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題名:城市影展的品牌意象塑造--以柏林影展為例
書刊名:廣播與電視
作者:曾宜婷
出版日期:2016
卷期:39
頁次:頁61-73
主題關鍵詞:城市影展品牌意象柏林影展
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:46
  • 點閱點閱:37
期刊論文
1.Machimura, Takashi(1992)。The Urban Restructuring Process in Tokyo in the 1980s: Transforming Tokyo into a World City。International Journal of Urban and Regional Research,16(1),114-128。  new window
2.Catungal, J. P.、Leslie, D.、Hii, Y.(2009)。Geographies of displacement in the creative city: The case of liberty village, Toronto。Urban Studies,46(5/6),1095-1114。  new window
3.Riley, Roger W.、Van Doren, Carlton S.(1992)。Movies as tourism promotion: A 'pull' factor in a 'push' location。Tourism Management,13(3),267-274。  new window
4.Vanolo, A.(2008)。The image of the creative city: Some reflections on urban branding in Turin。Cities,25(6),370-382。  new window
5.Richards, Greg、Wilson, Julie(2004)。The impact of cultural events on city image: Rotterdam, cultural capital of Europe 2001。Urban Studies,41(10),1931-1951。  new window
6.游惠貞(2000)。始終引區龍頭--法國坎城影展。新觀念,171,60-61。  延伸查詢new window
7.Can-Seng, O.、Pedersen, J. S.(2010)。City branding and film festivals: Re-evaluating stakeholder's relations。Place Branding & Public Diplomacy,6(4),316-332。  new window
8.Chorianopoulos, I.、Pagonis, T.、Koukoulas, S.、Drymoniti, S.(2010)。Planning, competitiveness and sprawl in the Mediterranean city: The case of Athens。Cities,27(4),249-259。  new window
9.Herstein, R.、Berger, R.(2014)。Cities for sale: How cities can attract tourists by creating events。The Marketing Review,14(2),131-144。  new window
10.Herstein, R.(2012)。The thin line between country, city and region branding。Journal of Vacation Marketing,18(2),147-155。  new window
11.Kavaratzis, M.、Ashworth, G. J.(2007)。Partners in coffee shops, canals and commerce: Marketing the city of Amsterdam。Cities,24(1),16-25。  new window
12.Mazdon, L.(2007)。Transnational 'French' cinema: The Cannes film festival。Modern and Contemporary France,15(1),9-20。  new window
13.Mossberg, L.、Getz, D.(2006)。Stakeholder influences on the ownership and management of festival brands。Scandinavian Journal of Hospitality and Tourism,6(4),308-326。  new window
14.Nilsson, P. Å.(2007)。Stakeholder theory: The need for a convenor. The case of Billund。Scandinavian Journal of Hospitality and Tourism,7(2),171-184。  new window
15.Olins, W.(2002)。Branding the nation: The historical context。Brand Management,9(4/5),241-248。  new window
16.Ooi, C.-S.、Pedersen, S. J.(2010)。City branding and film festivals: Re-evaluating stakeholder's relations。Place Branding and Public Diplomacy,6(4),316-332。  new window
17.Tatevossian, A. R.(2008)。Domestic society's (often-neglected) role in nation branding。Place Brand and Public Diplomacy,4(2),182-190。  new window
18.Therkelsen, A.、Halkier, H.(2008)。Contemplating place branding umbrellas: The case of coordinated national tourism and business promotion in Denmark。Scandinavian Journal of Hospitality and Tourism,8(2),159-175。  new window
19.Vasudevan, S.(2008)。The role of internal stakeholders in destination branding: Observations from Kerala Tourism。Place Brand and Public Diplomacy,4(4),331-335。  new window
會議論文
1.張嘉真(2015)。影展的政治、商業、文化--以台北電影節為例。2015中華傳播學會年會。高雄市:高雄市。  延伸查詢new window
學位論文
1.殷嘉蓮(2007)。台灣電影獲國際影展獎項與票房銷售之關係(碩士論文)。國立中山大學。  延伸查詢new window
2.De Valck, M.(2006)。Film festivals. History and theory of a European phenomenon that became a global network(博士論文)。University of Amsterdam。  new window
圖書
1.Hammersley, Martyn、Atkinson, Paul(2007)。Ethnography: Principles in practice。Routledge。  new window
2.Urry, J.(2002)。The tourist gaze。Sage。  new window
3.詹宏志(1996)。城市人:城市空間的感覺、符號和解釋。台北:臉譜文化。new window  延伸查詢new window
4.Florida, R.(2003)。The Rise of the Creative Class。New York:Basic Books。  new window
5.Jaffe, E. D.、Nebenzahl, I. D.(2001)。National Image and Competitive Advantage。Copenhagen:Copenhagen Business School Press。  new window
6.Landry, C.(2012)。The creative city: A Toolkit for Urban Innovators。London:Earthscan。  new window
7.Moeran, B.(2005)。The Business of Ethnography: Strategic Exchanges, People and Organizations。Copenhagen:Copenhagen Business School。  new window
8.Schneider, P.(2014)。Berlin Now: The City After the Wall。Berlin:Farrar, Straus and Giroux。  new window
9.Turan, K.(2002)。Sundance to Sarajevo: Film Festivals and the World They Made。University of California Press。  new window
10.Baudrillard, M. Jean、林志明(1997)。物體系。時報。  延伸查詢new window
11.Silverstone, Roger(1994)。Television and Everyday Life。Routledge。  new window
12.Freeman, Robert Edward(1984)。Strategic Management: A Stakeholder Approach。Pitman。  new window
其他
1.黃玉珊(2013)。垮了一條電影老街,http://www.funscreen.com.tw/feature.asp?FE_NO=252。  延伸查詢new window
2.塗翔文(20060512)。影展在台灣,http://blog.udn.com/steventu/270815。  延伸查詢new window
圖書論文
1.Brown, G.、Chalip, L.、Jago, L.、Mules, T.(2002)。The Sydney Olympics and brand Australia。Destination Branding: Creating the Unique Destination Proposition。Oxford:Butterworth Heinemann。  new window
2.Harbord, J.(2002)。Film festival: media events and space of flow。Film Culture。London:Sage Publications。  new window
3.Mitki, Y.、Herstein, R.、Jaffe, E.(2011)。Repositioning a destination in a time of crisis: The case of Jerusalem。Destination Brands. Managing Place Reputation。Oxford:Elsevier。  new window
4.Stringer, J.(2001)。Global Cities and the International Film Festival Economy。International film festival circuit as part of the global space economy。Blackwell。  new window
5.Smith, M. F.(2004)。Brand Philadelphia: The power of spotlight events。Destination Branding: Creating the Unique Destination Proposition。London:Elsevier。  new window
 
 
 
 
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