
69.托津(1991)。欽定大清會典事例（嘉慶朝）。臺北：文海。  延伸查詢new window
70.Blacking, John(1973)。How Musical is Man?。University of Washington Press。  new window
71.Bohlman, Philip(1988)。The Study of Folk Music in the Modem World。Bloomington：Indianapolis：Indiana University Press。  new window
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75.Tria Kerkvliet, Benedict J.(2005)。The Power of Everyday Politics: How Vietnamese Peasants Transformed National Policy。Ithaca：Cornell University Press。  new window
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77.Scott, James C.(1990)。Domination and the Arts of Resistance: Hidden Transcripts。Yale University Press。  new window
78.Goodwin, Marjorie Harness(1990)。He-said-she-said. Talk as Social Organization among Black Children。Bloomington, IN：Indiana University Press。  new window
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80.Marcus, George E.、Fischer, Michael M. J.(1986)。Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences。University of Chicago Press。  new window
81.Geertz, Clifford(1973)。The Interpretation of Culture。New York：Basic Books。  new window
82.Bhabha, Homi K.(1990)。Nation and Narration。Routledge。  new window
83.Foucault, Michel、Martin, Luther H.、Gutman, Huck、Hutton, Patrick H.(1988)。Technologies of the Self: A Seminar with Michel Foucault。Amherst, MA：University of Massachusetts Press。  new window
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圖書論文
1.Coorlawala, Uttara Asha(2004)。Dancing Asianness at APPEX: Collaborative Structures。Narrative/Performance: Cross-Cultural Encounters at APPEX。Los Angeles：Center for Intercultural Performance, University of California, Los Angeles。  new window
2.Aung, Zaw(2004)。Burma: Music under Siege。Shoot the Singer: Music Censorship Today。New York：Zed Books。  new window
3.Baily, John(2008)。Ethnomusicology, Intermusability, and Performance Practice。The New (Ethno)mnsicologies。Plymouth：Scarecrow Press。  new window
4.Beeson, Mark。Chapter Seven: The Evolution of East Asian Regionalism。Regionalism and Globalization in East Asia。New York：Palgrave Macmillan。  new window
5.Bharucha, Rustom(2006)。'Asia is One': Critical Notes on Inter-Asian 'Creative Unity'。the Proceeding of the 2000 Asia-Pacific Arts Forum。Taipei：The Taipei National University of the Arts。  new window
6.Bharucha, Rustom(2002)。'Asia is One': Critical Notes on Inter-Asian 'Creative Unity'。the Proceeding of the 2000 Asia-Pacific Arts Forum。Taipei：The Taipei National University of the Arts。  new window
7.Douglas, Gavin(2005)。Who's Performing What? State Patronage and the Transformation of Burmese Music。Burma at the Turn of the Twenty-First Cenutry。Honolulu：University of Hawaii Press。  new window
8.Feld, Steven(1996)。Waterfalls of Song: an Acoustemology of Place Resounding in Bosavi, Papua New Guinea。Senses of Place。Santa Fe：School of American Research Press。  new window
9.Garfias, Robert(2001)。Myanmar。The New Grove Dictionary of Music and Musicians 17。London：Macmillan。  new window
10.Kenichi, Tsukada(2002)。Africa and East Asia。The World's Music: General Perspectives and Reference Tools。Routledge。  new window
11.Keeler, Ward(2005)。But Princes Jump!' Performing Masculinity in Mandalay。Burma at the Turn of the Twenty-First Century。Honolulu：University of Hawaii Press。  new window
12.Kippen, James(2008)。Working with the Masters。Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology。New York：Oxford University Press。  new window
13.Mitoma, Judy。Introduection。APPEX。Los Angeles：Center for Intercultural Performance, University of California, Los Angeles。  new window
14.Rees, Helen(2009)。introduction: Writing Lives in Chinese Music。Lives in Chinese Music。Urbana：University of Illinois Press。  new window
15.Roseman, Marina(2004)。intercultural Challenges: Homelands and Crossroads。Narrative / Performance: Cross-Cultural Encounters at APPEX。Los Angeles：Center for Intercultural Performance, University of California at Los Angeles。  new window
16.Schober, Juliane。Buddhist Visions of Moral Authority and Modernity in Burma。Burma at the Turn of the Twenty-First Century edited by Monique Skidmore。Honolulu：University of Hawaii Press。  new window
17.Skidmore, Monique(2005)。Introduction。Burma at the Twenty-first Century。Honolulu：University of Hawaii Press。  new window
18.Williamson, Muriel C.(1981)。The Iconography of Arched Harps in Burma。Music and Tradition: Essays on Asian and Other Musics Presented to Laurence Picken。Cambridge：Cambridge University Press。  new window
19.Clifford, J.(1986)。Introduction: Partial Truths。Writing Culture: The Poetics and Politics of Ethnography。Berkeley：University of California Press。  new window
20.Appadurai, Arjun(2001)。Grassroots Globalization and the Research Imagination。Globalization。Duke University Press。  new window
21.Stokes, Martin(1994)。Introduction: Ethnicity, Identity and Music。Ethnicity, Identity and Music: The Musical Construction of Place。Berg。  new window
22.Spivak, Gayatri Chakravorty(1988)。Can the Subaltern Speak?。Marxism and the Interpretation of Culture。University of Illinois Press。  new window
 
 
 
 
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