There is the narrative of "Shi Pi" of the celebrities in Wei-Jin Dynasty in Shi Shuo Xin Yu. This paper discusses Chuang-tzu's thinking of "Wu Hua", Heidegger's Thinking of the Thing and the attitude of "being-towards-death", and Bakhtin’s theory of "Carnival" from the perspective of narrative, life and life aesthetics, in order to show the readers the state of life and the characteristic of spirits of the celebrities in Wei-Jin. In Shi Shuo Xin Yu, the author shows us the beauty of daily life from the description of daily atmosphere, personal emotions and life details of narrative of "Shi Pi". Viewing from the macro perspective of life aesthetics, the narrative of "Shi Pi" reveals the celebrities at that time tended to dwell poetically and to be towards death to keep the poetic life state. Viewing from the micro perspective of life aesthetics, the relationship between the thing and ego in the narrative of "Shi Pi" can help get rid of the falling of "Yi Wu" and "addiction", thus showing the thingking of "viewing the thing from the perspective of itself". "Shi Pi" in the nude and in drunk links with the narrative of body (the underparts) and the state of intoxication , which shows Carnival Spirits, and leads to deconstruct the structure of daily life. Because of clear attitude towards as a being, "Shi Pi" in the nude and in drunk instills a poetic life style, while the "Shi Pi" of the imitator can not. The narrative of "Shi Pi" also shows us the life state of "reverence for life" of the celebrities in Wei-Jin Dynasty. This is revealed by the "projecting-open" when facing death and the individual evolution in the attitude of "being-towards-death". And the poetic life is also the highest state of life. In addition, to be indulged in the thing so as to escape from "death" and the "Man" characterizes the "falling", and this is contrasted with the state of authenticity of great people.