本文以創作報告方式闡述作者個展作品「經典之作」的兩大系列－「社會寫真」與「骰子」系列，以表達藝術工作者如何透過作品關切所身處的社會內文中包括創作過程與媒材使用的說明，以及兩大系列作品的解析與展後的評論。 作品主要是質疑「中國經典」是否對今日臺灣社會具教化功能？還是這社會脫序的現象正是「中國經典」所教導出的產物？作者以古今對照的圖像(古畫與臺灣社會寫實圖片)以及骰子符號來對照經典詞句 ，以批判當今教育與臺灣社會思潮/行為之間的相互關係。

This paper mainly describes the works of the exhibition on two series of artworks-“social Reality” and “Dice” series, to express how an artist concerns about her society through her works. In the paper, it includes the analysis of the concept of the works, and the process and media application. The works attempt to bring up the question if “Chinese Classics” can provide social duration function to the society of Taiwan today? Or such a social disordered happens to be the output under education of “Chinese Classics”? The artist uses comparison pictures of ancient and modern ages, and dice symbols with classical phrases, to criticize and mutual reaction between the current education and social concept/behaviors of the Taiwanese today.