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題名:中國版畫的荷蘭範本:韓懷德的《牧林特立圖》研究
書刊名:藝術學研究
作者:王靜靈洪楷晴
作者(外文):Wang, Ching-lingHung, Kai-chin
出版日期:2020
卷期:26
頁次:頁219-251
主題關鍵詞:蘇州版畫韓懷德歐洲影響中西交流Suzhou printHan HuideEuropean impactExchanges between China and Europe
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:80
  • 點閱點閱:2
期刊論文
1.陳慧宏(20100900)。耶穌會傳教士利瑪竇時代的視覺物像及傳播網絡。新史學,21(3),55-123。new window  延伸查詢new window
2.王靜靈(20080300)。建立典範:王時敏與《小中現大冊》。國立臺灣大學美術史研究集刊,24,175-225+227-258+326。new window  延伸查詢new window
3.王景鴻(20061200)。清宮鐫刻的第一部銅版畫冊--淺論康熙《御製避暑山莊詩圖》。故宮文物月刊,285,58-73。new window  延伸查詢new window
4.王正華(20030900)。生活、知識與文化商品:晚明福建版「日用類書」與其書畫門。中央研究院近代史研究所集刊,41,1-85。new window  延伸查詢new window
5.Pelliot, Paul(1921)。La peinture et la gravure européennes en Chine au temps de Mathieu Ricci。T'oung Pao,20,2-18。  new window
6.Kleutghen, Kristina(2014)。Chinese Occidenterie: The Diversity of 'Western' Objects in Eighteenth-Century China。Eighteenth-Century Studies,47(2),117-135。  new window
7.Butz, Herbert(1996)。Zimelien der populären chinesischen Druckgraphik. Holzschnitte des 17. und 18. Jahrhunderts aus Suzhou im Kupferstichkabinett in Dresden und im Museum für Ostasiatische Kunst in Berlin。Mitteilungen der Deutschen Gesellschaft für Ostasiatische Kunst,13,28-41。  new window
8.van Campen, Jan(2009)。Reduced to a Heap of Monstruous Shivers and Splinters' Some Notes on Coromandel Lacquer in Europe in the 17th and 18th Centuries。The Rijksmuseum Bulletin,57(2),136-149。  new window
9.de Haan, Johan(2009)。The Leeuwarden Lacquer Room: A Royal Puzzle。The Rijksmuseum Bulletin,57(2),150-169。  new window
10.Fontein, Jan(1959)。Twaalfbladig kamerscherm, zgn. Coromandel-lakwerk, China, 2e helft 17e eeuw。Bulletin van het Rijksmuseum,7(3/4),72-73。  new window
11.Holler, Wolfgang(1995)。Zur Sammlung ostasiatischer Kunst im Kupferstich-Kabinett der Staatlichen Kunstsammlungen Dresden。Mitteilungen der Deutschen Gesellschaft für Ostasiatische Kunst,11,3-13。  new window
12.Kent, Richard K.(20010900)。Ch'iao Chung-ch'ang's Illustration of Su Shih's "Latter Prose Poem on the Red Cliff": Pai-miao (Plain Line Drawing) as Heuristic Device。國立臺灣大學美術史研究集刊,11,95-131+208。new window  new window
13.March, Benjamin(1931)。Linear Perspective in Chinese Painting。Eastern Art,3,113-139。  new window
14.Roxburgh, David J.(1995)。Heinrich Friedrich von Diez and His Eponymous Albums: Mss. Diez A. Fol. 70-74。Muqarnas,12,112-136。  new window
15.板倉聖哲(2001)。喬仲常「後赤壁賦圖卷」(ネルソン.アトキンス美術館)の史的位置。国華,107(1)=1270,9-22。  延伸查詢new window
16.盧素芬(20070200)。詩書畫裡影子的意象。故宮文物月刊,287,56-69。new window  延伸查詢new window
17.王正華(20051200)。乾隆朝蘇州城市圖像:政治權力、文化消費與地景塑造。中央研究院近代史研究所集刊,50,115-184。new window  延伸查詢new window
會議論文
1.Sullivan, Michael(1972)。Some Possible Sources of European Influence on Late Ming and Early Ch'ing Painting。The International Symposium on Chinese Painting,(會議日期: 1970/6/18-1970/6/24)。Taipei:National Palace Museum。595-634。  new window
2.蔡星儀(2006)。兩卷《五牛圖》考辨。千年遺珍國際學術研討會。上海:上海書畫出版社。629-642。  延伸查詢new window
學位論文
1.李欣葦(2012)。清宮銅版畫戰圖創生:從《回部得勝圖》到《臺灣戰圖》(碩士論文)。國立臺灣大學。  延伸查詢new window
2.Lin, Li-Chiang(1998)。The Proliferation of Images: The Ink-Stick Designs and the Printing of the Fang-shih mo-p'u and the Ch'eng-shih mo-yüan(博士論文)。Princeton University,Princeton, New Jersey。  new window
圖書
1.Cahill, James(2010)。Pictures For Use and pleasure: Vernacular Painting in High Qing China。University of California Press。  new window
2.Harrist, Robert E. Jr.(1997)。Power and Virtue: The Horse in Chinese Art。New York:China Institute in America。  new window
3.姜紹書(1974)。無聲詩史。臺北:文史哲出版社。  延伸查詢new window
4.Brockey, Liam Matthew(2007)。Journey to the East: the Jesuit mission to China, 1579-1724。Harvard University Press。  new window
5.Jacobson, Dawn(1993)。Chinoiserie。London:Phaidon Press。  new window
6.故宮博物院、遼寧省博物館、上海博物館(2002)。晉唐宋元書畫國寶特集。上海:上海書畫出版社。  延伸查詢new window
7.Bush, Susan(1971)。The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch'i-Ch'ang (1555-1636)。Camgridge:Harvard University Press。  new window
8.Sullivan, Michael(1973)。The Meeting of Eastern and Western Art。Thames and Hudson Ltd.。  new window
9.Wappenschmidt, Friederike(1989)。Chinesische Tapeten für Europa: vom Rollbild zur Bildtapete。Berlin:Deutscher Verlag für Kunstwissenscahft。  new window
10.青木茂、小林宏光(1995)。「中国の洋風画」展--明末から清時代の絵画.版画.挿絵本。町田市立国際版画美術館。  延伸查詢new window
11.Cahill, James(1982)。The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting。Cambridge, Massachusetts:Harvard University Press。  new window
12.Kleutghen, Kristina(2015)。Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces。University of Washington Press。  new window
13.林柏亭(2006)。大觀--北宋書畫特展。臺北:國立故宮博物院。  延伸查詢new window
14.Morena, Francesco(2009)。Chinoiserie: The Evolution of the Oriental Style in Italy from the 14th to the 19th Century。Florence:Centro Di。  new window
15.Watson, Burton(1994)。Selected Poems of Su Tung-P'o。Port Townsend:Copper Canyon Press。  new window
16.Baxandall, Michael(1995)。Shadows and Enlightenment。Yale University Press。  new window
17.Bischoff, Cordula、Hennings, Anne(2009)。Goldener Drache, Weißer Adler: Kunst im Dienste der Macht am Kaiserhof von China und am sächsisch-polnischen Hof (1644-1795)。München:Hirmer。  new window
18.Bolten, Jaap(2007)。Abraham Bloemaert, c. 1565-1651: The Drawings。Bolten, Jaap。  new window
19.de Graaf, Florence(2007)。Het zuiden tegemoet: de landschappen van Herman van Swanevelt 1603-1655。Woerden:Stadsmuseum Woerden。  new window
20.De Kesel, W.、Dhont, Greet(2002)。Coromandel Lacquer Screens。Gent:Snoeck Ducaju。  new window
21.Fuchs, Walter(1966)。Chinesische und manjurische Handschriften und seltene Drucke。Wiesbaden:Steiner。  new window
22.Helmus, Liesbeth M.、Seelig, Gero(2011)。Het Bloemaert-effect: kleur en compositie in de Gouden Eeuw。Petersberg:Imhof。  new window
23.Hardin, Jennifer(2000)。Abraham Bloemaert (1566-1651) and His Time。St. Petersburg, Florida:Museum of Fine Arts。  new window
24.Goepper, Roger(1959)。Chinesischer Blütenreigen: Farbholzschnitte des 17. Jahrhunderts。München:Hirmer。  new window
25.Honour, Hugh(1961)。Chinoiserie: The Vision of Cathay。London:Icon。  new window
26.Howard, David S.、Ayers, John(1978)。China for the West: Chinese Porcelain & other Decorative Arts for Export Illustrated from the Mottahedeh Collection。London:Sotheby Parke Bernet。  new window
27.Jarry, Madeleine(1981)。Chinoiserie: Chinese Influence on European Decorative Art, 17th and 18th Centuries。New York:Vendome Press。  new window
28.Kopplin, Monika(2015)。Gérard Dagly (1660-1715) und die Berliner Hofwerkstatt。München:Hirmer。  new window
29.Lust, John(1996)。Chinese Popular Prints。Leiden:E. J. Brill。  new window
30.Rudi, Thomas(2010)。Exotische Welten: Der Schulz-Codex und das frühe Meissener Porzellan。München:Hirmer。  new window
31.Roethlisberger, Marcel Georges、Bok, Marten Jan(1993)。Abraham Bloemaert and His Sons: Paintings and Prints。Doornspijk:Davaco。  new window
32.von Spee, Clarissa(2009)。The Printed Image in China: From the 8th to the 21st Centuries。London:British Museum。  new window
33.黒田源次(1932)。支那古版画図録。東京:美術懇話会。  延伸查詢new window
34.Impey, Oliver R.(1977)。Chinoiserie: The Impact of Oriental Styles on Western Art and Decoration。Oxford University Press。  new window
圖書論文
1.Bailey, Gauvin Alexander(2005)。Jesuit Art and Architecture in Asia。The Jesuits and the Arts, 1540-1773。Philadelphia, Pennsylvania:Saint Joseph's University Press。  new window
2.Kobayashi, Hiromitsu(2009)。Seeking Ideal Happiness: Urban Life and Culture Viewed through Eighteenth-Century Suzhou Prints。The Printed Image in China: From the 8th to the 21st Centuries。London:British Museum Press。  new window
3.Liu, Li-Hong(2015)。Shadows in Chinese Art: An Intercultural Perspective。Qing Encounters: Artistic Exchanges between China and the West。Los Angeles, California:Getty Research Institute。  new window
4.Steland, Anne Charlotte(2013)。Herman van Swanevelt: Neu aufgetauchte Werke。Liber amicorum Marijke de Kinkelder: collegiale bijdragen over landschappen, marines en architectuur。Den Haag:RKD。  new window
5.Van Heugten, Sjraar(1988)。Grazende modellen: Aspecten van het nederlandse veestuk。Meesterlijk vee: Nederlandse veeschilders 1600-1900。Zwolle:Waanders。  new window
6.Wang, Cheng-Hua(2014)。Prints in Sino-European Artistic Interactions of the Early Modern Period。The Transcendence of the Arts in China and beyond: Historical Perspectives。Lisboa:Faculdade de Belas Artes, Universidade de Lisboa。  new window
 
 
 
 
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